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THE VOID

@him-e / him-e.tumblr.com

claudia. italy. occasional depression blogging.

shit ton of people are repeating the thing about hayao miyazaki saying AI art is an "insult to life itself" and just as a reminder he was talking about the zombies that team made that were intended to be scary in how much they shook, but instead reminded him of his disabled friend. the insult to life itself was referring to the team trying to make scary real symptoms that people live with.

it was a quote about ableism. if he has said other things about AI type stuff, that is a different thing. but that specific quote was about ableism.

this is the full quote.

It's worth noting also that while this has been doing the rounds again recently, he said it well before the current plague of generative AI slop was upon us. The clip is from a 2016 TV documentary. The specific bit of animation he was reacting to was a demo of the computer animating a ragdoll-like model body to try to find ways to move it forwards. While a living creature will normally try to avoid injuring itself as it moves, the computer algorithm had no such inhibition and so the virtual ragdoll would flail around and drag its face across the ground. The team working with it thought it would be a good way to animate creatures like zombies for horror movies because it was so inhuman and bizarre. Miyazaki was reacting to the inhumanity of it, and the fact they thought it was clever to create something so grotesque with no greater point to it than "Isn't this gross and weird?" I'm sure it was a painful criticism to receive, especially if they were all excited to show animation legend Hayao Miyazaki what they were working on, but I think he gave them something really important to think about.

I can scarcely imagine what he'd have to say about the lifeless plagiarism machine that is gen AI.

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i find it rather ironic how people are reducing the adolescence mini series to "was jamie a sociopath" and "did katie bully jamie", when the whole point of the show is how the manosphere and the alt-right pipeline is so violent and omnipresent on social medias that a 13 year-old boy who loved to draw and learn about the industrial revolution ends up thinking that women are worthless pieces of meat and that he's "one of the good ones" because he didn't rape katie, he just stabbed her to death.

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PERIOD DRAMA APPRECIATION 2024

  • Day 5 - Favorite Aesthetic: Just like a painting

Il gattopardo 1963 (The Leopard) + Art:

Auguste Toulmouche - The Reluctant Bride (La Fiancรฉe hรฉsitante)

Hermann David Salomon Corrodi - Queen Victoria on the Terrace of Villa Palmieri

Mihaly Zichy - Ball in the Concert Hall of the Winter Palace during the Official Visit of Nasir al-Din Shah in May

Constant Cap - Le Jour des Innocents ร  Anvers

Franz Xaver Winterhalter - Empress Eugenie Surrounded by her Ladies in Waiting

Carl Spitzweg - Sunday Stroll

Claude Monet - Le Dรฉjeuner sur l'herbe

Giovanni Fattori - Garibaldi a Palermo

Franz Xaver Winterhalter - Empress Elisabeth of Austria in Dancing Dress

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