Pinned
Reblogged manyminded
"rise and grind" okay uhhh rest and jest. bitch
Reblogged tremendoustragedybard
I'm already seeing advice from people in the US to purchase queer books and other banned or "controversial" books on paper as a way to combat the wave of government censorship that is coming. While this is a good idea (it is! absolutely!), it's not accessible to everyone, and truly, we're not going to be able to consumerism our way out of this one.
If you can buy the books, do. Whether you can buy the books or not, borrow them from your library.
Borrow the paper versions. Borrow the ebook or audiobook versions. Request the titles you want that your library doesn't have. The more a title circulates or is requested, the better librarians are going to be able to defend keeping it if and when it's ever challenged.
Use libraries like @queerliblib too. The more members they have, the better they'll be able to fundraise.
Your community resources depend on you using them. Borrow the books before they go away.
InB4: Piracy is not the solution here. We're trying to keep community resources available, not make sure individual people can read individual books. Different problems.
The books are still available. Borrowing them from your library and returning them on time and in good condition will help keep them that way.
Reblogged tremendoustragedybard
there's apparently a new tiktok ban deadline coming up (first week of April, as I can gather, which complies with the 75 day extension) in the U.S;.
please do not forget which bastard started this...
and do not forget that our entire congress voted to ban an app but couldn't agree on banning assault rifles.
keep that in mind when they try and manipulate tiktok again to divide us.
Reblogged keiitopop
Suicide note that just says *le kills myself*
Reblogged or-to-anywhere-alone
this image came to me in a sudden burst of enlightenment
the thrilling sequel
Reblogged
todays song choice is "toby fox - home"!
yknow. i thought about how at first two and mephone start out all alone cant figure themselves out. but then people come into their lifes and they get better. so maybe when twophone find each other as partners their family gets bigger and they can finally heal all together
day 3 - family/hotel
Reblogged our-queer-experience
today i went for a drive and saw a big ass Jeep with the license plate P@P@ BE@R and a window sticker that said “Bought with Daddy’s Money…and I’m Daddy” and I sped up my car a bit to look through the driver’s window and prayed that I’d see what i hoped to see and sure enough there was a big chunky bear with a big ol beard driving the car with this twink chewing gum on his phone in the passenger seat and even though the window was tinted i could see was another one in the back seat…and the world was right for that single moment
Reblogged circusclowne
matchcil burnt rice meme!!! collab w @tangominty on tik tok
Reblogged official-penis-posts
Some people, when presented with a situation where it's plausibly justifiable to be mean, will choose meanness every single time. And it's sort of subtle, because they can make an argument that they're being reasonable in every individual case, but, in aggregate, they're poisonous, absolutely psychically corrosive to their whole environments. And the attitude is sort of contagious because it always looks strong, even as it weakens and hollows everything it touches — it gives you lots of opportunities to score points, you're always on the offensive, you keep everyone permanently on the back foot. And it makes everyone fucking miserable. You have to look at those situations and say, actually, it's also perfectly plausible and reasonable for you not to be an asshole about this, you're choosing this, and you always choose this.
Reblogged
Anonymous asked:
Do you think authors sometimes don't realize how their, uh, interests creep into their writing? I'm talking about stuff like Robert Jordan's obvious femdom kink, or Anne Rice's preoccupation with inc*st and p*dophilia. Did their editors ever gently ask them if they've ever actually read what they've written?
Firstly, a reminder: This is not tiktok and we just say the words incest and pedophilia here.
Secondly, I don't know if I would call them 'interests' so much as fixations or even concerns. There are monstrous things that people think about, and I think writing is a place to engage with those monstrous things. It doesn't bother me that people engage with those things. I exist somewhere within the whump scale, and I would hope no one would think less of me just because sooner or later I like to rough a good character up a bit, you know? It's fun to torture characters, as a treat!
But, anyway, assuming this question isn't, "Do writers know they're gross when I think they are gross" which I'm going to take the kind road and assume it isn't, but is instead, "Do you think authors are aware of the things they constantly come back to?"
Sometimes. It can be jarring to read your own writing and realize that there are things you CLEARLY are preoccupied with. (mm, I like that word more than concerns). There are things you think about over and over, your run your mind over them and they keep working their way back in. I think this is true of most authors, when you read enough of them. Where you almost want to ask, "So...what's up with that?" or sometimes I read enough of someone's work that I have a PRETTY good idea what's up with that.
I've never read Robert Jordan and I don't intend to start (I think it would bore me this is not a moral stance) and I've really never read Rice's erotica. In erotica especially I think you have all the right in the world to get fucking weird about it! But so, when I was young I read the whole Vampire Chronicles series. I don't remember it perfectly, but there's plenty in it to reveal VERY plainly that Anne Rice has issues with God but deeply believes in God, and Anne Rice has a preoccupation with the idea of what should stay dead, and what it means to become. So, when i found out her daughter died at the age of six, before Rice wrote all of this, and she grew up very very Catholic' I said, 'yeah, that fucking checks out'.
Was Rice herself aware of how those things formed her writing? I think at a certain point probably yes. The character of Claudia is in every way too on the nose for her not to have SOME idea unless she was REAL REAL dense about her own inner workings. But, sometimes I know where something I write about comes from, that doesn't mean I'm interested in sharing it with the class. I would never ever fucking say, 'The reasons I seem to write so much of x as y is that z happened to me years ago' ahaha FUCK THAT NOISE. NYET. RIDE ON, COWBOY.
But I've known some people in fandom works who clearly have something going on and don't seem to realize it. Or they're very good at hiding it. Based on the people I'm talking about I would say it's more a lack of self-knowledge, and I don't even mean that unkindly. I have, in many ways, taken myself down to the studs and rebuilt it all, so I unfortunately am very aware of why I do and write the things I do most of the time. It's extremely annoying not to be able to blame something. I imagine it must be very freeing. But it ain't me, babe.
Anyway, a lot of words to say: Maybe! But that might not stop them from writing it, it might be a useful thing for them to engage with, and you can always just not read it.
Also, we don't censor words here.
Props to OP for answering so gracefully, but I'm not going to answer gracefully. It is more important than ever to call out fascism whenever you see it -- especially the quiet, soft, poisonously insidious kind that Anon is practicing here.
Anon ostensibly wants to know: "Do authors realize that they're writing about things that some people might find disturbing, horrific, upsetting, repulsive, or simply just TMI?" (Yes, obviously they know. Authors are not stupid; that's usually a requirement of the job (not always. But usually).)
But what Anon is actually asking is, "Why don't authors stop themselves from doing a Bad Thing? Why doesn't anyone else stop them?" The assumption underlying that question is: "Surely if they realized that they were doing something disgusting, they would stop immediately." Even more covertly implied: "I think writing about certain things automatically taints you with moral degeneracy--that is, it marks you as a possible or potential criminal."
To that I say: My friend, writing is just thoughts copied onto paper, and thinking is not a crime. Only actual actions can be crimes. What does it matter what other people think about? Literally so what? Why do you want people to be stopped from thinking about those things ("did their editors ever gently ask them...")? Why do you care? Do you feel that an author should provide a list of justifications and excuses before it's permissible for them to write about something? Why? And who do you think should be in charge of that? The government???? YOU???????
To any person reading this post: If the above questions are personally upsetting to you, if you find yourself huffily thinking something like, "Well, I care because it could normalize--", NOPE, STOP RIGHT THERE. 🚩🚩🚩🚩🚩 This is a big red flag: You (much like the Anon) are exhibiting some early warning signs of Fascism, and that is not something to take lightly in the current political climate. There are some drugs you shouldn't experiment with even once, and fascism is one of them. Repeat as often as needed: THERE IS NO SUCH THING AS THOUGHTCRIME. WE DO NOT LIVE IN GEORGE ORWELL'S 1984.
But we already talk about thoughtcrimes now and then, don't we? I can't remember seeing someone talking about crimestop (also from Orwell's 1984):
In the Newspeak vocabulary, the word crimestop denotes the citizen's instinctive desire to rid himself of unwanted, incorrect thoughts (personal and political), the discovery of which, by the Thinkpol [Thought Police], would lead to detection and arrest, transport to and interrogation at Miniluv (Ministry of Love). The protagonist, Winston Smith, describes crimestop as a conscious process of self-imposed cognitive dissonance: The mind should develop a blind spot whenever a dangerous thought presented itself. The process should be automatic, instinctive. Crimestop, they called it in Newspeak. . . . He set to work to exercise himself in crimestop. He presented himself with propositions—'the Party says the Earth is flat', 'the Party says that ice is heavier than water'—and trained himself in not seeing or not understanding the arguments that contradicted them. Moreover, from the perspective of Oceania's principal enemy of the state, in the history book The Theory and Practice of Oligarchical Collectivism, Emmanuel Goldstein said that: Crimestop means the faculty of stopping short, as though by instinct, at the threshold of any dangerous thought. It includes the power of not grasping analogies, of failing to perceive logical errors, of misunderstanding the simplest arguments if they are inimical to Ingsoc, and of being bored or repelled by any train of thought which is capable of leading in a heretical direction. Crimestop, in short, means protective stupidity.
Read that twice, and then reread the Anon's question. Translate it through that lens: "Why," says the Anon, delicately disgusted, "are these authors not practicing better crimestop? I practice it all the time. Why aren't they?"
Great question, Anon. Why AREN'T they? Turn off your crimestop and give it some real thought.
(Hint: If the answer you come up with is "Because they are moral degenerates" or anything in that neighborhood, you are unfortunately still doing fascism. Try again. If you have tried several times and the only answer you can manage to come up with is a still a synonym of "moral degeneracy" then this is above my paygrade and I would recommend talking to a trusted grownup, a therapist, a spiritual leader, or possibly your least-online friend.)
I also think it's somewhat reductive to be like "X keeps showing up in a writer's work, therefore they must be obsessed with X". Maybe they are, especially if they keep shoehorning in something really specific, but often it's also just... the simplest and most direct way that they know of to explore something. Fantasy is saturated with depictions of killing and violence; is every fantasy writer obsessed with killing? No. Violence is a very direct and simple way to include conflict with high stakes that you can fill with tension and excitement. Fantasy is also chock full of slavery. Are fantasy writers super into slavery? No. Stories are about power and power differences. Putting a protagonist in chains or giving them an enslaved bodyguard or tangling them up in a slave revolution is a very direct and simple way to explore that dynamic. Authors will usually repeat the tricks that they're used to, and that work. So fucking many of my stories hook the reader with a random inexplicable corpse. So many of my climaxes are like "actually that super special power/big conspiracy/grand prophecy that this entire quest has been about? Fake. Whole thing was a lie this entire time and what's actually going on is something completely different. You've got half a chapter to adjust."
Maybe a writer keeps writing about incest because he actually likes to explore romantic relationships between close family members. Or maybe he keeps writing about incest because he wants to frame the situation as disgusting, and he knows that incest disgusted most of his audience the last three times he wrote it.
Reblogged astronnonyy
pieklo
Reblog daily for health and prosperity