- Fandom: Stardew Valley
- Pairing(s): Sebastian/Female Farmer, Sam/Alex
- Rating: Explicit
- Word Count: 60,489
- Summary: After playing Solarian with the boys, the farmer is determined to finally break through Sebastian's shell one way or another. Even if it means pretending to be someone else.
There's a reason we shipped Hansry ever since KCD1.
The divorce era is such a fascinating time for me because both Henry and Hans end up doing more or less the same thing (keeping in mind different skill sets) and always with each other still in mind.
Henry is off doing what he's good at (whatever other people happen to need him to do that sounds interesting enough) while Hans is poaching, but both are doing so with the express intent of getting enough money so they can show up at Trosky together.
Hans' language when you find him poaching is fascinating:
We? We?
Hans, are you telling me that you're hoping to provide for Henry financially?
hi, you wrote a post about Hansry adventures to Holy Land:) A friend of mine is writing a fic about it. It is not in English but if you are intrested, you can try use online translator! sorry for interruption :) https://ficbook.net/readfic/0195c438-d124-71a1-a317-2e480af5b56b
omg that's WONDERFUL!!! please tell your friend thank you for creating what is probably a masterpiece!!! :D
I've personally tried to read online translated fic before but at least in my experience it inevitably robs the fic of sooooo much of the nuance and art π© tbh I was hoping that it would be in German, then I could have read it π still gonna post this tho in case anyone who speaks Russian is following me and is interested!! :D
If you don't skip time ahead on Henry and Hans' first journey to the Nebakov Fortress, you get to talk to him a bit more. And at one point Henry can comment that his ass is sore from riding (an objectively very short distance; jfc pull your shit together, Henry).
Which prompts Hans to say this:
Hansry going to the Holy Land together??????????? π
This is making me feel insane. This interaction only comes up if you keep clicking on Hans after you run into him at the wedding (the first time), but it gives us literally perfect insight into Hans' mental state during the divorce arc.
Like... Hans, baby girl. You left Henry. He literally was ready to push all your insults aside and move on, ready to keep going together, and you pushed him away.
No wonder he did that. No wonder he tried to push that inadequacy onto Henry. It's all at home in deep-rooted, deep-seated insecurity: I'm not good enough for Henry. I'm holding him back. I landed us in the pillory. We only ended up here because I had to run my big mouth, just like he said. I need to do this myself because if not I am only a dead weight to Henry.
I wouldn't be surprised if this wasn't running through his head the whole night they spent in the pillory together.
I... I need to talk about the talking dog. The one Henry talks to when he gets drunk with the Cumans.
Honestly this whole conversation is wonderful and either this dog is actually prophetic or that Henry's subconscious is.
The dog speaks of Henry's goal. Naturally, Henry assumes this is about the booze he's looking for at this point:
I'm soooo obsessed with hans' gift giving love language, he doesn't have a groschen to his name at devil's den but he needs to express the magnitude of what the maleshov rescue meant to him so he steals jobst's expensive bow and invents a grand little fairytale about how fate intended it for a true knight (Henry, ofc, the best and truest knight (not actually a knight)) (which is even cuter given hans is more of an archer and especially if you like me play henry as a swordsman) and I just imagine Hans impulsively stealing this pretty bow out of spite and then once he has it, probably one of the most valuable things he has in his possession at this point, immediately feeling like he absolutely must give it to henry
I hope you can forgive me for adding to this excellent post that I could not agree with more, but the timing of that gift in particular is also interesting and makes it matter even more imo.
Because this is shortly after he found out that he's going to be married off against his will. This didn't come up after they reunited at Raborsch, because, well, a slaughter had just occurred and they kind of had more important things to do. But the next time the two of them have a chance to talk, Hans does not bring up what happened. Instead, he tells Henry he prayed for him, gifts him the bow, and then...
There is a real yearning for the past here, returning to the time that they first bonded together and actually became friends. Certainly a time before he was all set to be married. Henry even remarks on how odd it is that he should reminisce about this time to this extent and end up pining after the ye olde times that they shared:
Hans, of course, immediately goes on the defensive:
And ends up looking for reassurance here... only to change the topic as quickly as possible. No need to answer now, Henry! There's duty and such things to be done! We can still have fun another time!!
That gift to me is sooo directly linked to his desire for a) a time before his surprise betrothal and b) Henry. He may as well be saying "take me back to how things were before, please. I'll give you anything if only you'll do that."
I know that Henry and Hans' idyllic journey from Bozhena's hut to the castle that we see during the title sequence is only a handful of hours, but.
Considering how much I have Henry running around every which way of the countryside, can you even imagine how much his mind must end up wandering to "oh, Hans and I walked along here," and "this is the field of grass where we stopped just to lie down for a while," and "we stopped just to hear the echoes of our voices here between the rocks."
And, of course, "god I wish Hans were here."
Me seeing all the Hansry bitches speak latin
the medievalist to hansry shipper pipeline is real
You know what really gets me about this moment? It's the fact that Hans starts out calling Mutt an IT before immediately realizing and switching: Mutt can look after himself.
Bearing in mind that the game even tells you that animals were viewed purely through the lens of utility (as a historian I do take umbrage with this all-or-nothing verbiage but I get what they're saying), this does tell us that Hans knows that Henry really cares about his dog and is making a concerted effort to treat him accordingly. Because he also really cares about Henry.
Why Henry pushes Hans away at first
I keep thinking about Henry pushing Hans away after he kisses him and why he might do that. After much rumination I think I might have figured it out (though anyone is welcome to chime in with their own ideas!!!).
Apologies in advance-- this got quite long, as it analyzes Henry's view of Hans' romantic behavior through both games and the DLCs (expect spoilers).
This was a great read. Thanks for putting it together!
One little thing that I've yet to see someone mention, is Henry's own reaction to placing his hand on Hans'. The next shot focuses on Hans' face, so that's where the eye is typically drawn. If you watch Henry though, you'll see that he appears to glance down at their hands, never actually looking at Hans directly. He then blinks rapidly a number of times, leans back slightly and, wiith an inhale, starts to talk while standing.
Ohohohohohoho this is a WONDERFUL addition, BLESS YOU for this!!! I love those little physical details so much. Like I know we're all just π over here looking at the tiniest thing but the game packs in so many tiny subtle things that it makes it impossible not to assume that this stuff was intentional, esp for a cinematic moment like that which was so important too... π
As for Henry's awareness of his feelings, I 100% agree with you. In fact, there are several hints throughout KCD2 that Henry is well aware of the fact that same-gender attraction exists (and has the option of acting on his own same-gender attraction). We also get a tiny hint in the Amorous Adventures of Sir Hans Capon that Henry does find Hans attractive: