skywalker, still looking to the horizon

When you have your traps all set and that good cologne on and you’ve bought a new cape and had the henchpeople polish all the blinkie lights and monitors in your evil lair but you’re just not sure your Diabolical Plan is good enough…

What if he doesn’t show??

Well, I guess you’re gonna have to go out and GET him, then. Don’t waste a good look sitting at home waiting. Go get that man. Poor bastard probably got lost, you know how heroes are.

can i interest u in a box of friend??

It is The Earl himself

‘Lament for Icarus’ - Herbert James Draper // ‘British lads hit each other with a chair’

Most Memorable Dresses: Diahann Carroll’s show-stopping pink gown with a sparkling translucent overlay at the 41st Annual Academy Awards in Los Angeles, California 1969.

I think to fully grasp Reed and Victor’s connection, you have to view it from both sides, because I think a great deal of what Victor feels that’s positive for Reed comes out of Reed’s positive feelings for him. After all, it’s Victor who says “Nobody sees me. (Only Reed did.)”

(Invincible Iron Man #597)

To get to Victor, I think you have to start with Reed, and what you have to understand about Reed is that Reed, despite being in most other ways pragmatic and in what’s so rarely discussed about him, utterly believes in the power of love, beyond all else, beyond himself.

“Because what man is a man that doesn’t risk everything for the people he loves? I am flawed that way.” – FF #21

“You see surprised that I would be willing to sacrifice myself for my family. Why?” - New Avengers v3 #3

So you can’t start from the idea that Victor met Reed in college and fell in love with him quickly, because Victor isn’t that person. Victor, especially in his youth, is hardened by the world, angry and vindictive, and utterly prepared to lash out. He already has his armor on, so to speak. After all, when Reed tries to help with his experiment, it’s an honest gesture – but the idea of anyone being superior to him in any field, especially in his own domain, is so abhorrent to Victor that he lashes out, and that’s how the accident happens. And of course he blames Reed for it – logically, Reed is the only person besides himself he can blame, and Doom cannot blame himself, at least, not on any surface level. But Doom harbors a great deal of hatred – so what makes Reed special? What makes him continually worthy of tormenting, of torturing, the focal point of Doom’s obsession? Doom accuses Reed of being soft and sentimental – but is it that softness and sentimentality that Doom focuses on not because he honestly wishes to stamp it out, but because he craves those emotions focused on him?

“He was a genius.” - Infamous Iron Man #7, in Doom’s hero phase, in what I think is one of his most honest and vulnerable moments, where he admits he misses Reed and Sue. I think it’s not fair to discuss Reed and Doom without discussing them as two halves of a coin – Claremont established this brilliantly in both his Fantastic Four run, which at one point sees Reed trapped in Doom’s armor, and in his earlier Fantastic Four vs X-Men, and Waid, who I otherwise think doesn’t write the best Doom in the world, strengthened that when he had Reed use Doom’s machine to reach the afterlife to save Ben. So you have this huge similarity: they both view themselves as being capable of or willing to defy everything to save the people they love the most. Reed in his worst moments behaves like Doom: arrogant, selfish, secretive, lonesome. He invades Latveria; in Doom’s armor, he becomes almost possessed, behaving more and more like Doom. This is isn’t to say, though, that they have more similarities than differences. Doom is monumentally proud. Reed, despite everything, is ultimately humble. Doom is power. Reed is knowledge. And Reed is balanced out by other factors – Sue, Ben and Johnny, his children, his work, the Fantastic Four. Doom leaves himself off-kilter by choice, because he cannot be open enough to accept help honestly, to establish a connection that might make him whole. Reed is content; Doom is longing. Reed believes that, given the circumstances, given the choice, given the opportunity, Doom can change. To be Doom, Victor has to believe that Doom is a constant. It’s a constant tug of war between Reed and Victor’s beliefs.

(New Avengers v3 #14)

On some level Doom knows that Reed completes him, that together they make a perfect whole, which is why he both hates him – and, in fantasies, models himself after him. There are a couple of alternate Doom/Sue realities born out of Victor’s fantasies – the one in Millar’s run, and the one in Secret Wars (2015), but I think to view this as about Victor’s desire for Sue at all is a mistake. He makes himself in Reed, he usurps Reed’s position, questing for the love that Reed offers but that Victor cannot accept from him. So instead, he makes it a conquest. Take Reed’s place. Take Reed’s wife. Take Reed’s children. (He already views himself as Valeria’s godfather and if there’s anyone he’s especially soft on, it’s her, not to mention that, unbeknownst to them both, Doom’s adopted son Kristoff is Reed’s biological half-brother.) It’s not about loving Sue. It’s about becoming Reed, and in that act of conquest being able to accept that love. Except that’s not how love works, so ultimately the act is hollow, and Victor is still unsatisfied. He wants Reed’s love; he cannot accept it. But this is still a man who died for Reed’s cause and Reed’s family, and who is inextricably connected with them.

(FF #14)

There’s a potential future oneshot I really like called Fantastic Four 100th Anniversary Special, which was part of a line that envisioned where series would be on their 100th anniversary, which sees Doom as part of the Fantastic Four family:

And I think it’s the best path possible for him, if he was actually able to embrace that connection and lean into the family and find the acceptance and love he’s clearly been craving. Because after everything, Reed is ultimately willing to forgive Doom, because they have such a connection and understand each other in ways few other people can. It’s just that Reed is, most of the time, the only one who can admit that.

(Fantastic Four #562 – it was a Sue from a far flung future who used Doom, Johnny, and Galactus as a power battery that Doom killed, for context. If you want to talk character similarities, Sue and Doom are both far more ruthless than Reed.)

In conclusion, Reed, to Victor, constantly:

(Fantastic Four v4 #9)

Traincat really covered the full breadth of the dynamic and how I also perceive it and emotionally compromised me in the process (REALLY RUDE) — I guess if I had to add anything when it comes to Doom’s feelings about Reed, I’d say the leitmotif of Doom feeling connected to Reed by way of their intelligence, especially when he’s typically so bereft of connection is especially notable. Like, Traincat mentioned this at length for good reason — he constantly denies himself real meaningful human relationships to help perpetuate that cold persona.

From the armor to the robot duplicates, it’s a canon constant that he puts REAL effort into building the cult of personality of Doom and neglects Victor, the man. So when Doom invokes Reed again and again as his TRUE peer, when his relationship with him IS a remnant of his past prior to donning that mantle, calls him the only person who understands him pretty consistently throughout canon, ESPECIALLY when he’s pretty much an island of a human being by painstaking design... I mean, it stands out starkly within the context of that lonely life.

(Supervillain Team Up // Secret Wars (1984) // FF: Heroes Reborn/Volume 2)

Especially when in recent years, like Traincat said, it’s through Reed’s family that he finds sincere belonging. His adopted son, Kristoff! Valeria Richards, who Jonathan Hickman described during his run as one of the few things he sincerely cares for, alongside the literal country he rules over.

Appealing to feelings and his better nature and his potential are typically Reed’s modus operandi, “I know you, you’re like me, you could be a better man,” while Doom also tends to reach out, but in a different, interesting, stunted way that speaks to his classic temperament: “I know you, you’re like me, you could be just as cruel.”

(Fantastic Four #552)

Again, a bit of an ideological tug of war. Doom’s POV is ultimately untrue because it’s blatantly apparent, even IN many stories where Reed shows shades of Doom, that his love for his family and the kindness and concern he shows for his fellow man are what define him:

(Fantastic Four Vs. X-Men #3-4)

But the fact that Doom reaches out with this same “I know you like I know myself” rationale that Reed uses on him from an opposite end, even if oftentimes with the intent to harm, is so interesting to me! Because obviously it’s hard for him to reach out by way of authentic emotions, like, this is the guy who literally encased himself in armor to distance himself from emotion itself, who’s known to use people and keep them at arm’s length, never giving most of them an inch, but drawing a bridge between them by way of being twin intellects, of “innately KNOWING each other” is something Doom does regularly and I think there’s real power and meaning to it for him.

It’s one of the rare instances he aligns himself with a person, implies that REED know him well when the guards his own person and thoughts so intensely. As in the most recent Secret Wars, he asks “can’t you admit that I’ve done good here?” He craves REED’S opinion when the only person whose opinion he typically holds in such regard is himself. There’s intimacy in that.

THE DARK KNIGHT (2008) dir. Christopher Nolan 

all you guys are like ‘fake dating au’ and ‘roommate au!!!’ and im just here intellectually superior with my ‘au where the characters have to go on a long dangerous journey with one character supposed to protect the other but they can’t stand each other at first and constantly bicker and butt heads but then as their journey continues they’re constantly having to save each other and they learn more and more about each other and they have self reflection in the quieter moments of their journey and maybe at one point they’re under a lot of stress and exhausted and they’re sitting at a campfire together and maybe they need to warm up in a cave and maybe one of the characters was wounded so the other is patching them up and there’s a sudden yearning for intimacy and they have an explosive moment of realization and make love while scared it’ll be the only time they ever can’

Freaky Friday (2003) dir. Mark Waters

That look.

The face of a woman who didn’t think she’d win an Emmy so she didn’t prepare anything and then she won and now has to go on stage.

literally can't stop thinking about this

024 - Ocean Master

Dude what? She tied you to the kitchen chair? Broke your throne & cut your hair? From your lips she drew the..? Broooo

which john are u today???