Pinned
“I exist. It is soft, so soft, so slow. And light: it seems as though it suspends in the air. It moves.” — Jean-Paul Sartre
Reblogged perpulchra
Frederick Mershimer (b.1958) - Holiday Wreath. 2002. Mezzotint.
Reblogged narcissiste
The Enchantress by Frank Cadogan Cowper, 1924
Source: rhapsodyinwords.com
Reblogged fatalfaery
Clarice Lispector, from Água Viva; translated by Stefan Tobler
Text ID: All of me is writing to you and I feel the taste of being and the taste-of-you...
Reblogged woven-birds
William Orpen (British/Irish, 1878-1931) • Window in London • 1901 • National Gallery of Ireland, Dublin
Reblogged glitteringroseangel
(SCAN) Red Velvet 'The ReVe Festival 2022 - Feel My Rhythm’
Reblogged pierangelis
The grip on her thigh…
Reblogged godsperfectprincess
emperor-ing-deactivated20191108
the idea of a clutch purse is nightmarish to me. the whole point of bags was so we could escape the torment of holding things. and now u gotta hold a bag.
Reblogged decomposion
THE PALE BLUE EYE (2022)
dir. scott cooper
Reblogged catherinedefrance
Dress
1805-1810
The Metropolitan Museum of Art
This beautiful evening dress is a great example of the delicate sheer fabrics that were favored during the era. It also shows how simplicity could also be extravagant, heavily embroidered with thread made from hammered silver wire that would have glittered in a candle-lit ballroom. The romantic love of the natural is represented through the wheat, a symbol of fertility and abundance, and a love of the exotic is shown through the peacock feathers.
Reblogged filigreefields
"Imprint" by Louise Richardson
Source: zoneonearts.com.au
Reblogged ruegracieuse
Reblogged english-court
Orlando (1992)
Reblogged astute-aesthete
From the National Gallery of Ireland in Dublin
28 VI 2023
Reblogged lunarianbeams
— Mallory Pearson, The Heaviest Rain We Ever Had