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da_shusha

@da-shusha

artist, rus/eng, infj married to entp

ะšะฐะบ ัƒ ะฒะฐั ะดะตะปะฐ? ะœะฝะต ะพั‡ะตะฝัŒ ะฝั€ะฐะฒะธั‚ัั ะฒะฐัˆ ัั‚ะธะปัŒ ๐Ÿคฒ๐Ÿ’•๐Ÿฅน

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ะ’ัะต ะฟัƒั‚ั‘ะผ, ะฝะฐะดะตัŽััŒ, ัƒ ะฒะฐั ั‚ะพะถะต:D ะ‘ะปะฐะณะพะดะฐั€ัŽ ะทะฐ ั‚ะฐะบะธะต ะฟั€ะธัั‚ะฝั‹ะต ัะปะพะฒะฐโ™ฅ

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Reblogged
-Grand Canal, Venice-

I like the composition and colours here. As i said earlier, Sargents technique is one of the most impressive things of his art. Look at those free brave brush strokes! However, he doesn't let himself relax at details โ€” those houses far away are pretty detailed too. Making a fast etude sometimes catches me trying to have the right tones and colours, not some details that i don't have time to do in the moment. But one of landscape rules says smth like "The more contrast in sizes is, the more air and space it gives". Speaking shortly, the smaller leaves you paint, the bigger that tree seems. Same thing with those small in perspective houses and their details and window โ€” it brings into a simple fast etude more space and air, it looks bigger than it really is. Like my teacher says, "the real good work of an artist always has a balance of details and tones, so you can zoom it up and it still is as nice as it was being small".

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