A comic from a while back that I made for The Fader
the most gut-wrenching viscerally upsetting line in the entire show is literally just van’s immediate, desperate, “i’m gonna try my mom!” not an emergency line, not even panic-dialing a 911 that wouldn’t work anyways. she’s a kid. she wants to call her mom.
It’s worse when you consider that Van’s mom wasn’t even a reliable or safe person for her. This is someone who has let Van down repeatedly, who Van has had to be a parent for, but it’s still the first person she thinks of to call.
She’s a kid for wanting to call her mom, but she’s also a kid for still desperately clinging onto hope that her mom will actually step up and be the mom she deserves.
Lots of thoughts recently. Everything feels plastic.
I could go on and on about why all that AI "art" is bad. I could mention theft, lack of creativity, it's impact on the work field and environment, but countless people have already said all that. I wanted to touch on something that to me is the most utterly wrong about all of it.
Art is more than just something pretty to look at or listen to. It's therapeutic. It's a form of communication. A tool for human connection. It's a pure, human need.
Support real artists ☀️
A lil heart carabiner Lino print 🫶🏻
This is my second ever Lino cut project and I can already see improvement from my first one which is cool. I also filmed the process so may make a couple reels in the coming weeks.
Carabiners have been a symbol of lesbianism since the mid-20th Century, used as a subtle and non-verbal way to communicate to other Queer people the wearer’s sexuality in order to find community/and or a partner. Methods of Queer Signalling like this were particularly crucial when being openly Queer was not a safe option.
In this piece I chose to carve two heart shaped carabiners interlocked, symbolising lesbian love and community, which is still so important today. Carabiners were especially used as a signalling method and fashion accessory by working class butches and I feel the rough, imperfect finish of this print is a nod to that.
Blythe Baird, from If My Body Could Speak; “Concerns from a hot-boxed jeep”
[Text ID: “How do I stop / carrying everything / that had ever / happened to me?”]
For anyone that’s been feeling a little unlucky recently 🍀
I actually drew this over a year ago but kept putting off posting it. I don’t actually believe in luck, but I do love the human urge to make sense of the world and comfort ourselves with various talismans, so I drew a number of lucky charms from around the world.
1. Wishbones - Europe, North America
2. Penny - UK (there was a saying my gran always repeated when seeing a penny on the ground ‘see a penny, pick it up, and all day long you’ll have good luck’)
3. Swallow - Portugal
4. Rabbit’s foot - Europe, Africa, Australia
5. Ladybird/Ladybug - Russia, Turkey, Brazil
6. Horseshoe - Europe, India
7. Four leafed clover - Ireland, Celtic countries
8. Acorn - Celtic and Nordic countries
I’d like to do another of these in the future as this one is quite heavy on western symbols of luck. If you got this far, leave a comment on what charms/symbols are lucky in your culture 🤞🏻