(not your average) seven minutes ⏰ ♥️
or: what if Steve had been ‘playfully’ locked into a room by his drunken not-friends at that infamous Halloween party in 1984, for 💕Seven Minutes in Heaven💞!
…and no one realized Eddie Munson was already hiding inside 🫥
Steve just wants to get the fuck out of this place, this party, this fucking…bullshit life he’s found himself in. He’s not at his best, under-fucking-standadably, so when the drunk-ass Halloween masses push and shove and giggle as they lock him in an upstairs bedroom for—oh god, Seven Minutes In Heaven, what are they, goddamn twelve—he’s going to fucking scream, he—
“Not quite what you were expecting behind Door Number One?”
Steve spins, a little jump in it when he looks for the source of the voice which sounds familiar and then also, not, because Steve thinks he should know a voice like that, because it’s a good voice, a really good voice, it’s not too deep but it’s smooth and it’s—
It’s a good voice, basically.
And when he finds its owner, shadowed by the curtains in the corner, well. The leather jacket would’ve given him away if the mess of frizzy curls weren’t kind of an automatic tell:
Eddie the Freak. Half-hidden as he flips a clear antique of a lighter too fucking close to the gauzy drapes and it…it does something.
To Steve.
It does something to Steve.
rating: t ♥️ tags: s2 era, alternate meeting, that ONE HALLOWEEN PARTY (you know which one), steve meets eddie immediately after nancy does her drunken bullshit thing, seven minutes in heaven meets truth or dare, (weirdly more effective than you’d think), first kiss(es), fluff, humor, boys being boys, climbing out of windows (like a ninja🥷), getting together (?) ♥️
again: originally a fill from @eddiemunsonbingo forever ago, and I’m only bringing it over here NOW because it’s going to have a sequel show up soon for @steddielovemonth—which I thank profusely for giving me the kick in the ass required to revisit and actually try to finish this series!
Steve honestly doesn’t know if he’s going to start crying or throwing up quicker, like which one’s closest to the surface; keeping his balance as the shock, the jagged parts that draw blood when your heart gets crushed to shards leaving him susceptible—pathetic, fucking pathetic— to the pushing and pulling and grabbing of the throngs of trashed partygoers shoving him away from the front door, pushing harder every time he tripped up the stairs, laughing and yelling and chanting and fuck, fuck he doesn’t need this, he doesn’t want this, and he doesn’t even know what the fuck it is, just that it’s not his car, and then his house, and then his bed where he can…let it all come crashing down and not have a fucking audience, just: goddamn.
As soon as a door’s thrown open and she’s shoved to stumble hard, catch his nails to bending, bleeding against the light switch as the lock clicks behind him—well fuck.
“Not what you were expecting behind Door Number One?”
Steve spins, a little jump in it when he looks for the source of the voice which is familiar and then, not, because Steve thinks he should know a voice like that, because it’s a good voice, a really good voice, it’s not too deep but it’s smooth and it’s—
It’s a good voice, basically.
And when he finds its owner, shadowed by the curtains in the corner, well. The leather jacket would’ve given him away if the mess of frizzy curls weren’t kind of an automatic tell: Eddie the Freak, half-hidden as he flips a clear antique of a lighter too fucking close to the gauzy drapes but…it does something.
It does something Steve doesn’t want to dwell on, the kind of thing he’s kinda been working really hard and doing pretty fucking well and not dwelling on but then…maybe like, any other night, any other hour of any other night? Steve maybe would have turned, and at least tried to force the door open; maybe he’d have pushed it down like he’s been getting real good at, almost to the point where he doesn’t even have to think about it, the thing itself or the pushing it down: in fact he’s absolutely sure he’d have done just that. Any other night. After any other fucking night.
But it’s all bullshit anyway, so like, why even bother, what does any of it even matter, Barb’s dead, blood’s on his hands apparently for a pool he doesn’t even fucking pay for, his love’s fucking nothing and the voice from the corner, hell, even the jawline the flame’s casting sharp every other second, every flip open then stealing away with every flip closed: that’s something and so, like.
Any other night. It’d be different.
“I wasn’t expecting any door except the one on the front driver’s side of my goddamn car, man,” Steve sighs and throws his weight against a dresser—plain. Really plain—kid’s room. Not too young. Boy’s room. Little brother of…fuck, Steve can’t even remember whose house they’re in.
“I can see where this would definitely count as,” Munson’s tongue runs almost contemplatively over his lips as he tips his head; “a deviation from the plan.”
Steve snorts; he means it to sound amused, because he is that. Honestly he is.
But it sounds like it get halfway there, before it nosedives a little into a half-stifled sob.
Oh. So not only is he recognizable, he’s also recognizably not fucking okay.
“My girlfriend says I’m bullshit,” Steve has no fucking idea what makes him just say it, to basically a stranger at that, and fuck, no, not a stranger: this stranger, who Steve knows enough of but who Steve’s pretty sure knows too many things about him for comfort, just—he doesn’t know what makes him say it. “That loving her is bullshit.”
Actually: probably that’s it. Bullshit, versus something. Munson’s eyes stay fixed on him the whole time, even as he keeps flicking the lighter.
“Does,” Munson starts, and in his good-voice, he sounds almost, like, hesitant. Which isn’t a way Steve really associates with the guy, if he associates anything with him at all but apparently yeah, he does, because he’s absolutely certain this shit’s out of the norm: “like, not to be a dick, seriously,” yeah, yeah: this is like a gentle voice. Careful. Care…caring?
“But does that mean she’s still your girlfriend?”
Oh. Pity might be why. That’s fun.
“Shit,” Steve rubs his hands over his face, fucks his hair up even more than it’s been which is possibly not even possible. “Probably not.”
Munson lets out a breath that’s almost a whistle, and looks genuinely regretful—again, why, most of the people he hangs out with would probably celebrate Steve’s suffering, so like, what the fuck—
“That sucks man,” Munson says, honest, like, really honest as he para down his…surprisingly tight jeans until he extracts a pre-roll from the front picked and holds it out in offering: “on the house.”
Steve needs that shit bad enough for it to be maybe the only thing he doesn’t question in all of this.
“Thanks,” he says as Munson holds out a light and Steve leans in; the guy smells of party sweat and too many bodies, of Kate autumn air and cheap cologne. He smells…
It’s a good smell. It matches his good voice.
“You wanna?” Steve offers on impulse after he takes a lungful and maybe a little more, maybe a little too much—greedy, needy, bullshit—and holds it back to Eddie as he breathes out slow, tries to keep it all in as long as he can but not…not in a pushing-it-down kind of way. More a making-the-most kind of way.
“Do you wanna?” Munson asks, eyes so wide, like a baby animal or something. Like a cartoon character. Steve just keeps holding the joint out to him, close enough that his lips will touch Steve’s fingers if he wants them to, and in Steve’s head he feels like he’ll call him Eddie, in his head, if his mouth brushes his skin.