Coincidentally, you caught me on the day I'd been throat punched by both, and thus, I am at my best to write this. Genuinely, of all days to receive this ask, it was the day I found myself pondering how my father takes up 1/4 of a page in my family photo album, and then I sat down in the shower for a while.
John can't listen to any recordings of his voice; it makes the hairs on the back of his neck stand up. He sounds like his father. When he barks orders at people, he sounds like his father. Only his voice is followed by the whir of a bullet, not the cracking of a belt. He refuses to shave his face unless necessary because only after he grew a beard did he stop seeing Sr. in the mirror.
Ghost looks more like his mother than his father. On the best of days, it's his saving grace. On the worst of days, he avoids mirrors and winces when he catches his reflection on a screen. He sees women of a similar height and hair colour to his mother and hesitates for just a moment, the word mum stuck in his throat. Grown men can scream in his face, and it means nothing to him. The disappointed tone of a woman older than him makes his hands shake.
Nikolai is at the age where most people just assume his parents are dead. He doesn't know, he'll never know, he'll never want to know. He's detached from the idea of having parents. It's a foreign concept in his mind. He isn't sure if he looks like either of them because he can't remember their faces as well as he used to. It's meaningless to him. He isn't the son they expected him to be, therefore, he won't claim the name of the son they wanted. He tells people his parents are dead, a cancer of some kind. He doesn't care for their sympathies.
Kate's parents are dead; they have been for a while. She doesn't think of them often and when she does, it's typically with love, but she doesn't forget the fact that they missed the best parts of her life. However, their death pushed her to get where she is today, so without the loss, she wouldn't have that life. It leaves her conflicted, and she won't talk about it, but she grieves the moments they missed. She'll drink to their memory, or her sorrow. She decides which depending on how little is in the bottle.
Not a moment goes by where Farah doesn't miss her parents. She doesn't seek replacements in those around her; she never could. But she braids her hair, and she grieves the beauty her mother held. She offers someone kind words of reassurance and feels her father's arms around her, promising her safety so long as he lives. She makes decisions to protect her people and ponders what her parents would say of her fate and that she subjected her brother to. Her passion for her people is sacred because her tone echoes that of her parents.
Rudy has never known how to act around male authority figures. He was orphaned so young that he has no memories of his parents. He grew up in an orphanage with women who did their best with what little resources they had to save their children from the drug-riddled fates they had seen many follow. He trusts women; if a woman gives him advice, then he's likely to follow it. He grew up with women. When grown men tell him things and expect things of him, he stares back at them blankly. They place a hand on his shoulder, and he gently nudges it away. They have nothing to offer him. Men trying to take authority over him, especially in a parental type of context, antagonises him. He grew up without a man in charge, and he's survived until now; he doesn't need anyone to try and start at this point in his life.