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Deng Lun as BOYA The Yin-Yang Master: Dream of Eternity
requested by @seaofthesoul
Reblogged ffionaapple
The shadow does not hold sway yet, not over you not over me.
THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING 2001 | Dir. Peter Jackson
Reblogged heartwasglass
the generational gap between me and the people my age who use chat gpt
Reblogged fyeahfrodobaggins
It has recently come to my attention that Hobbits.
Reblogged theluckwearerreturns
Mentally I’m here
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[ID: gifs from episode 40 of the series "Mysterious Lotus Casebook." Li Lianhua dressed as Li Xiangyi says, "People die without a shadow. You can't keep a dying man." Fang Duobing says, "My Erya sword has killed even the king of hell. I can still save your life." Li Lianhua blinks doubtfully. /end ID]
Reblogged et-earello
Cate Blanchett as GALADRIEL FINARFINIAN THE LORD OF THE RINGS — Fellowship of the Ring (2001)
Reblogged katierosefun
beyond evil (2021) occupies a very interesting space in the larger expanse of crime shows. like, it is a Cop Show. it is undeniably a Cop Show even if the two main characters, who are both cops for very different reasons, are handled with significantly greater awareness and intention than usual.
it is also, impressively, a show that pierces the real ugly rot of 1) police corruption and its overlap with capitalism 2) atrocious real-life lawmaking 3) the poor handling of femicide in stories. i cannot express how abruptly shocked i was to discover that i did not hate the way this show was carrying itself, despite its crime drama genre, narrative about two homoerotic cops, and its murder mystery premise featuring a plot about a serial killer with solely female victims. here is a story that understands its purpose and is so clear-eyed about it that i did in fact tentatively suspend all my wariness about Cop Shows to watch it—and what i got was a scathing response to every serial killer and true crime documentary out there. a narrative that said: enough. enough. look at the way grief rots people from the inside out. look at the way loss ruins lives. do not forget the sufferings of the innocent.
far too many crime dramas possess an incredibly dehumanizing analytical tone to them that goes, “what if these poor women died in brutal gruesome tragic ways? anyway, look at these men and their heroic journey for justice!” it’s why i can’t fucking stand to watch them for the sake of my blood pressure. while beyond evil is not exempt from using such gruesomeness as a part of its horror aspect, the women in this show, particularly the women who were murdered, occupy such a heavy weight over the narrative that it is impossible to reduce them to what they’re usually reduced to: numbers in files, or cold cases. and because the purpose of beyond evil is to examine the ways grief and loss bring about destruction to people’s lives and communities, these women cannot be seen as numbers. they need to be vivid and real; the audience needs to feel their loss as deeply and gnawingly as the townspeople do. as we would in real life.
personally i’m still surprised at myself for liking a Cop Show this much—because the law enforcement sympathy is unavoidable in a cop show—but then i’m also shocked at how immediately this show establishes its awareness of police power. i don’t mean it gives a passing nod, like a brief disclaimer. i mean that you watch until the end and you’re like: oh! the entire fucking show is about police power and its consequences! this entire goddamn show is about cops’ potential for harm and how it destroys lives! the main character only ever became a cop out of desperation because he realized it would protect him from suffering further at the hands of the police. because he realized it was the only way for him to get access to both the information and the legal power needed to take his own steps to solve his sister’s murder. it’s not radical—it’s a cop show. but it is novel. a cop whose relationship with his own occupation is bitterly resigned at best and traumatic at worst.
this is far from an original thought, but truly i think what makes beyond evil worth watching is that it is so incredibly careful with itself. its meta awareness of its own genre heightens it to a tier above other crime dramas—it knows and rejects voyeuristic perspectives into the lives of people who’ve suffered real loss and tragedy, and so it makes the loss inescapable. every direction you look, someone’s life has been irrevocably altered by the murders you learn about in the story. it gives you no space to push away the murder—no, you need to sit directly in its field of impact. all the fucking time. you are not watching the town suffer, you’re suffering with the town. the story sucks you in and makes you live alongside the rest of them; it's why the first watch hurts so raw. because the story refuses to let you take a true-crime approach. because it refuses to prioritize the narratives of perpetrators over human lives. you are there, and you are hurting.
man. really, if you're going to watch anything, watch this.
Reblogged gege
During the Republican Era, Shen Zhiheng, a member of the Tianjin gentry who happened to be a vampire, offended the Japanese and became the target of an assassination attempt. He was saved by a blind young lady, Mi Lan, and his best friend Situ Weilian. When he went to repay Mi Lan for saving him, he discovered the terrible family situation that Mi Lan was in, and so began to pay more attention to her. Meanwhile, Shen Zhiheng’s plan to take revenge on Li Yingliang, the mastermind behind his assassination, fell short of success thanks to Li Yingliang’s Japanese superior, raising suspicions about his identity. Since then, Li Yingliang and the Japanese were in hot pursuit of Shen Zhiheng, determined to dig out the truth about his secret.
Please do not repost this anywhere else or retranslate it!
Kuroki Rika no longer had the patience to continue waiting.
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A short continuation of this art...