Evan, July 2024 by Alexander Campbell.
Shot on 120mm film.
gang.
alexei hay, 1999 for dutch magazine
by Jack Davison for AnOther Magazine
Serigne Lam and Gramma Ecaterina by Ben Hassett for Vogue Germany - June 2020
Good and Bad Hair by Bill Gaskins
Richard Prince, I’m not Linda, 1992.
I’m Not Linda confronts the viewer with a strangely puzzling juxtaposition of minimalist composition and silkscreened words. Although this can be read as a reference to postmodern linguistic theory, the work also points to two quintessentially American characteristics: hard-edge abstraction and popular humour. Cleverly subverting the clean and serious vernacular of abstract painting, the Jokes' amalgamation of low and high culture characterises Prince’s most important work. Wittingly parodying popular gags heard in everyday parlance, the artist found a way of incorporating a universal human condition – humour – into a deeply serious and resolutely intellectual form of artistic expression.
Jasper holding a four-week-old hound pup, Photo by James Evans
Shaden and Montell Martin by Olivier Yoan for L'Officiel Hommes Ukraine Magazine - January, 2020
Mica Arganaraz by Tyrone Lebon for Bottega Veneta S/S 2020
Michel Boyer, 1971 via @aintvintage on Instagram
DS France, September 1998, photographed by Serge Paulet.
Canada to Texas, Terry Evans