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welcome. I am thatwooshkai (he/him) and basically only post transformers stuff
dms always open to mutuals!
all of my fics are locked to prevent AI scraping.
writing commissions are also open! I do not have time to make another so feast your eyes on my horrendous commission sheet
you can contact me at the email listed or dm me if you're interest or want more information
(working on setting up a paypal and kofi)
Things I Have Learned By Somehow Surviving To 55 Years Old -- It is actually ridiculously easy to say 'I'm sorry'. Doubling down in a panic, trying to prove you're 'right', loses you friends and makes everything worse, every time. -- Life goes by in the blink of an eye. Don't waste your time on stupid bullshit. Discourse, internet arguments, fighting over useless details... are just going to roil you up, make you miserable, and that time can be better spent doing anything else. -- There is no One True Way. If you're convinced that your 'praxis' or whatever is the only correct one, that your view is the only correct one, that your belief is the only correct one, only one thing is guaranteed: you are absolutely wrong. If you find yourself being smug and patting yourself on the back that you are the Only Smart and Correct Person on the internet, you are embarrassingly wrong...and everyone else knows it. -- It is never too late. It's never too late to change careers, go back to school, transition, change your beliefs, change yourself. You don't have to live like this, you don't have to think like this, you don't have to be like this. It's not too late to change. -- Life happens offline. The internet is for fucking around while you're in between real life stuff. The world of the internet is not real, it's not real life, and if your only life is online, you really need to log off, leave your phone behind, and go out into the world. Interact with real people, in real situations, without a keyboard.
-- You learn way more by listening than by talking, and people will respect you more when you do have something to say. -- You need to get out of your online bubbles and talk to people who do not share your beliefs. Tumblr gives you the impression that you are the majority, that everyone believes what you do, thinks like you do, has the same outlook on life that you do. And that is far from the truth. For example: 98% of the country is cis and heterosexual. The vast majority of people do not have fandoms. The majority of humanity cares more about what you do than whether or not you use the 'correct' terminology. -- There is always hope. No matter how bleak the world seems right now, we have made staggering amounts of progress just in my lifetime. But we've done it by showing up, by voting, by acting. Progress happens in meat space, not through discourse. Online activism isn't activism. It's the prelude to activism. If you want change, you have to put down your screens, get out in the world, and make it happen. -- The sexiest thing any human being can do is to learn, to grow, and to be able to say 'I was wrong. I've learned more now, and I'm going to do better.' -- Finding love, in any form, is the barest beginning of what a relationship is. If you want to keep that love, you have to work for it, every day. And every party to that love has to do the work. If your partner/partners/friends don't work to make the relationship strong, it's not love and it will never be healthy. -- The only limit to who you can be and what you can be is you. You can't change your physical limits, but you can always decide that you will learn, that you will change, that you will grow. You can always be more than you are right now, bigger than you are right now. No one and nothing can stop you from that, except you.
hey! donate to uk trans charities today because it’s gonna be a rough one
Folks in the UK, could we have some trusted links to charities?
There's Mermaids which is always a great option, and then Scotland-specific there's LGBT Youth Scotland, to give you just a couple. There will absolutely be more that other people can suggest though!
switchboard.lgbt and akt.org.uk are two i regularly support, and there’s always stonewall !
Worldcat is my bestie and my one true love!! Not only does it tell you what library a book is at, but it also price compares different used book sites against each other for easy view! It's how I got Tarot For the Master for $10!!
Oh, and since I have your attention: z-library (books and textbooks) and sci-hub (gatekept scientific journal articles.) I just ripped a textbook for class off z-library and snatched a required reading from sci-hub. Life is good and education should be accessible at every stage and station of life.
information wants to be free
I think a lot about how in Ice Age 1 a huge theme is the slow but unstoppable advancement of the human species as they start to threaten previously unchallenged megafauna (hunting the pack of the antagonist sabertooth and killing Manny the mammoth’s family) and then in all the sequels they just fuckin disappear
I think a lot about how the first movie was actually pretty somber and dark with moments of lightheartedness and comedy, about three animals who had lost their own families finding family in each other while trying to return this baby to his own family… The first sequel, while wackier, touches on the existential dread and loneliness Manny feels at being the apparent last of his kind, his exhilaration at meeting another like him, and the question of “be together because we want to be, or we HAVE to be?” as well as Ellie having been part of a found family herself… ….and then the franchise from then on out turns into “wacky animal hijinks.”
OKAY FOR REAL i rewatched the original ice age a little while ago for nostalgia and this movie is GOOD you guys—i literally rewatched it all over again the next day. there are a couple of key things i noticed:
1. they know how to shut up. the animals know how and when to shut up. yes, even the comic relief one. do you have any idea how important this is? yes, they play it for laughs when diego first confronts manny and they fight and then diego stops, clears his throat, and asks manny politely for the child (which was brilliant, by the way, i laughed aloud), but aside from that, when there’s a serious moment, they let it be serious. when manny accepts the baby from the mother, when he sees the paintings of the mammoths on the cave wall, when he returns the baby to its father, these are moments where everyone is dead silent, even sid, and the music is soft and heartwrenching and the next line is rarely, if ever, a joke that undercuts the prior moment. they let these scenes linger and it really makes this feel like an emotional, somber, serious movie with fun character interactions rather than a comedy that makes cheap appeals to emotion.
2. the way they characterize manny at the beginning is SUPER interesting to me. by the end of this movie, we know manny is a big softie who was deeply wounded by the loss of his family. we as the audience don’t know this yet, though, and the first time we catch a hint that there’s something deeper going on here, it’s when manny firmly, sharply insists to sid that partners should be loyal to each other. it’s not an obnoxiously blatant “hey i have trauma” flag, since it could be interpreted as the writers playing with the monogamy of mammoths and promiscuity of sloths, which i’m fairly certain they bring up in this movie, if not one of the others. still, though, it strikes that perfect balance of not making the Oh Frick Manny Had A Family reveal later on completely blindside us while also not telegraphing it too obviously. at the beginning, manny is clearly a loner who wants nothing to do with sid, but to avoid making him come off as a straight-up jerk, they make it abundantly clear in the introductory sequence that he has a strong moral code that he holds himself to (”I don’t like animals that kill for pleasure”). i just thought this was really well done, opening the movie with a scene that demonstrates both that manny is a complex character who comes off as cold but cares deeply (which sid basically sees straight through and i love it) and that sid is incredibly unlikable and as such nobody likes him. i didn’t realize it at first, but that’s such an interesting move. we open the movie with sid getting abandoned by his family, but then we find out how annoying he is and go “oh, well that explains it.” but then he tells manny all about how they regularly do their best to ditch him and it’s so clear that he’s just too pure and innocent to hold any malice towards them. under it all, though, it’s clear that he’s lonely, too, and has been for a while. these characters have depth, and feel like people, and every quiet moment just drives it home even more that they really don’t have anyone except each other.
3. DIEGO! we stan. i think it’s really interesting how instead of just throwing these characters into the world together, the writers make it clear that they had other people, before, but those people either were toxic and ditched them (sid’s family), were toxic and needed to be ditched (diego’s pack), or were loving but torn away by circumstance (manny’s family). i dunno, it just adds a really interesting layer of depth here. but anyway, diego’s arc was just really well done. he’s only there to get the kid, and though he does start to enjoy himself, he still has his mission. but when manny risks his life to save diego’s and sid makes that comment pointing it out, you can SEE how he starts to linger, starts to dread, the guilt builds up until he TELLS THEM. that’s so important! he tells them!!! there’s no stupid, “liar revealed” plotline where they figure out that he’s been tricking them because he comes clean himself, without provocation or pressure, and they do eventually forgive him and that’s SO important. diego wasn’t being honest with them, was living a lie and planning to betray them, and he made the incredibly difficult decision to stop in his tracks and come clean on his own terms because he knew it was the right thing to do. there were So Many Ways the writers could have handled that reveal, but to have diego just stop, think, change his mind, and confess was SO GOOD. also the dynamic between the three of them was just really, really great. i’m so emotionally attached to these early-2000′s CGI creatures okay.
4. speaking of which, this movie is surprisingly good-looking. like it came out in 2002. that is IMPRESSIVE. manny’s fur holds up shockingly well and my suspension of disbelief was never fricked up by poorly rendered CGI graphics. props to blue sky, man.
5. okay point five is lowkey the whole reason for this rant because it’s a really really cool point i only noticed on my second watch through: the parallelism. why does diego have to kidnap this baby? because his pack’s leader (soto, apparently) wants to eat it alive as revenge for the humans killing half of his own. why does manny want to rescue this baby? because he, too, is a parent who lost a child and doesn’t want the humans to go through that. but, wait, hang on a minute, how did he lose his child? oh, yeah, the humans killed it and his wife right in front of him. both soto and manny lost most of the people they care about to the humans—these humans, specifically, since they seem to be the only community in the area—but where soto swears revenge, manny doesn’t want them to go through what he went through, even though this very act could be what perpetuates that. and they acknowledge it in the movie. diego mentions how this baby is gonna grow up to hunt them and sid counters that maybe the fact that they saved it means it will remember their kindness and things will change. but the whole movie carries the somber atmosphere of a tragedy because, as someone else mentioned above, the humans are steadily encroaching and all of these creatures are going to go extinct, and this one act of kindness may not have the intended effect and may soon be lost to the uncaring tides of history, but that doesn’t make it any less worth it. manny isn’t doing this to try and make a statement or change the humans’ behavior, he just wants to prevent them from going through what he did. calling this story one of “breaking the cycle of violence” cheapens it, i feel, because the humans are hunting the mammoths, not out of malice, but out of necessity for furs and meat and bone and tusk. it’s nothing personal—they’re predators. but still, manny seeks them out to return their baby to them. and when the baby’s father is raising his spear at manny when he’s trying to return it, you can just see that look in manny’s eyes, that he’s begging this human to understand, but he’s prepared to get speared if it means this kid gets to be with his father and MY HEART, YOU GUYS.
6. FOUND FAMILY FOUND FAMILY like i know found family isn’t really all that hard to come by, but this movie is REALLY explicit about it in a good way! they make the distinction between a pack—a group who wants you for what you can do for them—and a herd—a group who regularly looks out to see what they can do for you. and a saber-tooth tiger leaves his PACK to join this HERD! and they joke that this is the weirdest herd they’ve ever seen, but a carnivore has just joined a herd and that makes me feel SO MANY FEELINGS
ultimately, ice age is a movie about choices. manny’s choice to return this kid to its parents, even though he lost his own kid to those very parents, diego’s choice to come clean about his betrayal and his choice to join a herd even though he’s a carnivore, manny making the choice to risk his life to save diego, diego making the choice to return the favor, and all three of them making the choice to not give up hope that they can find a new family again after losing what they had before. this is a movie in which characters are more than the way they were born, are more than the circumstances of their lives, are more than what happens to them. they make choices and their choices matter and they choose to be kind, even when they have absolutely nothing to gain from it and everything to lose from it.
i guess you could say this movie aged nicely.
thank you and good night
I love MegOP in pretty much every other continuity, but I can't stand TFA MegOP. I feel like they lack the history and chemistry that typically makes the Megatron/Optimus dynamic interesting, and people mostly just write generic yaoi tropes with them. On a related note, I hate that a lot of TFA fanartists and writers portray Optimus as this blushing naive uke when he's a grown ass man
Since it's watermelon season!
My grandfather used to grow watermelons, among other things, and he told me about most of this, especially the orange spot. Those are the absolute best!
My most popular post ever is getting likes again, so that means it's getting close to watermelon season!!
chicken jockey being the last possible 4chan post is fucking hilarious but there's so many amounts of comedic irony to it.
it's like a tyrant dying from falling over a medium sized brick wall. humiliating end.
chicken jockey is just, a bad omen at this point
but in this case, it's a blessing in disguise.
for those that don't know.
How you guys manage to put your hard feelings into pretty little comics ? Like how tf is your soul able to produce the pretty from the sad ? How to create light from darkness in art ? Because if i try its not really inspiring or throughtfull but rather 'urgh' 'eh' 'what is happening here sir' 'pointless' 'meaningless'
I have the words i have the art why cant i combine it. What is the secret ? I want to use my art in order to convey philosophy and reflexion not just....i dont know. Whatever I draw.
Wish i could spill my guts on paper and it to turn into rays of sunshines.
The secret is other people. Nobody spills their guts on a page, then looks down at it and thinks ‘that’s pretty’. You will never look at your own blood and soul and viscera soaking into paper and deem it pretty, because it’s yours. You can put sad, fake feelings on paper, and maybe then you’ll think it’s pretty, but those aren’t your real feelings. The only way for your feelings to be in your art and for them to be pretty is for other people to view it and decide that they think it’s pretty. You’ll never think that your own negative emotions are pretty because you’ve felt them firsthand and know that they aren’t. But another person can look at what you think is an ugly mess of emotion on paper, and see the beauty and hope in it.
The reflection and philosophy come from the viewer’s thoughts as they view it, how it makes them feel, what it reminds them of. You can’t have that experience with your own art because you are the creator of it, only outside viewers can achieve that.
It’s not that your comics aren’t poetic or soulful enough, it’s that only another person can look at them and see the rays of sunshine. You as the creator can’t see those rays, but that doesn’t mean you’ve failed at making them.
Another episode of 'why i love Tumblr so much'
On one hand I understand not teaching cursive in school anymore, because it actually is slower than regular handwriting and almost everything is typed on a keyboard now anyways.
On the other hand, so much of our (even recent!) history was written in cursive, and having a whole generation of kids who can't read letters written by their grandparents, momentos saved by their great-grandparents, or even photo albums from theur immediate family seems like a dangerously quick way to detach us from previous generations.
And on the third, related but slightly malformed hand, I feel bad that yet another form of small, everyday art that brings joy in the middle of mundane tasks, which celebrates personality and individual style and self-expression, is about to fade into obscurity because it wasn't efficient enough for today's world to put up with.
Like... if we continue to whittle away the small arts out of every day life, what's going to be left except stark, ruthless pragmatism?
Maybe writing a grocery list is less mundane when you get to feel elegant for a moment. Maybe you're a little more proud of what you write when you see it flow together like a painting
Sometimes I make posts that are like “Hey guys, maybe everything being optimized for efficiency and cheapness leaves some major defects in the average person’s ability to thrive psychologically” and some of you pop off like I’ve said I want to kill everyone who uses insulin with my bare hands, when mostly what I’m talking about is this sort of thing.
Average transformers g1 episode:
Megatron is attempting to black out the entire sky across a hundred mile radius and funnel all the sunlight into one, concentrated solar death ray to target a heavy duty solar panel he's having soundwave and the cassetticons build in order to convert it to energon. Then he plans to hit the autobot base with the death ray just for funsies. Starscream plans to push Megatron directly into the death ray, also just for funsies.
Optimus sends Wheeljack and Spike to deal with it, along with two bots you're pretty sure have not been in this show before this point, but you're kind of past asking how many of these fuckers were on the ark offscreen when it crashed. One of them has the worst fake Canadian accent you have ever heard, and the other's name sounds inexplicably dirty.
Starscream tries to get Megatron to stand in the spot he told Skywarp and Ramjet to direct the death ray, but is interrupted when Rumble asks why Starscream stuck him with extra work (a task Megatron assigned specifically to Starscream). This vexes Megatron. The autobots show up and try to figure out what the point of the blacked out sky is while Starscream attempts to talk his way out of it. Then the death ray goes off two feet away from Megatron, which only pisses him off further.
The Canadian bot yells "AH BINARY-BEAVERS!!" because the death ray caught him off guard and completely gives away the bots' position. Soundwave immediately fires on them. Gratuitous robot violence ensues. Spike is generally useless and tries chucking rocks at Rumble. Megatron is too busy trying to almost-murder Starscream to bother with the autobots and just lets Soundwave handle it.
Probably-an-innuendo-name-bot is luckily a flier and takes the chance to see what's blocking the sun now that their cover's blown anyway. He gets up there and the seekers are sticking tinfoil on the clouds to make the tops reflective. The writers are really just hoping you don't think too hard about it.
Skywarp starts firing on dirty-name and calls him a nerd. Dirty-name takes evasive action. Skywarp runs out of ammo and starts just chucking tin foil at him. Dirty-name calls him dumb and says his processor is made of spare toaster parts. Then he crash lands and canada-bot asks if dirty-name's wings are spare toaster parts as well. Wheeljack yells that they'll all be spare toaster parts if they don't focus on the decepticons. The death ray goes off again and barely misses the autobots. Wheeljack corrects himself to Melted spare toaster parts.
Dirty-name gives Wheeljack the rundown on the tinfoil clouds so he can figure out a way to get rid of them while Canada-bot fights Soundwave and the cassettes in the background. Spike is kind of helping too sort of almost. Those rocks hes chucking sure are damaging. Ravage gets straight up drop kicked. It cuts back to Wheeljack whipping up a good old fashioned Device™️.
Starscream flies up past the tinfoil barrier while Megatron shoots at him. All the holes he's shooting in the blackout barrier are just making more, slightly shittier death rays and the main one is losing concentration. One of them hits Megatron right in the optic and he keels over with an over the top screech. Starscream descends, breaking another hole in the tinfoil to see a golden opportunity.
"MEGATRON HAS BEEN BLINDED!!! I, STARSCREAM AM NOW YOUR LEADER!!!"
Wheeljack finishes his Device™️: A grenade that makes tinfoil entirely invisible, thus rendering the whole weapon unusable. The writers are hungover, please do not think about it too hard. Pretty please. Dirty-name doesn't know if he can throw it into one of the holes in the barrier on his own since he can't fly in robot mode and he cant throw in altmode. Spike offers to get on his back and throw it in for him if he can get close enough. And he's just SO good at throwing things. The other two agree he's their best shot, they're so happy spike is around, couldn't do it without him.
Starscream is hovering in the air as he gives his Decepticon Leader Acceptance Speech he's prepared for this very occasion, golden light streaming in from the him-shaped hole in the barrier. Dirty-name and spike zip past him and spike makes the best goddamn throw of his life. Before starscream can properly question the Fucking Audacity of these autobots interrupting him while he's trying to have a moment, the invisible explosion goes off that the animators are just happy they don't have to put that much effort into drawing. Starscream gets knocked out of the air and crashes directly onto Megatron. This vexes Megatron.
Sky's normal again. Don't worry that there's still tinfoil there, don't even fuckin worry about it dude. Spike and Dirty-name touch back down. Round of applause for spike for throwing super good. Wheeljack comments that he's just happy it blew up the way it was supposed to. Cue uncomfortably long laughing. Megatron manages to roll starscream off him and calls for a retreat.
Back at the decepticon base, Megatron has an eyepatch and is skulking. Starscream yaps about how it makes him look like a proper tyrant, brooding and battle scarred, and, dare he say, darkly handsome? This vexes Megatron.
(The first picture of tags is from the original poster.)
