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drawrings

@filurig / filurig.tumblr.com

art/oc bloge ... personal/reblog bloge is botaurinae

Pinned

i realise i havent actually made a pinned for this blog so...

hi, im björn and im a 23 year old guy (he/him) from sweden Who Likes To Draw!! this is my art blog. i really like birds, paleontology, ocs, and music! im also autistic and if it isnt obvious enough birds and music are my special interests. i guess ocs also could count as such...

i tend to draw my ocs. my main oc universe i call “pareidolia”, which is a setting that takes place in sweden roughly during the first decade of the 1900s. everything is as it is with the exception of creatures and figures from folklore actually being real - and while some magical elements exist, their true nature is a bit different from the mythos.

check out the tags related to it here if u want to snoop about it! or if u want to read more in depth stuff, check out the toyhouse page.

if u follow and i happen to glance on ur profile and see stuff like proship, dead dove, etc i will block u. sorry i just dont want that kind of analysis on my guys and story

i also have a twitter, youtube, artfight and instagram !

Anonymous asked:

maybe i’m mistaken, but from what I’ve seen, arvo (basilisk) looks pretty different from arvo (human), both in part one and part two… how does he convince everyone that 1. He’s human and 2. He’s arvo?

its an understandable confusion! there's some metatextual stuff with how he looks as well, but also an in universe logic to it.

his part 1 appearence is first off not actually literal! in actuality his "real" appearence is the same as his pt 2 one. it's just the way that he's depicted to the viewer is as The Weird Silhouette Esque thing he is. partly to seperate him from arvo (human), but also as a bit of a representation of his denial of his own nature. there's more symbolic stuff behind it i could ramble about but i think it'd get too long lol.

but then for the in universe logic behind it, the way that basilisk shapeshifting works in universe is by a combination of physical and psychological influence (this post has a more thorough explanation). in short basilisks cannot perfectly replicate the animal they shapeshift into, at least integuement/colour wise, so they make up for it through affecting psychological perception though "magic" ("anda" is what the magic is in this universe if you've seen me mention it before). so while arvo in actuality (in both pt 1 and 2) looks like a goofy bird guy the whole time, the people around him, as they never saw the transformation or know that it's even possible for a basilisk to shapeshift, simply just interpret him as arvo (human) visually!

as for his behaviour/personality somehow not managing to set off alarm bells... its a combination of these factors:

  1. the staunch disbelief in "magic" that the people around him have
  2. fragmentary memories arvo (basilisk) inherited from arvo (human), which is also a function of basilisk from aquisition
  3. the traumatic event which resulted in arvo's escape from the basement, which had the people around him believing that he had watched/heard his own father being killed by the escaped basilisk

karoliina especially convinces herself that what's "wrong" with "arvo" post-basilisk...ing, is that he experienced something greviously traumatic and is now driven by that angst, reaching for the only other "father" adjacent figure he has in his life (that being freddie), thus rejecting her and embracing a role in jägarlyan way more than he had previously. freddie too believes that arvo's simply been "changed" by his trauma, and asks less questions about it since this change has been benefitial for him. for them the more logical inciting incident of the sudden change is the Basilisk Traumatising Him one rather than discarding the current known science they're aware of and assuming shapeshifting is possible

(extra tidbit is that existing human knowledge about the different sophonts is often lacking/wrong assumptions. jägarlyan is completely unaware of a basilisk's shapeshifting capabilities, and i doubt they think any sophont can actually shapeshift or do "magic" at all. which is "supported" by having had arvo (basilisk) in the basement for such a long time and never seeing anything magical about him hehe. i dont think they've ever found/killed a basilisk in a human shift, either. but even if they did somehow see the true nature of and kill a basilisk in such a shift they'd probably conclude it's another species, like humans who have managed to see the true appearence of a shapeshifted basilisk historically have assumed)

Anonymous asked:

hi! i wanted to ask for awhile but what kind of brushes do you use? i really love the texture your brush strokes have

answered here ! ill also add that since ive gotten partial to the intoxicate brushes for sketches/lines as well

Anonymous asked:

Hallo! sorry if this comes off as rude or anything, but why are most of your characters trans?

haha ur fine! well part of it is pareidolia as a story is kind of deeply entrenched in transness not just literally but thematically many of my trans characters were not even Literally Trans at their first iteration (arvo, folke, karoliina) but what their characters were About i realised post hoc like. These experiences are basically so Trans, just not in a literal sense, that i might as well make them Literally trans. and in some cases it worked so well for what i already had in mind for the character that its hard to imagine they weren't always that from the beginning lol

been Sort Of artblocked lately but i needed to get this idea out. So i am splitting the pareidolia trolls into two species in their own subfamily (so no longer ursus bears which makes more sense...) where the forest trolls are much smaller (but still quite large by human standards...) more yapping nobody gaf about under the cut like always

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