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InkYami

@inkyami / inkyami.tumblr.com

Lydia | Illustration & Book design | Moscow | 28 | https://ko-fi.com/inkyami | https://vk.com/inkyami

taking this out of the reblogs of my last post @deez-no-relation because I think it's important and its own thought.

There isn't any place similar to Tumblr on the internet. Here and now is the last shreds of an internet that was, an internet that could exist without monetization. An internet that lasted through so many ~pivots to video~, an internet that is text and gif and photo first. An internet that is driven by serendipity and the impetus of the user to do the searching, the digging, the work that is just handed to you by algorithms on other sites for the purpose of better advertising to you.

The best part about Tumblr is the reason why it can't monetize and I have been hitting up against this wall for literal years. There's magic here because it's one of the places that hasn't been overrun by ads. Every social site's business model relies on those midrolls, prerolls, in between story slides, because the money is what keeps them running.

Someone joked about making Tumblr a UNESCO World Heritage site and honestly? That's where my brain goes, too. Tumblr is a library. Tumblr is a museum. Tumblr is a third place. Tumblr is where people can go to be inspired and go feral over shit they love and indulge in passion and process their shit. How do you monetize that safely?

@taylorswift honestly this is your moment to bankroll Tumblr and save the internet (just kidding....) (unless.....)

Anonymous asked:

you know, personally i don't think art should (or even can) exist in a vacuum. the most meaningful one is usually created always in relation to something, is supposed to be either a form of expression or commentary. but if you cut away that wall of otherness (as in outside media like books or podcasts etc) you could've pushed away from - you will lose power behind yourself. after all you are still part of this world. obviously you don't need to care about all things created by others (fuck fomo btw) but i hope there will still be sth you could find interesting, or hate or cherish. all the best āœØ

It definitely canā€™t, agreed. Perhaps this is one of the reasons I stopped making any.

Itā€™s not that I donā€™t care or want to engage with anything ā€” the wall of guilt (as in wasted time and inspiration) is my own failure, but it just overpowers me.

For a second year I donā€™t watch any films or shows ever, nor listen to any podcasts. No digital stories at all. It started after my computer crashed and I got some technical difficulties but now Iā€™m refusing to have any fun because ā€œall this inspiration will just go to wasteā€ since I stopped creating art.

Feels like a circle.

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Reblogged

Theyā€™re not calling me back home.

Apparently today (March 17th) is a day of Gerasim Grachevnik in folk orthodox Christianity ā€” a day to expel kikimora and other demons from the home. Rook (rus. Š“Ń€Š°Ń‡ ā€œgrachā€) is a bird believed to be able to repel evil spirits from the house/homestead. The demons can then return only in autumn, when rooks would have migrated away.

There are many variations of zagovory (tmbr link) or rituals to expel kikimora on this day, one of which is to sweep all the corners with wormwood.

If you then find a heartbroken sad kikimora at the playground, thatā€™s on you.

____________________ Shoutout to Tatiana Mastryukova, an amazing author who writes folk horror and shares interesting folklore trivia, like this one!

Anonymous asked:

Š‘Š»Ń, Š“ŠµŃ€Š¶Šøсь, Š“ŠµŠ²Š¾Ń‡ŠŗŠ° Š¼Š¾Ń

Š‘ŃƒŠ“ŠµŃ‚ Š»ŃƒŃ‡ŃˆŠµ

Š”тŠ°Š½ŠµŃ‚ Š»ŃƒŃ‡ŃˆŠµ

ŠžŃ‚ Š¾Š“Š½Š¾Š¹ ŠæŠ¾ŠµŃ…Š°Š²ŃˆŠµŠ¹ Š¼ŠµŠ½Ń‚Š°Š»ŠŗŠµ Š“руŠ³Š¾Š¹

Š’ Š·Š½Š°Šŗ сŠ¾Š»ŠøŠ“Š°Ń€Š½Š¾ŃŃ‚Šø тŠ°Šŗ сŠŗŠ°Š·Š°Ń‚ŃŒ

Š”ŠµŃ€Š¶Šøсь

Š–ŠøŠ²Ń‘Š¼

ŠžŠ±Š½ŠøŠ¼Š°ŃŽ

ŠŸŃ€Š¾Ń†ŠµŃŃ Š½Š°Ń‡Š°Ń‚ Šø Š½Šµ Š·Š°Š±Ń€Š¾ŃˆŠµŠ½, тŠ°Šŗ чтŠ¾ сŠŗрŠµŃŃ‚ŠøŠ¼ ŠæŠ°Š»ŃŒŃ†Ń‹) Š”ŠæŠ°ŃŠøŠ±Š¾, Šø Š²Š°Š¼ сŠøŠ»!

Anonymous asked:

Our Wonderland. I like that name, it fits.

Good luck with the meds šŸ’œ

We sport just as much logic Thank you! šŸ™šŸ»

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Reblogged

if yall ever want like serious advice from me about how to solve burnout as a creative it's like...

literally ignore it. stop pushing. go do something else, enjoy your life, fill it with other things, do what brings you joy in the moment if you can.

go to the gym, take a walk to touch grass and look at dogs and smell flowers, cook dinner, watch tv with your friends, talk about your feelings as needed with ppl you trust, take a drive and blast your music, do the chores you need to do, the job hunting slog you need to do, read books that aren't for research, stop cordoning off your brain for The Craft or The Draft or whatever the fuck

forget about the project, stop thinking about it for as long as it takes to be excited again.

fuckin rest, basically

reiterating this--

stop pushing. stop blaming yourself for not working on creative stuff enough, stop tormenting yourself. remove all pressure and expectation. it'll be done whenever, you'll work on it whenever. who the fuck knows when that is, but it'll happen when it's ready.

stop doing shit that feels bad. do stuff that makes you happy and relaxed.

at a certain level of spoon usage from job, chores, errands, socialization and basic maintenance there will just Not Be Anything Left for your projects for awhile.

you have to let it build back up and then take your time getting back into it organically as it comes.

hope this helps someone else, bc I have learned it the hard-headed stubborn-ass fish-thrashing-in-a-net way and it's been agonizing.

Great advise in general but always hits the wall when art IS your job.

Reblogging in case anyone needs this

Reblogging for advices, but I am going to add. Creative jobs are cool, but it's easy to loose all will to create. When you work on your own projects it's not that noticeable so you can get a slow burnout, but creating is mentally draining. Creating things you don't like or sometimes even hate is mentally draining x100. Creating on a deadline sometimes motivate and sometimes is a major reason of a burnout.

The only advice I have is to do something completely different. And I really don't know if it's the answer. For me sometimes it is.

if yall ever want like serious advice from me about how to solve burnout as a creative it's like...

literally ignore it. stop pushing. go do something else, enjoy your life, fill it with other things, do what brings you joy in the moment if you can.

go to the gym, take a walk to touch grass and look at dogs and smell flowers, cook dinner, watch tv with your friends, talk about your feelings as needed with ppl you trust, take a drive and blast your music, do the chores you need to do, the job hunting slog you need to do, read books that aren't for research, stop cordoning off your brain for The Craft or The Draft or whatever the fuck

forget about the project, stop thinking about it for as long as it takes to be excited again.

fuckin rest, basically

reiterating this--

stop pushing. stop blaming yourself for not working on creative stuff enough, stop tormenting yourself. remove all pressure and expectation. it'll be done whenever, you'll work on it whenever. who the fuck knows when that is, but it'll happen when it's ready.

stop doing shit that feels bad. do stuff that makes you happy and relaxed.

at a certain level of spoon usage from job, chores, errands, socialization and basic maintenance there will just Not Be Anything Left for your projects for awhile.

you have to let it build back up and then take your time getting back into it organically as it comes.

hope this helps someone else, bc I have learned it the hard-headed stubborn-ass fish-thrashing-in-a-net way and it's been agonizing.

Great advise in general but always hits the wall when art IS your job.

Reblogging in case anyone needs this

Avatar
Reblogged

wore my thigh high boots on a walk today and we had to take a path through some long grass and while everyone else was rolling their pants into their socks and putting on jackets to protect themselves from ticks i was standing there smug as hell in my thigh high leather boots.

a hoe never gets lyme disease

Peter I on his way through the marsh to establish St.Petersburg, 2014

It was 1703 though

@hjhb-the-hdgp thats the date of a sketch creation. The establishment of SPB is easy to google

Avatar
Reblogged

wore my thigh high boots on a walk today and we had to take a path through some long grass and while everyone else was rolling their pants into their socks and putting on jackets to protect themselves from ticks i was standing there smug as hell in my thigh high leather boots.

a hoe never gets lyme disease

Peter I on his way through the marsh to establish St.Petersburg, 2014

Anonymous asked:

Hello! 6, 8 and 13 for the Artist Ask Game

6. Favorite and least favorite angles/perspectives to draw? ā™¦ Can't go wrong with profile and 3/4 ā€” former is a personal favorite, latter is the lazy/overworked illustrator in me speaking. I tend not to experiment much in my work because editors always push for safest (read bland) options and faster pace, and in personal works I gravitate to simple perspectives but ornate details ā€” both due to laziness and to personal art goals. ā™¦ I feel very intimidated my extreme ups and downs ā€” they look stunning when done right but I know I'm not skilled to do that.

8. How would you describe your art style? There should be that quote about the fish trying to understand water. It's really hard for me to pin down what things stand out in my works, but I suppose "detail heavy but quite flat/relies heavily on folklore motifs" would summarize it.

13. What kind of art do you personally not see the appeal of, and why? [AI is not art, corpcore is too obvious] I understand that each style has it's own appeal and hidden intricacies, but I never quite loved shape-heavy yet minimalistic art which is usually done in vector. To me it always looks too much like product-design and is pretty much an antithesis of what I personally love doing. Even though I know how much skill and sense of style it actually requires.

Hi!! A question for your art ask game - number 16 šŸ˜Š ?

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16. What was something you used to struggle to draw with confidence/ease, but have now mastered?

I wouldn't say I mastered this aspect, but the suffocating pace of work pushed me to be able to draw much faster. Speed has always been a huge issue for me since I have big troubles with concentration and my technique requires time. Also I feel like I'm starting to get slightly better with emotions.

5. What piece of art are you still proud of to this day? (Show or describe) Couldn't choose between those. They are not technically impressive but evoke some deep thoughts about my own art. Both are re-made pleinairs. Come and see (2019) is about mundanity and acceptance of life's course even in the apocalypse; Guest (2021) captures hidden danger and melancholy which I love to try to portray in my works. Those are the ones that I stile love not because they're popular but because I am still satisfied with what I've done.

7. Who are some artists that have inspired you? Kirill Chelushkin ā€” I am a big fan of his illustrations since childhood and tried to unsuccessfully emulate his style many times. John Bauer, obviously. Adored his works and view of folklore. His art genuinely formated the way I dress (or used to) My great friend Hekkil [Š„]. A am still extremely envious of their imagination, spontaneity and sense of composition, and meeting them pushed me to try to do better.

20. What motivates/inspires you artistically? (topics, emotions, etc) Random street views, sense of light melancholy and abandonment, mixtures of old/magical and mundane/modern.

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