Reblogged
a stack of Z\W\A\R\T magazines - nr. 2
2012 17 april
OPEN CALL
WELCOME to contribute to the DRONE project of Nuits et Noirs magazine nr. 5 - ‘De 4 Kamers’.
Each contributor can send one to four drones in one track of circa four minutes in total.
All genres and techniques accepted.
More information: https://nuitsetnoirs.com/
OPEN CALL
WELCOME to contribute to the DRONE project of Nuits et Noirs magazine nr. 5 - ‘De 4 Kamers’.
Each contributor can send one to four drones in one track of circa four minutes in total.
All genres and techniques accepted.
More information: https://nuitsetnoirs.com/
Just released! The new Secret Science tape
Title: ‘For Shane’
Side 1 - 5:27 - ‘Requiem for Shane’ by Jacob DeRaadt
Side 2 - 5:49 - ‘Sepia waves’ by Max Kuiper
Secret Science is a long term collaborative project of Jacob DeRaadt (US) and Max Kuiper(NL).
This album is a tribute to Shane Bartlett - May 26, 1976 - May 4, 2023
Edition of 20 tapes (10 copies available in\from NL; 10 in\from US)
If you are living in the US and want to purchase a copy, order it on the Secret Science page - it will be there uploaded soon.
Image from ‘Grand Mémento Encyclopédique Larousse’, 1937
Released by r\a\w f\o\r\m\s, NL, on 6 april 2025
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This is the third physical release of Secret Science
1)
‘First Discoveries’, 5 november2020, tape, released on tracedobjects (US)
2) ‘Widening Scopes’, 4 november 2021, cdr, released on Basement Tapes (US) https://basementtapeseureka.bandcamp.com/album/secret-science-widening-scopes
Secret Science Bandcamp page:
Track\video of the day:
Linea Aspera – ‘Malarone’
Conceptualised, filmed and edited by Alison Lewis. 2012.
live version: https://www.youtube.com/watch?v=38oH8YwqF94
Reblogged
sound recording made this evening at a deserted industrial area on the edge of the city near harbor. cell Phone placed in the metal tube that was lying there.
3 layers of the same recording. One without editing, one with treble, one 12 tones higher.
“Franz Kafka was preoccupied with noise as a literary object for his entire mature writing life, from 1912 until his death in 1924. Early on, Kafka described how everyday household sounds and city noise broke his concentration and prevented him from writing. Near the end, disruptive sounds were still invading and unsettling his creative process, but they had become inextricable from writing. Many of the central figures in Kafka’s late works, from Josefine the singer to the burrowing creature, are defined by their struggle with noise. Though it originally stood in the way of writing, noise became the condition of...”
Unfinished fragment from
“Chapter 1 Dreaming in Sound: Listening to Kafka Cinematically’ of the book ‘Kafka and Noise: The Discovery of Cinematic Sound in Literary Modernism’
Kata Gellen.
Copyright Date: 2019.
https://www.jstor.org/stable/j.ctv37wprjj?turn_away=true
Reblogged
Very soon: a series with this title:
‘the domain of speechlessness, of anonymity, of the unidentified, of the undefined and of the namelessness also has a right to speak’
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‘het domein van de sprakeloosheid, van de anonimiteit, van het ongeïdentificeerde, van het ongedefinieerde en van de naamloosheid heeft ook recht om te spreken’
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‘Auch der Bereich der Sprachlosigkeit, der Anonymität, des Nichtidentifizierten, des Undefinierten und der Namenlosigkeit hat ein Recht zu sprechen’
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Solange Émeraude
Part of ’Visions of Solange’
a i \ Max Kuiper, 28 march 2025