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i came here to play games

@helloavocadooo / helloavocadooo.tumblr.com

started from sims 1 now i'm here / maxis match / 37 / cis / she/her

Episode 7, One Last Date with Ishaan

The sims simmed so instead of simply walking to the table, they took a detour and went swimming and it took them two hours or so to get to the table 🙄

Something something Ishaan getting stuck...

She ordered them Sour Punch and Malaysian Satay. Almost every time, I order the same things for the whole group. Not sure why :D

Chanthira likes telling stories. No doubt she has a lot of them to tell.

Another favourite. Or do these guys just like food in general?

For once a drink I didn't need to prepare myself!

Dance time!

Funky moves! 😏😆

Funny face 🤪

Good night's kiss 💋

i haven't been very active on here, so i'm going to queue up some of my recent builds i haven't shared with you guys <3

i used the vanlife ways cc pack by @heybrine to recreate the breaking bad rv lol

This looks amazing, giving me so much inspo to play in strangerville again

Was prom overrated? Yes. Would I do it again for a chance to dance with Chris? Also yes.

In 2017, American film researchers recovered “Something Good – Negro Kiss,” a short film depicting a playful kiss between a Black couple which had not seen the light of day for more than a century. A long-forgotten artifact from the earliest years of American film, the sweet, humanizing vignette, produced by the Selig Polyscope Company, makes a startling contrast to the overwhelmingly racist and blackface-ridden contempory portrayals of African Americans. Four years later in 2021, archivists in Norway, halfway across the world, identified a sister short in their collections—an extended alternate cut which reveals more of Chicago stage performers Gertie Brown and Saint Suttle’s vaudeville-like routine, a theatrical, hot-and-cold romantic dynamic between two lovers which parodies the popular and controversial short “The Kiss” (1896). Both films, which had previously been lost, were known from entries in old motion picture catalogs but had been assumed to be era-typical, anti-Black “race films” until their rediscovery in the 21st century. Together with its more famous sibling, which has since been inducted into the Library of Congress’ National Film Registry, this alternate version of “Something Good” represents the first-known instance of Black intimacy ever captured on-screen.

SOMETHING GOOD [Alternate Version] (1898) Directed by William Selig

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