THANK YOU. It’s not without its problems don’t get me wrong. The series could definitely stand to represent women a lot better, sometimes I just wanna shake Nomura back and forth for that. But it has very good aspects. Such as:
1) The dynamic between light and Darkness and the fact that Darkness isn’t an inherit evil but something people misuse. Riku’s character arc represents that, but it’s also hinted at several times by other people’s actions, including Sora making full use of darkness regularly in his anti form!
2) Men in this series cry a lot. Even Xehanort does! It never impairs how strong they are.
3) The story is disorganized af, but it DOES have some meaningful things to say. It has something to say about toxic positivity, and valuing your friends, but also valuing yourself WITHOUT needing other people. Sora’s all about that. Eraqus has a purposefully negative character arc related to this in dark road, except his is left open ended! Instead of learning to let go and accept that the past changes, Vor dies in dark road and essentially tells Eraqus that he was right NOT to let go with her last words, and we see how much that fucks him up throughout the rest of his life. Days is ALL ABOUT how change affects friendships. The series also has a bit of background commentary on religion and the way that people relate to it, referencing real life Christianity a lot of times (the 358th day of the year is Christmas Eve, the Book of prophecies exists irl in Christianity and is also treated almost like a Bible by the foretellers, the foretellers are named after the seven deadly sins), and it shows different ways the characters interact with their code of conduct as keyblade wielders— both healthy and not healthy. As someone who has seen both sides of that but is no longer religious personally, I can appreciate it!
Honestly, as someone who has interacted with worse media (looking at you Danganronpa, one of the most VILE pieces of media I’ve ever seen. God, Kodaka is such an unapologetically awful person and it shines through every aspect of his work), I can appreciate KH a little more. It is, at the very least, written by someone who does care about what they wanna say and wants to say something good, and that’s a step up from games like the aforementioned Danganronpa. Nomura just desperately needs to write women better and maintain better overall organization throughout the entire series. As infuriating as some gameplay and story mechanics can be though, I do actually appreciate them being experimental!
It’s not some groundbreaking media, but it affects people, and it affects people positively, and that means something!