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against monotony

@polytony / polytony.tumblr.com

art, science, and politics. all or none.

Rules: shuffle your "on repeat" playlist and post the first 10 songs, then tag 10 friends to do the same

i honestly don't keep a playlist... mostly i listen to albums in order, so put the main ones on rotation on a shuffle. there will be repeats.

1. kendrick lamar - man in the garden

2. santigold - disparate youth

3. fka twigs - pendulum (bought this on vinyl in hamburg! that place has like 10 record stores with a 1km walk)

4. flying lotus - german haircut (honestly this track is a skip on cosmogramma, which i swore was an album with no skips.)

5. j dilla - last donut of the night

6. fka twigs - give up

7. gang of four - i will be a good boy

8. santigold - go!

9. doechii - nissan altima

10. the clash - jimmy jazz

"art will save your life but entertainment will never be your savior.... there are these things called books. and every revolutionary that the government thought was dangerous enough to murder wrote one before they died. and they're so sure you won't read them, they're available for free in the library."

On the night of April 30, 1541, the Ming Ancestral Temple in Beijing was struck by lightning and burned to the ground. […] 

[T]he fires forced the Jiajing Emperor to resurrect one of the dynasty’s most expensive, difficult, and destructive projects: the logging of old-growth timber in the far southwest of China. Disaster struck again in 1556, when fires burned the Three Halls that form the central axis of the Forbidden City. […] Yet the lightning strikes in Beijing were also a disaster for the old-growth forests of the southwest, where the logs to build the palaces had first been cut in the early 1400s. As logging supervisors soon learned, ancient trees could not be felled on a regular basis. Officials pressed ever deeper into the gorges of southern Sichuan and northern Guizhou to find them, bringing massive transformations to the environment in the process.

The foundations of Beijing were laid between 1406 and 1421 by the Yongle emperor, a junior son of the Ming founder, who moved the court to his personal appanage in north China. […] Grasping the sinews of power that connected his court to far-flung regions of the empire, Yongle pulled one million laborers to Beijing to build his palaces. Because the weight of Chinese buildings is carried by their pillar-and-beam frameworks (liangzhu), monumental buildings required monumental trees (Figure 2). So Yongle also dispatched a similarly large labor force to the old-growth forests of the far southwest to cut the fir (Cunninghamia lanceolata) and nanmu (Phoebe zhennan) that grew straight and tall enough to be used for imperial construction.

We cannot be certain just how many logs were cut to build Beijing, but the figure must have been astounding.

In 1441, two decades after the completion of the project, 380,000 large timbers were left over from the earlier construction. By 1500, these too were gone, used for repairs or too damaged by rot to be used for construction purposes.

In the sixteenth century [when the Jiajing Emperor resumed the project], logging officials wondered how their predecessors had been able to obtain so many giant timbers. Li Xianqing, who supervised more than 40 logging sites in the 1540s, noted that large trees could still be found, but they could only be transported out with great difficulty and at great expense. The majority had to be discarded as hollow or insect-damaged.

Even when a quality log was found, it took five hundred workers to tow a log over mountain passes.

Skilled craftsmen were on hand to build “flying bridges” (fei qiao), stone-lined slip roads, and enormous capstans (tianche) to tow the logs up slopes (Figures 3 and 4). In the remote forests of the southwest, loggers faced attacks by snakes, tigers, and “barbarians” (manyi); “miasmatic vapors” (yanzhang, probably malaria); storms, forest fires, rockslides, and raging rivers (Figure 5). Labor teams had to carry their own food and often starved. At the rivers, logs were tied into massive rafts bound with bamboo for buoyancy, towed by teams of 40 men, and then launched on the three-year, three-thousand-kilometer journey to Beijing (Figure 6). Only a small fraction of the trees reached the capital in a condition where they could be used for palace building.

Expeditions exceeded their budgets up to fiftyfold.

One official remarked, “the labor force numbers in the thousands; the days number in the hundreds; the supply costs number in the tens of thousands each year.”

Another saying held that “one thousand enter the mountains, but only five hundred leave” (rushan yiqian chu shan wubai). To make matters worse, logging mostly occurred within territory that was under only loose Ming control […].

The Yongle Palaces were said to replicate the otherworldly atmosphere of the old-growth forests where their pillars originated. The presence of these timbers in Beijing linked the capital, materially and symbolically, to the southwestern landscape of cliffs and gorges where the trees had grown.

But ancient sentinel trees could not be reproduced on demand. The fifteenth-century logging project was a millennial event, removing the growth of hundreds or even thousands of years. Later officials were forced to come to terms with the transformations their predecessors had wrought in the ancient forests. Eventually builders had to switch to smaller, commercially available timber, using ornate artisanship and commercial efficiency to substitute for the austere majesty of the early Ming palaces, and the thousands of years of tree growth on which they rested.

All text above by: Ian M. Miller. “The Distant Roots of Beijing’s Palaces.” Environment & Society Portal, Arcadia (Autumn 2020), no. 39. Rachel Carson Center for Environment and Society. DOI at: doi dot org slash 10.5282/ rcc/ 9133. [Bold emphasis and some paragraph breaks/contractions added by me. Presented here for commentary, teaching, criticism purposes.]

I do think with news of the ceasefire, everyone should read up on what the ceasefire actually means and what the different phases of the ceasefire are. here's a good source for what we know as of now:

Some of my initial takeaways are:

  • this ceasefire is temporary (as of right now, six weeks long). negotiations will continue but israel is not offering guarantees about continued non-violence. BDS remains important. be vigilant, keep pressure up
  • rafah crossing will open one week after the initial phase starts
  • israel will release 2000 prisoners
  • more aid will get to northern gaza, look out for ways you can help
  • if the second phase is initiated, israel will do a complete withdrawal from gaza. which means the initial phase will not include that. again i say: BE VIGILANT
  • if the third phase is reached, reconstruction will begin "under international supervision"
  • nothing is over, even if this is a relief. do not tape out, do not tune out.
  • pls still read the full article
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Reblogged

reblog to give prev a manly punch on the shoulder and tell them you got it champ

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Reblogged
does god discriminate, slashing some flags, amendments ever farther above the chapels, pale heaven expires mortar the mosque means build not bomb—the moral center gives only an honest fellow [please provide] might renounce christ, this machinery of helmets, prosthetic limbs, human skin refusing, louder than the drone above the disputed zones all ages are difficult ages: flight, the bits of metal raining down clarity never arrives, it is a spar in a far mine, it cost us dearly

"democrac," from Chronic (2009) by D.A. Powell

List with no name

  1. saw a complete unknown -- unsurprisingly sold out at the palo alto weekend showings, old hippy town that it is. impressed with the performances, especially the music. found it a kind of surface level treatment of one of the most written about episode of pop music, but pleasing nonetheless. a rare biopic where the actors are not as attractive as the subjects themselves. joan baez and dylan really had intense photographic chemistry which has not been recreated in quite the same way.
  2. proceeding to have lots of feelings about dylan's "desolation row" and the other long form ballades, including "all along the watch tower" and "lily rosemary & the jack of hearts." the narrator who seems to sit atop the weathervane at the crossroads of time.
  3. reading and txting about the l.a. fires. i have have little to say.
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