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Just a terrible lizard

@nikrei / nikrei.tumblr.com

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Pinned Post for nikrei (call me nik). Right now this is mostly a DC blog because that's my current fandom. Main tags are #nik reads dc and #arting with nik.

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Reblogged pinfad

the thing about being nonbinary is that you really do start to forget that other people have such strict walls around what is and isn’t allowed for genders. i thought we all agreed that we made that up. could you climb out of the cave real quick and feel the sunshine for a minute.

March Comics Round Up

Headed into my birthday month! Things are getting busier for me so let's see how much time I'll have to read comics in between drawing and working on my mod list.

  • Action Comics (504-522) (1980-1981)
Cary Grant is doing a lot of very fun, out of the blue sort of stories. Jonathan Kent showing up for a few issues and gaslighting everyone into thinking he's been alive the whole time. Alexis(! Forgot that this was precrisis Lex's full name) Luthor becomes good, gets married, she dies, and Luthor gets his memories back to find out that was his plan so along and he hates it actually. H.I.V.E. makes an appearance in 513, which has a publish date of August 6. Vandal Savage showing up but he's rewritten Earth 1 history so he's been emperor of the earth for 1000 years and Superman is his loyal enforcer. Just a lot of buck wild stuff.
  • Superman (344-355) (1980-1981)
Cassandra Craft cameo!!! Hi Cassandra iluuuuuu!!! They did another "superman has to stop helping people and let them help themselves storyline" and if they framed it more as an issue of his own mental health, or really just in anyway that didn't feel like "fuck them last poors" it could make an interesting storyline. Coincidentally, these issues came out while Reagan was campaigning hard and introducing the idea of the "welfare queen." Prolly means nothing tho.
  • Superman Family (203-205) (1980-1981)
H.I.V.E. shows up in issue 205! It really is interesting that the writers seem to be determined to keep Superman out of the stories in this title, so there's a lot of Jimmy and Lois getting in and out of mortal peril all on their own.
  • Superboy (1-13) (1980-1981)
I wasn't super looking forward to this one because it didn't really feel like there was much left to say or fit into Clark's teenage years, but it hasn't been so bad so far. I've really been enjoying Pete and Lana (Pete especially), and it just makes me more angry about DC Presents vendetta against him.
  • Legion of Super Heroes (260-271) (1980-1981)
Excuse me. Why the fuck did they have to do that to Tarroc (I know why) they already only ever had him show up once in a blue moon and now they shove him into another dimension??? He's been fuckin Kandored.
  • Brave and Bold (159-170) (1980-1981)
The Ra's al Ghul team up was fun but also rushed, there could have been so much more Talia! I was really excited for the Supergirl team up but like. It really fell into the whole 'everyone else looks stupid to make Batman look good' pitfall. And. I don't think it was that much on purpose I think that they are just that bad at writing mysteries. Which. Like. Get a new title pls. I care nothing for the nemesis back ups, but did enjoy seeing Dinah and Zatanna.
  • Batman Untold (1-3) (1980)
Iiiiii hate the whole Thomas Wayne was the first Batman and I hate this whole Bruce in the Robin suit before Dick was even born! Stop it! Not everything needs to have a history and be a legacy!! Also. The difference between the og colorist and the digitization is just fucking sad. If they have to do the whole "Joe Chill was a hired killer and there's a conspiracy behind the Wayne murders" thing, then I guess that I am glad that the guy behind it is a CEO type. Also Batman Untold 🤝 Batman Year Two re: Bruce ripping off his mask to reveal his identity to Chill with a dramatic accusation, only for Chill to just about immediately be killed. Alfred pre-butlerdad is also pretty amusing, shows up one day like "hello let me introduce myself I'm ur new butler"
  • DC Presents (18-29) (1980-1981)
Okay, it's actually really cute that the Superman & Batgirl and Batman & Supergirl issues came out at the same time in Presents and B&B. And then at last they have (rush job) fixed the Pete and Jon Ross situation, which they never should have done in the first place. I have run into Mongul and war world and I think it might be it is their first appearance!
I think one difference between DC Presents and B&B is that they do more multi issue stories in DCP while B&B is all one offs.
  • New Teen Titans (1-17) (1980-1982)
Ooh my god the first time I read this I didn't care even a little bit about all the doom patrol stuff but now I car SO MUCH, wow I was tearing up at the end of issue 15. I am so glad to be rereading this with context and already having an idea of the characters dang. Still hate the Hyperion arc tho fr.
  • Madame Xanadu (1981)
I am so disappointed that there is only one of these?? I thought it was a special but then the cover said "1st issue"?? I really do like the M. Xanadu stories, and also the sci-fi short at the end of this one was v good too.
  • Adventure Comics (479) (1980)
Read this one, which is the start of the new Dial H for Hero run, and got so damn confused cause it felt like I was dropped into the middle of something and missing something. Looked it up and apparently there was an intro special that ran with LoSH 263. But the digitization on DCUI didn't include it, and ever other source seems to be using that same copy. Spent a few hours trying to find it on it's own. Was v unsuccessful. Rage quit just a bit.

Not a whole lot read, but some neat stuff starting! This really is a changing era, I love it. 81 and 82 have some specials and minis that I'm looking forward to, and Supergirl and Atlantis both start in 82, tho sadly Superman Family will be ending.

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Reblogged tiredtuff

i think everyone deserves a large rock a short distance from their home. i dont like that discussions about walkable cities never include plans to allow wider access to large rocks. the people need large rock

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How to Critically Analyze a Piece of Media

By Deniigiq (Almost Ph.D)

So as a person who has spent the last 5+ years working in higher education in both research and staff capacities, I feel that it is my responsibility to provide y’all with some tools to help you critically analyze shit that you come across so that you don’t end up guilt tripping yourselves and others around you 24/7.

I am writing this because I see people constantly saying that people no longer know how to critically analyze something or don’t have critical thinking skills, but very few people actually have the time/energy/obligation to break down what that actually means and looks like for others.

The good news is that I apparently do have the time, energy, and honestly, the genuine concern to start to help people do that.

This is going to be a long-ass post.

I am not sorry.

It is not comprehensive.

I am not sorry for that either. This is just a tiny taste of some shit that you can and should really go ham with.

So anyways, here’s how to critically analyze a piece of media.

Critically analyze = asking questions of a text/media/object and thinking about answers to those questions.

THAT’S IT, PEOPLE.

THAT’S ALL. Don’t make it more complicated at this point in time.

Here are some basic questions that you want to ask yourself about a text/media/object (hereafter referred to as a Thing) before, after, and during your consumption of it:

  • When was this made?

The period in which a Thing is made is important because the world during that particular point in time influences the decisions that went into producing the Thing.

  • Why was this made?

This question has layers. You will find many answers to this question if you pose it to anything that exists ever. And it should have multiple reasons because humans give many different meanings to individual things. There are often very few absolutely right answers to this question.

  • Who made this thing?

The layered identities of the people who create a Thing are always present in it. The important part is that if a person creates a Thing, then that Thing will have both insights into that person’s perspectives/beliefs/values/identity AND the limitations of those perspectives/beliefs/values/identity.

  • What ideas does this Thing include and what ideas does this Thing leave out?

This is a really basic question that you probably don’t think of to ask yourself often, but when you are presented with a Thing, you have to first identity what is literally there right in front of you (example: this is a movie about a superhero. The superhero is a tall, beefy white man. The tall beefy white man has 2 sidekicks. And so on and so on.)

THEN, once you’ve done that, you sit back and think about what is NOT there. (The tall beefy white man’s sidekicks are both white characters. None of them are woman. None of them are people of color. And so on and so on.)

Once you get to this point in your analysis, you start asking different questions about the Thing.

For each answer you come up with to the above questions, you ask yourself:

1. Why?

and

2. How?

Some questions you may find yourself making at this point include:

  • Why was this Thing done in this way?
  • Why does this Thing have that audience?
  • How does this aspect of the Thing affect this other aspect of it?
  • Why did the person who made this Thing choose to do it X-way and not Y-way?
  • How might the time and place this Thing was made in affect its creation?

So you may be saying to yourself at this point, “but Matt, this doesn’t sound very critical to me! This just sounds like a load of fucking questions.”

To which I will say: thank god you have finally understood, padawan.

Being critical of something does not mean that you or someone else hates it.

It does not mean that you or someone else thinks the Thing is worthless.

It does not mean that you or someone else hates the people who made the Thing or the people who like the Thing.

It simply means that you have asked questions about the Thing and have recognized what it is, what it is doing, and what it is not doing from a variety of different perspectives.

So that means that when someone comes to you and says, ‘this Thing is having X effect on its audience,’ ‘this part of this Thing is representing X idea in Y ways,’ or ‘this Thing is leaving X people out in its story, which has Y effects’ that ‘criticism’ isn’t actually a targeted attack on you as a person.

This is because Things are not personality traits. Fandom ideas and ships and headcanons and whatever else are not what makes you you. You are special and unique because of so many other things that you do and have experienced. The thing that you like does not make up the entirety of your person or identity, even if that Thing or hell, even if a specific person has a lot of emotional value to you.

And because of that, when someone criticizes a piece of media or an object, they are not criticizing you. Rather, they are explaining to you how a Thing is functioning through a lens that you often don’t have access to or haven’t thought of.

That’s all!

That’s it, folks!

And just so that we are clear, you can absolutely like a Thing after going through this process and finding that it has all sorts of limitations.

You may find that there’s a lot of shit about a bit of media/fandom/object that you don’t like, and you might decide that that shit outweighs the things you do like about whatever it is.

And regardless of the case, you are MORE than allowed to continue to consume a bit of media or whatever and say, ‘you know what? I enjoy this for a number of reasons. And I also acknowledge that there are parts of it that are not good for a number of other reasons. So now when I have fun with this Thing, I’m going to be aware of and sensitive to those less great parts, while also celebrating the good parts of it, too.’

That’s totally fine. In fact, that’s great. That’s amazing. That’s the kind of awareness that people are asking you to have when they ask for critical analysis.

So. In conclusion:

Critical analysis is a tool that helps you think beyond the surface layer of an idea/thing/object. Being asked to think critically is not an attack. It does not mean that you cannot enjoy something or let it occupy an important place in your heart.

Critical analysis is a tool for everyone to use, and it is intended to help you understand how an idea/thing/object relates both to itself and the world around it.

What you do with critical analysis after that point is all up to your values and morals.

Anyways, if you have more questions, please don’t ask me. Ask yourself and then ask Google for more information or what to do next. That’s a whole different process called ‘researching’ and no one is paying me to teach you all how to research next. (…UNLESS???)

this is going to sound like such a little sibling ass take but i genuinely believe that being a little bit annoying is actually a greater sign of maturity and self awareness than being universally likeable and on good terms with everyone

if some people find me annoying and can't stand me because of how i think and act then that means i'm a fully realized human being with my own personality and opinions and free will and not just a reflective surface for other people's desires, which is in fact a good thing despite what people who want you to just be a reflection of their own opinions and desires will tell you, and why being considered "cringe" or whatever doesn't bother me at all

also it's really funny when you're confident enough in yourself to know that people not liking you isn't always a sign that you're the problem. like there's something undeniably hilarious about being aware your mere existence has the power to piss someone off and ruin their day and i recommend embracing it.

Every professional comic writer should have the same encyclopedic knowledge about their protagonist as my mutuals and I do. It’s really not that hard. All it takes is a 500 issue reading list and a dream.

This list was created consulting Year in Reviews, Fanlore articles, user feedback, vintage pinterest posts, and my own knowledge. Don't worry about not seeing the shows in their entirety, vote based on your judgement. Enjoy!

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Flattened Musk Turtle (Sternotherus depressus), family Kinosternidae, only found in the upper Black Warrior River system, Alabama, USA

CRITICALLY ENDANGERED.

photograph by John P. Friel

happy tdov, y'all

i'm from texas and i had to move away after coming out in middle school, due to it being unsafe to be a trans man in texas. with the recent news going on i wanted to put this in bluebonnet fields. i hope everyone else doesn't forget about trans rights for rural and southern people, because it really does feel like a whole other world between city and country sometimes and we have got a lot of work to do

[id: a trans man in a field of bluebonnets. he has a cigarette and a cowboy hat, which is tipped over his face. he is pre-op, and shirtless, with blue jeans on. he is reclining and wrapped in a trans flag. /end id]

I think the more I read comics, the more they become stories about the people behind the page just as much as they are about the characters themselves. Not that the characters aren't important, or that everything a creator has a character do or say or act has to necessarily reflect everything or anything about their worldview, but particularly as comic characters become not just characters, but cultural juggernauts in their own right. You can't write Superman solely as a character and solely from the perspective of hard, established comic canon–you must engage with Superman as an entire cultural symbol, an icon outside of any one comic book series. You can't just write a story, you're always leaving a little something of yourself in there, your relationship to the medium, your politics, your biases, your tastes and distastes. Some creators do this more often and more overtly than others, but all of them ultimately tell their own stories as much as they tell Superman's or Hulk's, or whoever it is they may be writing.

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Reblogged

*points at you* fellow dwarf caiman enjoyer!!

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BUT WAIT... THERE'S MORE!!!

Have you also seen dwarf crocodiles???

African Dwarf Crocodiles (Osteolaemus tetraspis), family Crocodylidae, found in West-central Africa

  • This small crocodile species only grows to a length of up to 1.5 m (4.9 ft), on average.

photographs by San Diego Zoo Wildlife Alliance

African Dwarf Crocodile (Osteolaemus tetraspis), juvenile, family Crocodylidae, Ghana

  • This small crocodile species only grows to a length of up to 1.5 m (4.9 ft), on average.

photographs by Kurt Orion G

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