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“You must be taught to love me. Human beings must be taught to love silence and darkness.”
— The Wild Iris; Lullaby, Louise Glück
@gokoreanships / gokoreanships.tumblr.com
Pinned
“You must be taught to love me. Human beings must be taught to love silence and darkness.”
— The Wild Iris; Lullaby, Louise Glück
STOP. DON'T SCROLL. READ THIS TO SAVE LIVES IN GAZA. Below are some VETTED campaigns to support Gazans. These people have been experiencing an active genocide for almost a full year. Donate and share widely.
(may 27th)
Do not scroll past this list without contributing. This list makes it easy for you to find a fundraiser to support. Choose at least one. Your contribution will save lives. If you cannot donate, share these campaigns.
we have our own community fundraiser (check the fundraiser tag on this post), but if you want to help people, check this list out (and there are many more like it online). if you cannot help financially, spread the world. every voice counts against this genocide, do not let people convince you that your voice means nothing.
i no longer respect the hustle i want universal basic income and dignity for everyone
1st of the month
Steven Salaita, Palestine and the Anxiety of Existence
Do Palestinians throw stones as a weapon of warfare? Maybe. Sometimes. They’re more often a weapon of imagination, emblems of a dogged refusal to submit or disappear. No matter the intent when a Palestinian throws a stone, the Israeli perceives it as an act of rejection. It is an accurate perception. This act of rejection, not any perceived danger, provokes the Zionist’s disdain.
Think about the moment in 2000 when Edward Said tossed a stone from southern Lebanon into northern Israel. The stone didn’t come close to hitting anything—the nearest object was an Israeli military watchtower—and the episode would have passed without interest had a photographer not furtively captured it. The photographer was smart. His picture became a sensation, launching a hysterical news cycle about Said’s genocidal tendencies and renewing demands for his termination as a professor at Columbia University.
But what about the military watchtower? It’s the normative object in the scene. It wasn’t threatened by Said’s stone, but it threatens thousands of people. It’s the apotheosis of colonization and militarism. It houses soldiers whose bullets travel at a much greater speed than Said’s manual projectile. Said was well aware of the ridiculousness of the outrage, its sanctimony and disingenuousness. He noted that he had joined in “the spirit of the place that infected everyone with the same impulse, to make a symbolic gesture of joy that the occupation [of southern Lebanon] had ended.”
The only inalienable possession of the native is the moral burden of violence. The colonizer owns everything else. Thus the military watchtower is an afterthought—or not even a thought at all beyond its existence as a backdrop to Said’s unconscionable action.
hey what if i kept trying anyway because it’s my life and only i get to decide what to do with it
media that uses cannibalism and vampirism as an allegorical expression of desire, love, and hunger >>>>
Put your height in the tags
trans women cute reblog if you agree
KOFI SIRIBOE in Doja Cat’s ‘Streets’ music video dir. Christian Breslauer