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@willowrunes / willowrunes.tumblr.com

Willow's personal blog, so that means I'm posting whatever I want here! Please do not repost or redistribute any artwork I have posted here in the past! Ask before using it as your icon or header and please give credit β™₯ Actual art blog is StarFeatherAtelier

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Uh, wow okay so I wasn't expecting the horse tiktok to blast off (I tagged it accordingly but holy shit)

So I just want to put it out there that I am not the girl in the video, I don't know everything about horse behavior but the horse is not in any real danger, and I don't post other ranch life things here so please don't follow if you're expecting that.

Yall.........

If so many people are gonna follow me can you at least go check out my art while you're at it?

@starfeatheratelier is where I post everything!

From Anthony Bourdain:

Americans love Mexican food. We consume nachos, tacos, burritos, tortas, enchiladas, tamales and anything resembling Mexican in enormous quantities. We love Mexican beverages, happily knocking back huge amounts of tequila, mezcal, and Mexican beer every year. We love Mexican peopleβ€”we sure employ a lot of them.

Despite our ridiculously hypocritical attitudes towards immigration, we demand that Mexicans cook a large percentage of the food we eat, grow the ingredients we need to make that food, clean our houses, mow our lawns, wash our dishes, and look after our children.

As any chef will tell you, our entire service economyβ€”the restaurant business as we know itβ€”in most American cities, would collapse overnight without Mexican workers. Some, of course, like to claim that Mexicans are β€œstealing American jobs.”

But in two decades as a chef and employer, I never had ONE American kid walk in my door and apply for a dishwashing job, a porter’s positionβ€”or even a job as a prep cook. Mexicans do much of the work in this country that Americans, probably, simply won’t do.

We love Mexican drugs. Maybe not you personally, but β€œwe”, as a nation, certainly consume titanic amounts of themβ€”and go to extraordinary lengths and expense to acquire them. We love Mexican music, Mexican beaches, Mexican architecture, interior design, Mexican films.

So, why don’t we love Mexico?

We throw up our hands and shrug at what happens and what is happening just across the border. Maybe we are embarrassed. Mexico, after all, has always been there for us, to service our darkest needs and desires.

Whether it’s dress up like fools and get passed-out drunk and sunburned on spring break in Cancun, throw pesos at strippers in Tijuana, or get toasted on Mexican drugs, we are seldom on our best behavior in Mexico. They have seen many of us at our worst. They know our darkest desires.

In the service of our appetites, we spend billions and billions of dollars each year on Mexican drugsβ€”while at the same time spending billions and billions more trying to prevent those drugs from reaching us.

The effect on our society is everywhere to be seen. Whether it’s kids nodding off and overdosing in small town Vermont, gang violence in L.A., burned out neighborhoods in Detroitβ€”it’s there to see.

What we don’t see, however, haven’t really noticed, and don’t seem to much care about, is the 80,000 dead in Mexico, just in the past few yearsβ€”mostly innocent victims. Eighty thousand families who’ve been touched directly by the so-called β€œWar On Drugs”.

Mexico. Our brother from another mother. A country, with whom, like it or not, we are inexorably, deeply involved, in a close but often uncomfortable embrace.

Look at it. It’s beautiful. It has some of the most ravishingly beautiful beaches on earth. Mountains, desert, jungle. Beautiful colonial architecture, a tragic, elegant, violent, ludicrous, heroic, lamentable, heartbreaking history. Mexican wine country rivals Tuscany for gorgeousness.

It's archeological sitesβ€”the remnants of great empires, unrivaled anywhere. And as much as we think we know and love it, we have barely scratched the surface of what Mexican food really is. It is NOT melted cheese over tortilla chips. It is not simple, or easy. It is not simply β€œbro food” at halftime.

It is in fact, oldβ€”older even than the great cuisines of Europe, and often deeply complex, refined, subtle, and sophisticated. A true mole sauce, for instance, can take DAYS to make, a balance of freshly (always fresh) ingredients painstakingly prepared by hand. It could be, should be, one of the most exciting cuisines on the planet, if we paid attention.

The old school cooks of Oaxaca make some of the more difficult and nuanced sauces in gastronomy. And some of the new generationβ€”many of whom have trained in the kitchens of America and Europeβ€”have returned home to take Mexican food to new and thrilling heights.

It’s a country I feel particularly attached to and grateful for. In nearly 30 years of cooking professionally, just about every time I walked into a new kitchen, it was a Mexican guy who looked after me, had my back, showed me what was what, and was thereβ€”and on the caseβ€”when the cooks like me, with backgrounds like mine, ran away to go skiing or surfing or simply flaked. I have been fortunate to track where some of those cooks come from, to go back home with them.

To small towns populated mostly by womenβ€”where in the evening, families gather at the town’s phone kiosk, waiting for calls from their husbands, sons and brothers who have left to work in our kitchens in the cities of the North.

I have been fortunate enough to see where that affinity for cooking comes from, to experience moms and grandmothers preparing many delicious things, with pride and real love, passing that food made by hand from their hands to mine.

In years of making television in Mexico, it’s one of the places we, as a crew, are happiest when the day’s work is over. We’ll gather around a street stall and order soft tacos with fresh, bright, delicious salsas, drink cold Mexican beer, sip smoky mezcals, and listen with moist eyes to sentimental songs from street musicians. We will look around and remark, for the hundredth time, what an extraordinary place this is.

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hunk of parmesan: i'm getting so small! 😁 keep going! i wonder if i can get even smaller 😯

microplane, getting more and more delirious with lust as my knuckles get closer to it: he's ruight

it's natural materials o'clock again & i made a stone golem.

a while ago, my partner's mother was moving and getting rid of some things, including a collection of rocks. i love a good rock, and when presented with a large wooden box of them, wanted to make a creature. i flirted with the idea of making something a little less stoney and a little more posable, but ended up deciding on this non-articulated sculpture. it has a metal wire skeleton, some tinfoil padding, and then just A Ton Of Rocks glued onto the frame. the face is a lake rock i found and painted some years ago, but didn't end up doing anything with until now.

will never understand all the vocabulary struggles star wars fanfiction writers talk about. what do you mean you cant use the idiom "a dime a dozen" because they dont have dimes in star wars? put the word "space" before it. a space dime a dozen. bam. skill issue

Quilt 1885

Artist/maker unknown, American Made for Sarah Minturn Bacon Edge (American, 1853–1916); made for Jacob Valentine Edge (American, 1841–1913)

Medium: silk and cotton blend satin, silk floss and chenille embroidery, silk cord trim with cotton core, cotton batting, silk taffeta lining

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