the b stands for beloved
Do you have any advice for drawing static and glitches?
They look SO GOOOOD in the Marble Hornets Comics
Thank you!! I honestly just looked at a lot of screenshots from the original marble hornets/tta entries, and studied how the visual distortion worked and moved. There are certain rules or "looks" to different kinds of glitches, like for example vhs static is going to look vastly different from something like, old video or jpeg compression. Its about keeping those visual patterns consistent, if that makes sense.
And also keeping your lines as straight as possible, because a lot of digital glitching comes from the pixel "grid" its on if yknow what I mean. Keeping the lines straight can be hard but it makes a big difference.
Anonymous asked:
hey what is terror camp? (i watched the terror because of your art btw)
I hope you enjoyed my favouritest sad polar expedition show in the whole wide world...!!
Terror Camp is an annual online academic conference centred around polar exploration history! Its very fun (if youre a big nerd like me) and its running this weekend!
Anonymous asked:
i love your art so hard dude, i absolutely adore how you draw gerard way too. you capture his energy its so incredible.
okay heres the actual question; have you ever listened to death cab for cutie?
Thank you so much!!! He has really beautiful energy, if I can capture even a small amount of it I'm happy.
Also yes to an unfortunate degree. If I so much as see/hear the line "I need you so much closer" I will cry on command
Marble Hornets 15th Anniversary - Special Risograph Poster (x)
Do you draw the comics traditionally or digitally? I genuinely can't tell, but on Instagram, I saw you posting updates and you had an iPad!
If it's digital, that's SUPER impressive!!
For Marble Hornets, I design all the page layouts digitally and then paint them traditionally by hand in ink and watercolour