@tonalarchitecture

an important and unavoidable aesthetic blog harmonicfabrication for clothing & textiles
“When we say cliché, stereotype, trite pseudoelegant phrase, and so on, we imply, among other things, that when used for the first time in literature the phrase was original and had a vivid meaning. In fact, it became hackneyed because its meaning was at first vivid and neat, and attractive, and so the phrase was used over and over again until it became a stereotype, a cliché. We can thus define clichés as bits of dead prose and of rotting poetry.”

Vladimir Nabokov drops this brilliant bit of insight roughly half way through his lecture on James Joyce’s Ulysses, the last of his in Lectures on Literature.

Work in progress by the talented, Aubrey Jangala Dixon

Aubrey Tjangala was born in 1974 at Yayi Yayi, a Pintupi outstation 30km west of Papunya. Yayi Yayi was a temporary settlement established by Pintupi people as they began their migration back into the Western Desert during the homelands movement of the 1970s.

After returning to his home Country,

Aubrey lived at his father's outstation,

Ininti, before settling in Kintore where he resides today.

So beautiful, so relaxing.

Softwar - Hardwar

October 2017.

‘Industrial Nature’ series, at Makersplace.

No object is good or bad by itself, it all depends on the use you give to it. The same stone that was used to kill was also used to scratch art on the walls of caves. Something very similar is happening with the internet nowadays. Technology is becoming our natural predator. 

Kurt Schwitters, For the Modern, (collage composed of cut, torn, and painted paper elements, on wood-pulp board, laid down on tan wove paper), 1947 [The Art Institute of Chicago, Chicago, IL. © ARS, New York / VG Bild-Kunst, Bonn]

Source: artic.edu

Iván Navarro — Nebula XII (Pegasus) [hand-painted mirror, LED light, aluminum, glass paint, glass, mirror, one-way mirror and electric energy, 2022]

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