Louise Bourgeois, Cell (Glass spheres and hands), 1990-1993, glass, iron, wood, linoleum, canvas, marble, (a-m) 219.5 × 218.8 × 220.0 cm (installation)
Eva Hesse, Seven Poles
woundgallery reblogged
Plainwater, Anne Carson
Francesca Woodman, Untitled, MacDowell Colony, Peterborough, New Hampshire, 1980 © George and Betty Woodman NB: No toning, cropping, enlarging, or overprinting with text allowed.
Alina Szapocznikow, Untitled from Fotorzezby (Photosculptures), 1971/2007. Twenty gelatin silver prints. Original dimensions: 7 1/16 ×
woundgallery reblogged
“Those who are against Fascism without being against capitalism, who lament over the barbarism that comes out of barbarism, are like people who wish to eat their veal without slaughtering the calf. They are willing to eat the calf, but they dislike the sight of blood. They are easily satisfied if the butcher washes his hands before weighing the meat. They are not against the property relations which engender barbarism; they are only against barbarism itself. They raise their voices against barbarism, and they do so in countries where precisely the same property relations prevail, but where the butchers wash their hands before weighing the meat.”
Bertolt Brecht,
Writing the Truth Five Difficulties.
3. The Skill to Manipulate the Truth as a Weapon
1935
Berlinde de Bruyckere, Untitled, 2014, wax, fabric, leather, nails and embroidered ribbon on wood, 100 x 40 x 20cm
Nicholas Africano, Angel and Boy, 1986, color lithograph and screenprint on paper, sheet and image: 29 3⁄4 x 39 7⁄8 in. (75.6 x 101.3 cm)
Paul Thek, Untited (Sailboat), 1982, watercolor and pencil on paper
Paul Thek, Big Bang Painting, 1987-88, acrylic on canvas board, 12" × 16" (30.5 cm × 41 cm). Photo: Orcutt & Van Der Putten © The Estate of Paul Thek