I'm replaying the silt verses, after a replay of eskew, both are just as good the second time round! I've enjoyed picking up little bits here and there, seeing the characters in new lights knowing where they end up, and appreciating the worldbuilding, it's a joy and a comfort!
What's the deal with the familial terms of address in the silt verses? Was it a deliberate part of the language of the world? I noticed it's not just in the faiths (brother Faulkner, sister Carpenter) - Dennis addresses Paige as daughter, Mercer and Gage use sister and sibling, and it seems like these familial terms are preferred over names and used more often than in our world.
Also, I've been thinking about whether Roak's miracles come from the trawlerman at all. I remember in his tape he views the white gull river as dead and lifeless, in contrast with the withermark and the transformed boat which are teeming with life and change. It feels like Carpenter's reaction to them is "you were never like this, my river", and maybe she's in denial or maybe it actually isn't her god. I wouldn't ask for a definitive confirmation or denial, death of the author and all that, but I'd love to hear your thoughts on it, both in and out of universe
Thank you!
Hey and thank you for listening!
The familial addresses are less worldbuilding, I think, and more about how characters use their familial relationships to pressure and manipulate one another (we know that Dennis was vocally supportive of Paige's transition but also leverages that support to get what he wants out of her, so referring to her as 'daughter' has weight to it; likewise, Mercer and Gage's whole toxic codependent deal is emphasised in how they refer to each other...I'm trying to remember if they're actually confirmed as blood siblings?) In the case of M&G, I think it's also just an efficient way to signal pronouns to the audience.
I think we could have been clearer about it, but Roake's worship is definitely intended as an open question about the nature of the Trawler-man - is this god more complex and multi-faceted than the Parish believes, or are there two different entities being worshipped in the same language? Equally, is the Trawler-man about drowning and death or teeming life, and how can it possibly be both at once beyond theological two-headed paradox?