Pelin Tan
Beirut German Orient Institute - Hans-Robert Roemer Professor Fellowship, Summer 2024, Beirut.
American University of Beirut, Media, Sociology, Anthropology Dept., affiliated prof. summer 2024, Beirut.
Senior Researcher of The Center for Arts, Design, and Social Research (Boston).
Prof. at Fine Arts Academy, Batman University.
Prof.at the Migration Research master program, Batman University.
Researcher of Architecture and Fine Art Faculty, Thessaly University, Volos (2021-2026).
Fellow Bard College Human Rights Prog. & The Center for Curatorial Studies (2019 - 2020, New York).
Fellow Art, Culture and Technology Dept., School of Architecture and Planning, Massachusetts Institute of Technology (2011, Cambridge).
6th Recipient of Keith Haring Art and Activism 2019—2020.
Lead Author - International Panel of Social Progress - www.ipsp.org, Curatorial Board Member of IBA Stuttgart 2027 - www.iba27.de
araziassembly.org
ccs.bard.edu/people/2477-pelin-tan
act.mit.edu/people/fellows-and-affiliates/pelin-tan
Radio Al-Hara- Palestine
American University of Beirut, Media, Sociology, Anthropology Dept., affiliated prof. summer 2024, Beirut.
Senior Researcher of The Center for Arts, Design, and Social Research (Boston).
Prof. at Fine Arts Academy, Batman University.
Prof.at the Migration Research master program, Batman University.
Researcher of Architecture and Fine Art Faculty, Thessaly University, Volos (2021-2026).
Fellow Bard College Human Rights Prog. & The Center for Curatorial Studies (2019 - 2020, New York).
Fellow Art, Culture and Technology Dept., School of Architecture and Planning, Massachusetts Institute of Technology (2011, Cambridge).
6th Recipient of Keith Haring Art and Activism 2019—2020.
Lead Author - International Panel of Social Progress - www.ipsp.org, Curatorial Board Member of IBA Stuttgart 2027 - www.iba27.de
araziassembly.org
ccs.bard.edu/people/2477-pelin-tan
act.mit.edu/people/fellows-and-affiliates/pelin-tan
Radio Al-Hara- Palestine
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Book Chapters by Pelin Tan
Research project + video essay
20 min.
2023
https://youtu.be/_qLWukSNbHE?si=h1m0FitNWVXw73g_
supported by the Qattan Foundation, Ramallah.
The Palestinian landscape has been displayed in regional and local dynamics over the last ten years. The colonial eye of P.P. Pasolini witnessing the re-production space and architecture in his "Sopralluoghi in Palestina per Il Vangelo secondo Matteo" (1965) documentary provides scenes of almost similar activities of producing place in urban and rural sites since the Nakba. Can landscapes contain archives of reproduction of space? How, and which are the agencies of contemporary Palestinian architecture? How are construction materials and labor a means of geontopower? What lasts of the nation-state identity of Palestinian modernism in architecture? How does the case of the Jericho-based early modernist project Musa Alami Farm / Al-Mashrou face the current consumption culture? This video essay consists of interviews and conversations with architects, spatial practitioners, construction workers, and researchers who are working, and researching about the architectural and urban reproduction of Palestine. The material politics, construction labor, new housing projects, territories of extractive sites, and the like, decipher the conflicting conditions of shaping, claiming, and resisting landscapes. Landscapes as archives claim the land as a geontopower (E. Povinelli, 2016) where layers of colonial timescapes and desires reveal assemblages of archives. Archiving/Dearchiving plays an act of not only remembering but also an accumulation of fluid spatial mapping.
With Rami Fararjeh, Elias &Yousef Anastas, Salim Tamarı, Dima Yaser, Susanne Bosh, Nadim Al Qaisi, Dr.Mohammad Qutob, Wajida Taji, Leila Chadid and others.
2014 - 2024.
With an essay by David Wengrow and works by Kader Attia, Mariana Castillo Deball, Forensic Architecture & David Wengrow, Jacques Gillet, Hans Hollein, Frederick Kiesler, Gianni Pettena, Ettore Sottsass, Pelin Tan, Paulo Tavares, Anton Vidokle & Pelin Tan.
https://www.civa.brussels/en/exhibitions-events/pre-architectures
How can we discuss the experimental agriculture farm and school Al Mashrou' in our current time? What does this modern heritage tell us about the aims of Musa Alami and our reflection from the current time under genocide, colonial extraction, climate crisis, and toxicity of slow violence? How we can define and present Palestinian architecture and its spatial production under colonial violence? The event will consist of a discussion of Palestinian architecture and spatial production; a presentation of the book Designing Modernity (Jovis, 2022), and a screening of a short film "Landscapes as Archives".
Introduction: Jens Hanssen
Designing Modernity: George Arbid
Al-Mashrou': Pelin Tan & Dima Yaser
Film screening: Landscapes as Archives, 20 min., Pelin Tan, 2023, Ramallah.
Discussion.
“Stories of archives are always stories of phantoms, of the death or disappearance or erasure of something, the preservation of what remains, and its possible reappearance—feared by some, desired by others,” writes Thomas Keenan.
This book is about those stories and much more. Here the author uses bak.ma, a digital media archive born out of the social movements in Turkey, to guide us through a journey in which archives become sites of other kinds of stories—some of solidarity, activism, and the commons. Çelikaslan uses the concept of archives of the commons reimagining archives as dynamic spaces of commoning in which creative, autonomous platforms are generated collectively to perpetuate knowledge and sociopolitical relations grounded in solidarity and an ethics of care, not in some distant future but in the here and now.
Title: Archiving the Commons: Looking Through the Lens of bak.ma
Author: Özge Çelikaslan
Editorial advisor: Ethel Baraona Pohl
Contributors: Thomas Keenan, Pelin Tan
Copy-editing: Sara Yaoska Herrera Dixon
Design: Sara Yaoska Herrera Dixon
Language: English
Cover: Soft cover
Size: 11 x 18 cms
Format: Paperback
Date: June 2024
ISBN: 978-84-124942-8-0
License: CC BY-NC-ND 4.0
Publisher: dpr-barcelona
Distribution date: 20 June 2024
Preorder here: https://dpr-barcelona.com/archiving-the-commons-looking-through-the-lens-of-bak-ma/
The IVAM exhibition is accompanied by a detailed catalogue offering a comprehensive overview of her remarkable performances works. It includes essays by the curator, Nuria Enguita, texts by Pelin Tan and Clémentine Deliss, and also detailed insights into the pieces on display. English/Spanish. Institut Valencià d’Art Modern (IVAM).
https://www.e-flux.com/announcements/529599/otobong-nkangacraving-for-southern-light
Türkiye'nin farklı bölgelerinden gelen sanatçılar Misi köyünde 4 ayrı mevsimde yaşayarak ekolojiye duyarlı bir bakış açısıyla çalışıp bitkileri inceledi, doğadan topladıkları dokularla ve bitkisel boyalar kullanarak eserler üretti. Sanatçılar, doğadan ilham alarak ortaya koydukları bu eserleri "Misi'nin Florası" adlı sergide sanatseverlerin beğenisine sunuyor.
Fulya Çetin'in yürütücülüğünde gerçekleşen ve ekoloji ile sanat arasında özgün bir buluşmayı temsil eden bu özel sergi, 25 Kasım 2023 - 15 Ocak 2024 tarihleri arasında, Nâzım Hikmet Kültürevi'nde.
On the Spatial Politics of Horizontality
Contributions by ZAHRA ALI BABA, OLE BOUMAN, FRANCELLE CANE, GIANCARLO DE CARLO, CLAUDIA CHWALISZ, KENNY CUPERS, ANNE DAVIDIAN, DIANE E. DAVIS, ERHARD EPPLER, JESKO FEZER, JOSEPH GRIMA, AMELIE KLEIN, CHARLOTTE MALTERRE-BARTHES, FLORIAN MALZACHER, MARKUS MIESSEN, CHANTAL MOUFFE, GUSTAV KJÆR VAD NIELSEN, CÉSAR REYES NÁJERA, DENNIS POHL, PATRICIA REED, VERA SACCHETTI, NIKOLAJ SCHULTZ, RAHEL SÜSS, PELIN TAN, ROEMER VAN TOORN, DAVID MULDER VAN DER VEGT, SARAH M. WHITING, MIRJAM ZADOF.
A collaborative project by CULTURES OF ASSEMBLY, UniLu & HARVARD GSD
Edited by Markus Miessen - Interrogated by Charlotte Malterre-Barthes
Series of Contemporary East Asian vis. Cultures, Societies & Politics
https://www.amazon.co.uk/possibility-Art-Archives-Experience-Contemporary/dp/9819958970
Springer, Palgrave Macmillan.
Sternberg Press / e-flux journal
e-flux Food and Agriculture Reader
Edited by Julieta Aranda, Kaye Cain-Nielsen, Anton Vidokle and Brian Kuan Wood
Center for Arts, Design, and Social Research
Dalida María Benfield, Christopher Bratton,
Luigi Coppola, and Pelin Tan
Redactie: Philipp Dietachmair, Pascal Gielen, Georgia Nicolau
Bijdragen: Grégory Castéra, Center for Arts, Design and Social Research (Dalída Maria Benfield, Christopher Bratton, Luigi Coppola, Pelin Tan), Philipp Dietachmair, Futurefarmers, Pascal Gielen, Marina Guzzo, INLAND (Fernando García-Dory), Meander, Georgia Nicolau, Luciane Ramos Silva, Noel B. Salazar, Joy Mariama Smith, Naine Terena de Jesus, Dea Vidović, André Wilkens, Ana Žuvela
Ontwerp: Metahaven
Serie: Antennae-Arts in Society Series Juni 2023,
Valiz in samenwerking met European Cultural Foundation | pb | 290 blz. | 21 x 13,5 cm (h x b) | Engels | ISBN 978-94-93246-24-9
Edited by Christophe Le Gac
With contributions by Marie-Hélène Fabre, Christophe Le Gac, Rirkrit Tiravanija, Pelin Tan, Troy Therrien
Design: Thibault Geoffroy
21 × 28 cm, 8 ¼ × 11 in
352 pages, 214 illustrations
hardback
2022, 978-3-03778-712-0, English
"Unconditional hospitality: art and commons under planetary migration"
Journal of Aesthetics & Culture
Volume 14, 2022 - Issue 1
MUSEUMS IN TIMES OF XENOPHOBIA AND CLIMATE EMERGENCY
Contributors: Dipesh Chakrabarty, Jaroslaw Lubiak, Joanna Sokolowska, Alex Baczyńki-Jenkins, T. J. Demos, Hilke Wagner, Oleksiy Radynsk, Pelin Tan, Binna Choi, Otobong Nkanga, Maristella Svampa
CIMAM International Committee of Museums and Collections of Modern Art and the authors.
March 2022
Editor: Claudia Banz & Jesko Fezer,
Research project + video essay
20 min.
2023
https://youtu.be/_qLWukSNbHE?si=h1m0FitNWVXw73g_
supported by the Qattan Foundation, Ramallah.
The Palestinian landscape has been displayed in regional and local dynamics over the last ten years. The colonial eye of P.P. Pasolini witnessing the re-production space and architecture in his "Sopralluoghi in Palestina per Il Vangelo secondo Matteo" (1965) documentary provides scenes of almost similar activities of producing place in urban and rural sites since the Nakba. Can landscapes contain archives of reproduction of space? How, and which are the agencies of contemporary Palestinian architecture? How are construction materials and labor a means of geontopower? What lasts of the nation-state identity of Palestinian modernism in architecture? How does the case of the Jericho-based early modernist project Musa Alami Farm / Al-Mashrou face the current consumption culture? This video essay consists of interviews and conversations with architects, spatial practitioners, construction workers, and researchers who are working, and researching about the architectural and urban reproduction of Palestine. The material politics, construction labor, new housing projects, territories of extractive sites, and the like, decipher the conflicting conditions of shaping, claiming, and resisting landscapes. Landscapes as archives claim the land as a geontopower (E. Povinelli, 2016) where layers of colonial timescapes and desires reveal assemblages of archives. Archiving/Dearchiving plays an act of not only remembering but also an accumulation of fluid spatial mapping.
With Rami Fararjeh, Elias &Yousef Anastas, Salim Tamarı, Dima Yaser, Susanne Bosh, Nadim Al Qaisi, Dr.Mohammad Qutob, Wajida Taji, Leila Chadid and others.
2014 - 2024.
With an essay by David Wengrow and works by Kader Attia, Mariana Castillo Deball, Forensic Architecture & David Wengrow, Jacques Gillet, Hans Hollein, Frederick Kiesler, Gianni Pettena, Ettore Sottsass, Pelin Tan, Paulo Tavares, Anton Vidokle & Pelin Tan.
https://www.civa.brussels/en/exhibitions-events/pre-architectures
How can we discuss the experimental agriculture farm and school Al Mashrou' in our current time? What does this modern heritage tell us about the aims of Musa Alami and our reflection from the current time under genocide, colonial extraction, climate crisis, and toxicity of slow violence? How we can define and present Palestinian architecture and its spatial production under colonial violence? The event will consist of a discussion of Palestinian architecture and spatial production; a presentation of the book Designing Modernity (Jovis, 2022), and a screening of a short film "Landscapes as Archives".
Introduction: Jens Hanssen
Designing Modernity: George Arbid
Al-Mashrou': Pelin Tan & Dima Yaser
Film screening: Landscapes as Archives, 20 min., Pelin Tan, 2023, Ramallah.
Discussion.
“Stories of archives are always stories of phantoms, of the death or disappearance or erasure of something, the preservation of what remains, and its possible reappearance—feared by some, desired by others,” writes Thomas Keenan.
This book is about those stories and much more. Here the author uses bak.ma, a digital media archive born out of the social movements in Turkey, to guide us through a journey in which archives become sites of other kinds of stories—some of solidarity, activism, and the commons. Çelikaslan uses the concept of archives of the commons reimagining archives as dynamic spaces of commoning in which creative, autonomous platforms are generated collectively to perpetuate knowledge and sociopolitical relations grounded in solidarity and an ethics of care, not in some distant future but in the here and now.
Title: Archiving the Commons: Looking Through the Lens of bak.ma
Author: Özge Çelikaslan
Editorial advisor: Ethel Baraona Pohl
Contributors: Thomas Keenan, Pelin Tan
Copy-editing: Sara Yaoska Herrera Dixon
Design: Sara Yaoska Herrera Dixon
Language: English
Cover: Soft cover
Size: 11 x 18 cms
Format: Paperback
Date: June 2024
ISBN: 978-84-124942-8-0
License: CC BY-NC-ND 4.0
Publisher: dpr-barcelona
Distribution date: 20 June 2024
Preorder here: https://dpr-barcelona.com/archiving-the-commons-looking-through-the-lens-of-bak-ma/
The IVAM exhibition is accompanied by a detailed catalogue offering a comprehensive overview of her remarkable performances works. It includes essays by the curator, Nuria Enguita, texts by Pelin Tan and Clémentine Deliss, and also detailed insights into the pieces on display. English/Spanish. Institut Valencià d’Art Modern (IVAM).
https://www.e-flux.com/announcements/529599/otobong-nkangacraving-for-southern-light
Türkiye'nin farklı bölgelerinden gelen sanatçılar Misi köyünde 4 ayrı mevsimde yaşayarak ekolojiye duyarlı bir bakış açısıyla çalışıp bitkileri inceledi, doğadan topladıkları dokularla ve bitkisel boyalar kullanarak eserler üretti. Sanatçılar, doğadan ilham alarak ortaya koydukları bu eserleri "Misi'nin Florası" adlı sergide sanatseverlerin beğenisine sunuyor.
Fulya Çetin'in yürütücülüğünde gerçekleşen ve ekoloji ile sanat arasında özgün bir buluşmayı temsil eden bu özel sergi, 25 Kasım 2023 - 15 Ocak 2024 tarihleri arasında, Nâzım Hikmet Kültürevi'nde.
On the Spatial Politics of Horizontality
Contributions by ZAHRA ALI BABA, OLE BOUMAN, FRANCELLE CANE, GIANCARLO DE CARLO, CLAUDIA CHWALISZ, KENNY CUPERS, ANNE DAVIDIAN, DIANE E. DAVIS, ERHARD EPPLER, JESKO FEZER, JOSEPH GRIMA, AMELIE KLEIN, CHARLOTTE MALTERRE-BARTHES, FLORIAN MALZACHER, MARKUS MIESSEN, CHANTAL MOUFFE, GUSTAV KJÆR VAD NIELSEN, CÉSAR REYES NÁJERA, DENNIS POHL, PATRICIA REED, VERA SACCHETTI, NIKOLAJ SCHULTZ, RAHEL SÜSS, PELIN TAN, ROEMER VAN TOORN, DAVID MULDER VAN DER VEGT, SARAH M. WHITING, MIRJAM ZADOF.
A collaborative project by CULTURES OF ASSEMBLY, UniLu & HARVARD GSD
Edited by Markus Miessen - Interrogated by Charlotte Malterre-Barthes
Series of Contemporary East Asian vis. Cultures, Societies & Politics
https://www.amazon.co.uk/possibility-Art-Archives-Experience-Contemporary/dp/9819958970
Springer, Palgrave Macmillan.
Sternberg Press / e-flux journal
e-flux Food and Agriculture Reader
Edited by Julieta Aranda, Kaye Cain-Nielsen, Anton Vidokle and Brian Kuan Wood
Center for Arts, Design, and Social Research
Dalida María Benfield, Christopher Bratton,
Luigi Coppola, and Pelin Tan
Redactie: Philipp Dietachmair, Pascal Gielen, Georgia Nicolau
Bijdragen: Grégory Castéra, Center for Arts, Design and Social Research (Dalída Maria Benfield, Christopher Bratton, Luigi Coppola, Pelin Tan), Philipp Dietachmair, Futurefarmers, Pascal Gielen, Marina Guzzo, INLAND (Fernando García-Dory), Meander, Georgia Nicolau, Luciane Ramos Silva, Noel B. Salazar, Joy Mariama Smith, Naine Terena de Jesus, Dea Vidović, André Wilkens, Ana Žuvela
Ontwerp: Metahaven
Serie: Antennae-Arts in Society Series Juni 2023,
Valiz in samenwerking met European Cultural Foundation | pb | 290 blz. | 21 x 13,5 cm (h x b) | Engels | ISBN 978-94-93246-24-9
Edited by Christophe Le Gac
With contributions by Marie-Hélène Fabre, Christophe Le Gac, Rirkrit Tiravanija, Pelin Tan, Troy Therrien
Design: Thibault Geoffroy
21 × 28 cm, 8 ¼ × 11 in
352 pages, 214 illustrations
hardback
2022, 978-3-03778-712-0, English
"Unconditional hospitality: art and commons under planetary migration"
Journal of Aesthetics & Culture
Volume 14, 2022 - Issue 1
MUSEUMS IN TIMES OF XENOPHOBIA AND CLIMATE EMERGENCY
Contributors: Dipesh Chakrabarty, Jaroslaw Lubiak, Joanna Sokolowska, Alex Baczyńki-Jenkins, T. J. Demos, Hilke Wagner, Oleksiy Radynsk, Pelin Tan, Binna Choi, Otobong Nkanga, Maristella Svampa
CIMAM International Committee of Museums and Collections of Modern Art and the authors.
March 2022
Editor: Claudia Banz & Jesko Fezer,
https://yapidergisi.com/dekolonizasyon-ve-dekarbonizasyon-baska-turlu-bir-mimarliga-dogru/
script - A short film in Kurdish / Turkish, 2022
Nishat Awan, Ishita Sharma, Zahra Hussain, Yelta Köm, Ruken Aydoğdu, Leyla Keskin, Agit Özdemir, Merve Gül Özokcu, Yıldız Tahtacı, Pelin Tan, Mezra Öner, Zeynep S.Akıncı, Özge Çelikaslan.
Arazi Assembly (TR) ve Topological Atlas (BK, Pakistan)
http://araziassembly.org/state-of-displacement-entangled-topographies/
17th İstanbul Biennial: bienal.iksv.org/en/17th-istanbul-biennial-places/muze-gazhane
...var olmak, ikamet etmek demektir.
(E. Levinas)
... korku basitçe içten gelip diğer nesne ve ötekilere doğru hareket etmez, bunun yerine, bu bedenler arasındaki ilişkiyi kuvvetlendirir; karşılaşma esnasında ortaya çıkan yüzeyde, tende hissedilen ürpertiyle onları bir araya getirir. (Sara Ahmed)
Contributors: Silvia Franceschini, Michael Leung, Cibele Lucena, Joana Zatz Mussi, Socrates Stratis, Marc Neelen, Ana Džokić, Miguel Robles-Durán and David Harvey.
The 3rd issue of Urgent Pedagogies is focusing on “modalities”, presenting and discussing examples of self-organized initiations, methodologies, and institutional models of action. Starting from the curatorial practice as a possible space for “epistemic disobedience” and speculating on fictional futures, it continues through self initiated pedagogic actions engaging local communities and inserting pedagogical devices in institutional contexts, to strategies of merging formal education with activism and looking at the possibilities of combining bottom up and a top down approaches.
Translating lifeworlds: Curatorial practice and Epistemic Justice
Silvia Franceschini
Villager Pedagogies and Backpack Organisers in Hong Kong
Michael Leung
A pedagogy for decolonizing life
Cibele Lucena and Joana Zatz Mussi
Diffractive spatial practices for urgent pedagogies
Socrates Stratis
Future fiction: an explorative method for self-learning
Marc Neelen and Ana Džokić, STEALTH.unlimited
The right to the territory
Miguel Robles-Durán and David Harvey
ISSN 0717-6996 online version
ISSN 0716-0852 print version
https://www.e-flux.com/journal/118/396331/editorial/
Dosya Editor: Pelin Tan
Dosya Koordinatoru: Prof.Dr.Nese Gurallar
ve kültürel sömürgeleştirme mirası olarak kısmen terkedilmiş, yaratıcı bir başarısız ütopya olarak hala yaşıyor. Bu mekan, toplumsal fail olarak bize; hem mimari, tarımsal faaliyetin anlamları ve hem de alternatif pedagojik pratikler bağlamında geleceğe yönelik direnme potansiyelleri sunuyor."
The i Press Series on the Human Environment.
Editors: Ute Meta Bauer, Karin Oen, Pelin Tan
Writers: Mary Otis Stevens, Ute Meta Bauer, Karin Oen, Pelin Tan, Ana Miljacki Beatriz Colomina, Mark Wigley.
2022
Weiss Publication, Berlin
field research funded by Hong Kong Design Trust, Hong Kong, 2016
Documentary: https://vimeo.com/153393892
Contributors: Silvia Federici, Lisa Brock, Elizabeth Hoover, Rebecca Yoshino, Dalida Maria Benfield, and others.
Edited by Pelin Tan & Malkit Shoshan / New York
Illustrated by Michael Leung / Hong Kong
(Hosted by Woodbine/NY. Hosted by Center for Arts, Design and Social Research (CAD+SR), Bard College Center for Curatorial Studies, Bard College the Human Rights Program).
Report of the International Panel on Social Progress
Volume 1: Socio-Economic Transformations
Edited by IPSP, International Panel on Social Progress
Artıkişler Kolektifi
2016
Kurumsal bir pratik olarak arşiv pratiği, çoğu zaman modern dünyanın sömürgeleştirilmiş, gözetim ve denetim altına alınmış disiplin toplumuna hizmet etme eğilimdedir. Buna karşın son 10 yılda dijital teknolojinin de yükselişi ve sosyal hareketlerin heterojenleşmesi ile birlikte, görüntü kaydetme ve biriktirme sivil bir faaliyet haline geldi. Böylece, video ve her türlü görsel arşivleme eylemi, görsel üretimi, açık kaynak veri tabanları, kolektivite ve forensik etrafındaki güncel tartışmaya kurumsal olmayan bir pratik olarak eklendi.
Dijital video üretimi ve yayılmasındaki “arşivleme” terimi yalnızca gizli kalmış itaatsizlik pratiklerini ortaya çıkaran açık kaynaklı hafıza-oluşturma sürecini değil görüntü yükleme ve sızdırma yoluyla politik itaatsizliğin kolektif hafızasını yeniden oluşturan ve montajlama taktiklerine yol açan otonom bir yapıya da işaret eder.
Bu kitap, arşivleme pratiğindeki “otonom” kavramını tartışmak ve aynı zamanda da videogram montaj üzerine farklı coğrafyalardan üreticilerle karşılaştırmalı bir perspektiften bakmayı amaçlıyor.
Artıkişler Kolektifi, Türkiye’nin toplumsal ve politik
mücadelelerinin video arşivi “bak.ma”’yı oluşturdu. Bu arşiv, sadece Gezi Parkı ayaklanması videolarını değil, medya aktivistlerinin bilgisayarlarının gizli bölümlerinde depolanmış birçok farklı toplumsal olayın ve protestoların videogramlarını da ihtiva ediyor. Artıkişler, bu arşivi oluşturma sürecinde arşivleme pratiğini, sivil itaatsizliğin videogramlarını ve metaforik anlamda
devrimin olası montajını tartışmayı amaçladı.
Arşiv ve arşivleme pratiği, bilginin sınıflandırılması ve
görselleştirilmesi, müşterekleştirme pratiği ve karmaşık
toplumsal katmanları temsil etme gibi birçok mesele ile ilişkili. Bu nedenle bu kitap görüntü arşivi pratiği üzerine yapılan tartışmayı üç açıdan genişletmeyi hedefliyor.
İçeriğinde yeniden yayınlanan makaleler ve bu kitap için özel olarak yazılmış makaleler yer alıyor. “Musallat Olan Görüntü” adlı ilk bölüm dört makaleden oluşuyor. Bu bölüm, siyasal görüntüyü arayan, görüntü, karşıgörüntü
ve zayıf- görüntünün forensik rolünü tartışan makaleleri
içeriyor. Avukatlar ve eylemcilerin yazıları, bir tanıklık olarak görüntünün rolü ile siyasal eylem arasındaki ilişkiyi tartışıyor.
Yaygın olarak fotografik görüntü ve forensik üzerine araştırma yapan ve yazan insan hakları araştırmacısı Thomas Keenan, sanatçı Allan Sekula’nın karşı-forensik yaklaşımını tartışıyor. Mekânsal üretim ve görüntünün saptanabilirliği (detectability) üzerine çalışan ve araştırmalar yapan mimar ve eylemci Eyal
Weizman, Filistin’deki Bedevi yerleşimlerinin tahliyelerini görsel görüntü üzerinden araştırıyor. Avukat Murat Deha Boduroğlu, Gezi Direnişi sonrasındaki insan hakları davalarındaki görsel arşiv ihtiyacı deneyimi üzerine yazıyor. Video eylemci Oktay İnce, Boduroğlu’nun video kamerayı bir sivil itaatsizlik tanıklığı olarak sorunlaştırdığı metnine tamamlayıcı nitelikte eylemci perspektifinden bir bakış getiriyor. “bak.ma” ve “Pad.ma” gibi deneyimler üzerinden bakarsak; açık dijital arşivin ve arşiv/arşivlemenin güncel anlamı nedir? Bu bağlamda katılımcı asamblaj yöntemi ne anlama gelir? Akademik veya bağımsız araştırmacının yeni rolü nedir? Kolektif görüntü üretebilir miyiz? Görsel olarak kaydettiğimiz siyasal eylemler yoluyla siyasal bir kolektif hafızayı yeniden oluşturmak mümkün müdür? “Arşiv Ateşi” adlı ikinci bölüm itaatsizliği merkeze almış çeşitli arşiv pratikleri ile arşiv üzerine tartışmaları genişletme
hakkında. Bombay’de yürütülen “Pad.ma” girişiminden Shaina Anand, “Arşiv üzerine 10 Tez” ini sunuyor ve “duyarlılığımızı genişletecek küçük, uygulanabilir, deneysel ve stratejik ölçütleri takip edebileceğimiz nasıl bir görsel arşiv tahayyül edebiliriz?” sorusuna cevap vermeye çalışıyor ve dolayısıyla arşivin duyusal
potansiyelini deşiyor. “Pad.ma”’nın kurucularından biri olan avukat ve aktivist Lawrence Liang, yazısında arşiv bağlamında kalıntı (residual) görüntüye odaklanıyor. Medya sanatçısı Ege Berensel, çöpten kazarak çıkardığı 8mm filmleri üzerinden araştırma deneyimini anlatırken “Arşiv Üzerine 10 Tez” makalesine referans vererek arşivleme üzerine mücadeleci bakışı tartışıyor:
“Arşivlemenin doğrultusu dışa doğru olacak içe doğru değil”. “bak.ma”’dan araştırmacı ve yazar Pelin Tan, Achilles Mbembe’nin nekro-siyaset kavramını yeniden ele alıyor ve eğer amacımız sömürgesizleştirme ve özgürleşme ise, arşivleme pratiğinde nekro-siyasetten nasıl kaçınılır sorusunu soruyor. “Müştereklerin Otonomluğu” adlı üçüncü bölüm ise toplumsal
kentsel hareketlerdeki görüntüyü müşterekleştirme pratiklerini, kolektif eylemi ve itaatsizlik olaylarının geçiciliğini bir araya getiriyor. Kahire’den Aktivist ve araştırmacı Lara Baladi, üretilmiş görüntüler üzerinden Tahrir Meydanı’nı analiz ediyor. “Tactical Media Files” dan Eric Kluitenberg, toplumsal mekânsal hareketlerden örnekler vererek mekânın duygulanımı üzerine yazıyor ve bunu arşiv kavramıyla ilişkilendirerek “yaşayan arşiv”
olgusunu sorguluyor. Sanatçı ve eylemci Sevgi Ortaç, İstanbul’daki kent bostanı mücadelesi ve bostan görüntüsünün müşterekliği hakkında yazıyor. “Mülksüzleştirme ağları” ve “Graph Commons”
ın kurucusu, sanatçı ve eylemci Burak Arıkan veri tabanlarının açık kaynak itaatsizliği ve müşterekliğin otonomluğu üzerine yazıyor. Kitap aynı zamanda Ankara’dan dijital medya eylem oluşumu
İnadına Haber; video eylem kolektifi Seyr-i Sokak, İstanbul’dan video eylem kolektifi Videoccupy ve vidyo kolektif üyeleri ile yapılmış söyleşilere de yer veriyor. Söyleşiler ilk günlerinden günümüze Gezi Direnişi deneyimine, toplumsal ve siyasal hareketlere ve dayanışma eylemlerine odaklanıyor.
Surplus of İstanbul is a project book edited by Artıkişler Collective. The book is primarily about a video methodology process-based research ongoing with waste collectors in Istanbul. At the same time, the book includes makes connections with past researches (2001) and engagements with waste collectors from Hakkari and Ankara. The book consists of experiences and observations by members of Artıkişler Collective on the main themes of waste, garbage, urbanism, labor, and video activism. Moreover, the book as well includes texts by diverse writers who discuss and relate the theme in the context of ethnic conflict, video image, the identity of the researcher, urban surplus and urban transformation.
Language: Turkish and English
Autors: İrfan Aktan, Ali Saltan, Oktay Ince, Ezgi Koman, Ulus Baker, David Harvey, Yaşar Çabuklu, Sibel Yardımcı, Pelin Tan, Artıkişler Kolektifi
Çeviri / Translation: Can Bulgu, Oytun Süngü
Düzelti / Corrections: Deniz Vural, Braxton Hood, Josh Brown
Kitap Tasarımı / Design: Yelta Köm - KÖTÜ Studio
Baskı/Published at Sena Ofset
2014
ISBN: 978-605-65278-0-7
(Friedrich Ebert Stiftung & Sivil Düşün)
Download pdf: https://bit.ly/2O7bLUB
//
As an institutional practice, archival practices often tent to serve to colonization, surveillance and discipline society of the Modern world. In the last ten years, with the digital technology and social movement detecting, recording and accumulating images become a civil activity. Thus, archiving videos and other types of visual images brought also non-institutional practices and as well contemporary discussions related to image, open source, collectivity and forensics. Besides interviews with video activists; this book compiles several writers’ articles on their practices and discussions of archives from several angles: forensics, decolonization and commons.
Title: Autonomous Archiving
Editors: Artikisler Collective (Özge Çelikaslan, Alper Sen, Pelin Tan)
Contributors: bak.ma, Thomas Keenan, Lawrence Liang, Murat Deha Boduroglu, Ege Berensel, Eyal Weizman, Inadina Haber, Lara Baladi, Shaina Anand, pad.ma, Burak Arikan, Oktay Ince, Eric Kluitenberg, Pelin Tan, Sevgi Ortaç, Seyr-i Sokak, vidyo kolektif.
Design: Yelta Köm
Language: English
Proofreading: Braxton Hood, Pauline Yao
Size: 10.5o x 18 cm
Date: April 2016 / July 2020
ISBN: 978-84-120390-6-1
ISBN eBook: 978-84-944873-1-6
Publisher: dpr-barcelona
Order the book: https://dpr-barcelona.com/autonomous-archiving/
https://dpr-barcelona.myshopify.com/collections/all/products/autonomous-archiving
https://www.ideabooks.nl/9788412039061-autonomous-archiving
Panel Discussion:
Reflecting on 50+ Years of iPress Publishing and Women in Architecture
Doris Cole, Mary Otis Stevens, Pelin Tan, Aliza Leventhal & Nicole Baas in conversation. https://www.ipresspublishing.org/
Wednesday, Dec 4th
5:30-6:30pm
Frances Loeb Library Lobby (in-person)
The conference looks at projects of world-making and their particular relationality that emerged in the form of extraction, conflict, and destruction, as well as resistance, collective mourning, solidarity, companionship, and alternative forms of kinship in very specific geographies. the acknowledgment of heterogeneity. Heterogeneity appears in the ways worlds are made as well as in the modes of their relation. However, the world-making processes and the interrelations of different worlds are not harmonious and peaceful.
Panel Discussion: Reflecting on 50+ Years of iPress Publishing and Women in Architecture - Doris Cole, Mary Otis Stevens, Pelin Tan, Aliza Leventhal & Nicole Baas in conversation
https://www.ipresspublishing.org/
Wednesday, Dec 4th
5:30-6:30pm
Frances Loeb Library Lobby (in-person)
Harvard University, GSD
and Timothy Raeymaekers (Disci) .
How these concepts can be useful tools for reframing debates concerning the relation between ecologies and mobilities beyond catastrophist and security-oriented perspectives.
THIRD ANNUAL GATHERING
Borgo Rizza, Carlentini (SR), Sicily
May 6–10, 2024
Following on from the previous two editions of the Difficult Heritage Summer School – a collaborative effort between the Municipality of Carlentini, the Royal Institute of Art in Stockholm, the University of Basel, along with the art installation “Ente di Decolonizzazione: Borgo Rizza” by DAAR – in May 2024 the annual gathering will encompass a week-long intensive program consisting of collective learning, interventions, and performances, rooted in the three core branches of the Entity of Decolonization:
Pedagogy
Art and Architecture
Commoning
This year the hosting institutions are the Municipality of Carlentini, the DAAS program at the Royal Institute of Art in Stockholm, the School of Architecture at the Royal College of Art (RCA) in London, IASPIS (the Swedish Arts Grants Committee’s International Programme for Visual and Applied Arts), DAAR (Decolonizing Architecture Art Research), and Museo delle Civiltà in Rome.
1. Mardin Kent Sempozyumu kapsamında hazırlanan sonuç metnini Mardin Kamuoyunun bilgisine sunuyoruz.
Hrant Dink Vakfı
'CUMHURİYET'İN 100. YILINDA AZINLIK HAKLARI'
KONFERANS PROGRAMI
17-18 KASIM, 2023
Monday, November 27:
Registration 12:30-17:15 (Aula)
13:00-13:30 Opening (Sitzungssaal)
13:30-15:00 Exploring activism at STS Austria: plenary participatory floor exercise (Aula)
15:00-15:30 Coffee break (Aula)
15:30-17:00 Session 1a: Solidarities and Alliances (Sitzungssaal)
_____________ Workshop: Speculative Methods (SE 2)
17:00-17:30 Coffee break (Aula)
17:30-19:00 Public Keynote and Round-Table: Pelin Tan (Batman University):
_____________ Threshold Infrastructures: Pedagogies of Entangled Topographies (Sitzungssaal)
19:00-19:15 Early Career Awards (Sitzungssaal)
19:15-21:00 Reception (Aula)
Tuesday, November 28:
Registration 8:30-12:00 (Aula)
09:30-10:30 Keynote: Stefania Milan (University of Amsterdam):
_____________ Doing Engaged Research on Data and Algorithms:
_____________ politics, pitfalls, open questions (Sitzungssaal)
10:30-11:00 Coffee break (Neue Burse)
11:00-12:30 Session 2a: The Politics of Open Infrastructures (Sitzungssaal)
_____________ Session 2b: Public Engagement & Collaboration with Activists (SE 1)
12:30-13:45 Lunch Break (see near-by restaurants and takeaways)
13:45-15:00 Session 3a: Transforming STS (Sitzungssaal)
_____________ Session 3b. Socio-Technical Controversies (SE 1)
15:00-15:30 Coffee break (Neue Burse)
15:30-16:45 Session 4a: Towards More Engaged STS!? (Sitzungssaal)
_____________ Session 4b. Activist Practices of STS Scholars (SE 1)
17:00-17:45 STS Austria Annual General Meeting (SE 2)
18:00-19:30 Public Keynote: Katta Spiel (TU Wien):
_____________ Impossible ‘Choices’ — Activism in the Academy (SE 1)
Wednesday, November 29:
09:30-11:00 Session 5a: Scholar-Activists: Roles & Identities (Sitzungssaal)
_____________ Session 5b: Conceptual Approaches for Caring Research I (SE 1)
_____________ Screening “Climate Court of Audit Now!” (SE 2)
11:00-11:30 Coffee break (Aula)
11:30-12:30 Special format: Data Walking as Method for Teaching Critical
_____________ Data Studies (Sitzungssaal)
_____________ Screening “Climate Court of Audit Now!” (SE 2)
12:30-13:45 Lunch Break (see near-by restaurants and takeaways)
13:45-15:00 Session 6a: Activist (Counter-) Expertise (Sitzungssaal)
_____________ Session 6b: Conceptual Approaches for Caring Research II (SE 1)
_____________ Screening “Climate Court of Audit Now!” (SE 2)
15:00-15:30 Coffee break (Aula)
15:30-16:30 A Manifesto for Activism in STS:
_____________ participatory conference outlook and closing (Sitzungssaal)
Panel: https://vimeo.com/876852595
Batman University, https://ijephss.com/
https://www.eventbrite.com/e/repositioning-urban-design-projections-limits-encounters-tickets-721086708757?aff=oddtdtcreator
https://www.e-flux.com/announcements/568308/projections-limits-encounters-a-month-of-urban-design/
The conversation would be preceded by a short online intervention by Palestinian scholar Salim Tamari detailing the story of Ihsan Turjman, a Palestinian soldier in the Ottoman Army –and a central character in the waving of Uncertain Times– whose diary written during the Great War was rediscovered, translated and published in 2010.
https://sursock.museum/content/uncertain-times-artistic-forms-historical-research
different spatial and historical contexts. The presence, manifestation and transformation of this solidarity can be traced and interpreted in the various regions, especially in the Arab World. This panel attempts to explore the present forms of solidarity, the interactions with the Palestinian cause, the manifestations of solidarity in the past and the present, and finally the possibility of creating and producing new practices based on the previous experiences and their impact.
*Simultaneous translation (Arabic/English) will be provided during the panel.
De/Archiving as Threshold Infrastructure
Forced eviction, dispossessions, and violation of not only human rights but also the rights of non-humans in conflict territories and urban spaces destruct the tangible and intangible heritages. De/archiving methodology may create new forms of collective solidarity infrastructure that can reveal and support the co-existence of heritages. This contribution will speak about several projects that propose forms of solidarity, archival practices and related decolonial practices.
Pelin Tan is a Turkish sociologist and art historian based in Mardin, Turkey. She is a professor in the Cinema department and Migration master program at Batman University, Turkey. Her research is on commons, activism, and methodology about art and architecture.
Figuring Palestine: The Promises and Pitfalls of Solidarity
This contribution sheds light on the important junctures in the history of various forms of solidarity with Palestine (theoretical and aesthetical solidarity) and the interaction between them. Revisiting the forms and methods of solidarity allows inspection of the various presentations of the Palestinian cause (as a third world liberation movement and resistance against colonial settlement) in their spatial and historical contexts. Moreover, it allows for re-asking questions about the prospects and dilemmas of solidarity.
Fadi A. Bardawil, an anthropologist by training, is associate professor of contemporary Arab cultures in the department of Asian Studies and Middle East Studies at Duke University, U.S. His research investigates the international circulation of critical theory, the genealogies of post-colonial critique, and the traditions of intellectual inquiry and modalities of political engagement of contemporary Arab thinkers. He writes regularly, in English and Arabic, for journals and independent media platforms, and is the author of Revolution and Disenchantment: Arab Marxism and the Binds of Emancipation (Durham: Duke University Press, 2020).
The Presence of Palestine in Contemporary Popular Arab Mobilizations
This intervention sheds light on the forms of Palestinian presence in the mobilizations, discourses and causes of the Arab world in the contemporary period. Far from being limited to militant sectors or political positions, it enters into more intimate and diffuse spaces. It is at the centre of the aspirations of the Arab peoples: an aspiration for the liberation of Palestine, which becomes the symbol of the oppressions experienced by the Arab peoples, their youth in particular. For more than a decade, Palestine has become much more than Palestine. It has become the common imagined territory for an ongoing revolution.
Leyla Dakhli is a full-time historian at the French Center for National Research (CNRS), presently based in the Marc Bloch Center in Berlin. Her work deals with the study of Arab intellectuals and social history of the South Mediterranean region, with a particular focus on the history of women and the question of exiled intellectuals and activists.
Moderator
Toufic Haddad (PhD) is the director of the Kenyon Institute, the Council for British Research in the Levant in Jerusalem. Haddad is the author of Palestine Ltd.: Neoliberalism and Nationalism in the Occupied Territories (I.B. Taurus, 2016; paperback 2018), and co-author of Between the Lines: Israel, the Palestinians and the U.S.’s “War on Terror” (Haymarket Books, 2007). He completed his PhD in development studies at the School for Oriental and African Studies (SOAS), London, in 2015.
Introduction by Joao Afonso, Deputy Mayor of Lisbon for Social Rights
Panel with Saskia Sassen, Pelin Tan.
--
Organised by Angela Melitopoulos, Aristides Antonas, and Socrates Stratis with Haim Bresheeth, Celine Condorelli, Armin Linke, John Nassari, John Palmesino, Yiannis Papadakis, Ines Schaber, Florian Schneider, Eyal Sivan, Pelin Tan, Eyal Weizman, Phillipe Zourgane
https://research-architecture.org/Roundtables-1
http://liminalzones.kein.org/node/30/
https://ashkalalwan.org/program.php?category=4&id=463
The chapter will take as its site of inquiry the zone of extraction along the Tigris river and its bordering land. It aims to offer workshops, collective readings, and lectures that focus on entanglements unfolding in the larger region of the so-called fertile crescent. The Tigris in itself probes questions that build towards broader problematics, inviting participants to engage with artefacts as traces of an apocalyptic era; lands as layers of violence; cycles as Earth’s navigation; and exile as voluntary collectivity.
Kurdish author Mehmed Uzun, in his Dicle’nin Yakarisi/ Hawara Dicleye, verbalizes the Tigris (Dicle) river as a testimonial element that witnessed violent disasters and catastrophes among various ethno-religious communities. The narrator conjures a literal landscape which, in turn, becomes the conveyer of epochs of resistance, engrams of violence, and cycles of oblivion.
May 03-022, 2021 - Mondays, Thursdays, and Saturdays from 5-7 pm Beirut time
This Chapter will be held online
Theme: The Entanglements: Artefact/Soil/Geontologies
This graduate seminar is focusing on research and analysis of the relation between nature, geology and colonial past/future of the island of Cyprus from the perspective of critical spatial practices. Both artistic and architectural methodology would be proposed and used for the site-research. By focusing and reading the processed, interventions of landscape and nature in Cyprus, this seminar questions the entanglement of the layers and geo-politics of colonialism. The method of the seminar is to re-experience and describe the anachronistic facts and elements through artistic speculations.
The aim of this seminar is to study the public role of architecture in a contemporary globalized everydayness. To study also, the role of the architect in expanded groups of action in collaboration with visual artists and urbanists. The students become acquainted with forms of negotiation in regards to the transformation of urban limits into thresholds for exchange in the contemporary city. They realize how architecture could operate as agent beyond physical building. The seminars unfold the political dimension of architecture in peripheral, see contested urban/territorial and rural conditions of any scale.
Şeyler, Animizm, Arazi (Things, Animizm, Territory) dersi yuksek lisans ogrencilerine; guneydogu cografyası nda yerellikler arasi mekansallasmanın ve arazi dedigimiz sınırları farklı dinamikler ile surekli degisen mekan parcacıgını ; insan ve insan-dışı unsurların mekansal orgutlenmesinin analiz, arastırma, metod ve kuramsal olanaklarını sunar.
Dara’da muhtemel bir “bugün” ve “şimdi”yi nasıl algılayabiliriz? Harabeler ya da arkeolojik katmanları, çizgisel ve ilerlemeci tarih anlatısının bir dekoru olmaktan özgürleştirebilir miyiz? Taşlar, keçiler, zeytin ağaçları, su altyapıları, tarımsal alanlar, askeri mimari, insan, hayvan ve diğer ‘şeyler’i mekan içinde yönlendiren, barındıran muhtelif yapılı çevre… Bunları verili ve sabitlenmiş işlevlerinin ötesinde, disiplinler hiyerarşisinden bağımsız ele almaya çalışacağız. Dara’nın yaşamsal ekolojisini ve kozmosunu kuran hareketlere, akışlara, hikayelere, ritüellere, oyunlara ve mekan üretimlerine bakacağız. Sosyal, ekonomik, kültürel ihtiyaçların ve arzuların izleklerinden yola çıkarak, buna cevaben üretilen mekansallıkların ve gündelik hayat pratiklerinin izini süreceğiz. Bu pratikler Dara’yı nasıl yeniden üretti ve üretiyor? Bu üretim biçimlerinden ne öğrenebiliriz? Dara’nın muhtemel geleceğini nasıl hayal edebiliriz? Kültürel mirası ve koruma pratiklerini bu yeniden üretime nasıl açarız?
Kosmos kavramı çercevesinde; mekan, farkli zamansallıklar ve işlevlerinin izleri uzerinden mıntıkalar olarak ele alınarak kavramsal bir haritalama yapılacak. Spekulatif materyalizm ve transversal materyalizm bağlamında nesne, insan-sonrası geo-ontolojik yaklaşımlar ile Dara uzerine calışılacaktır. Son yıllarda, guncel mimari kuramlarının nesne, insan olmayan canlı ve arazinin dinamiklerine odaklanan ve bu kuramsal bağlamda mimari metodlarının genisletilmeye calısıldığı tartismalara odaklanilacaktir.
KozmosDARA dersi kapsamında, kuramsal altyapı çalışmasına ve saha araştırmalarına paralel olarak üretime yönelik atölye çalışmaları yapılacak. Tarih yazımı, hikaye anlatıcılığı, arşiv ve sömürgesizleştirme pratiklerinden yola çıkarak, video, fotoğraf, 3 boyutlu modelleme, haritalama, metin yazımı gibi mecraların temsil biçimleri ve ilişkili metodolojiler uygulamalı olarak tartışılacak.
2017 Bahar donemi dersi sanatci Sevgi Ortac ile birlikte verilecektir.
2016 Güz/Autumn
MA/PhD. Mimari Proje 1/ Graduate Architecture Project 1
Architecture Faculty – Mardin Artuklu University, Mardin
CampusinCamps Mardin Studio
Tutors: Pelin Tan & Alessandro Petti (Campus in Camps)
Associate Tutors: Ömer Faruk Günenç, Yelta Köm
26.09.2016 – 30.12.2016 (critic reviews 2.week of January)
Salı / Tuesday, 14:00 – 17:00
The graduate arch.design studio for autumn term 2015 will run by Pelin Tan and Arisitde Antonas. It will focus on the legacy of design and conceptual practices of Isozaki, Fuller and Price. Through their thinking in the 20th century, the question of the possibility of timeless form, non-belonging form will be discussed and design projects will be developed within the landscape of Mardin. Tutors: Pelin Tan & Aristide Antonas
Mehmet Atlı – Pelin Tan
Dersin amacı mekanın performatif potansiyellerini ve “olay”’ın sürekli veya geçici üretilen mekanın oluşumunu, kullanımını araştırmaktır. Güncel mekan oluşumlarını, bir mekanda bir araya geliş, üretilen performans değil performansın üretimi ile ortaya çıkan mekansallaşmaları ele alacak olan bu ders; tarihsel olarak erken Batı ve Uzakdoğu Avangart hareketleri de inceleyecektir. Dada, Situasyonist Hareket, Göçebe mekan, Gutai Hareketi gibi 20.yüzyıldaki manifestoların yanında Tomas Saraceno, Rirkrit Tiravanija gibi günümüz mimar, sanatçıların pratiklerinden de örnekler üzerinde durulacaktır. Konser, miting veya düğün gibi Mardin -Kızıltepe – Diyarbakır gibi çevremizdeki kentlerde gerçekleşen etkinlikler mekan ve performans bağlamında süreç olarak ele alınacaktır. Performativite, olay, kolektivizm, hareket, beden, müzik gibi etmenler mekan üretimi bağlamında incelenecektir.
başvuru bilgileri: https://docs.google.com/file/d/0B3vFB0wgMf5FWnRPeXRfLXJnZVE/edit
Kurdish and Turkish with English subtitles, 47:12 minutes, 2022
The Epic of Gilgamesh is the oldest literary work discovered to date. Composed in Mesopotamia more than five thousand years ago, it describes the journey of Gilgamesh, the ruler of one of the first historical metropolises: Uruk. Following the death of Enkidu—the best and closest friend—Gilgamesh embarks on a quest to find immortality, so as to avoid meeting the same fate. Part god and part human, Gilgamesh encounters a varied cast of personages, ranging from the Goddess Ishtar and Scorpion people, to Utnapishtim, who, like Noah, saved humanity from the Great Flood by building an arc. Filmed on the banks of the Tigris River, near the ancient cities of Mardin, Hasankeyf, and Dara, the film takes us on a journey through time and space. Inspired by Sumerian cosmology as well as the philosophy of Russian cosmism, and accompanied by an original score by Alva Noto, Gilgamesh: She Who Saw the Deep is a meditation on questions of living, death, friendship, love, and immortality. This film is in Kurdish and Turkish, and features an all-woman cast of actors from the Amed Theater in Diyarbakır.
Film by: Anton Vidokle and Pelin Tan
Featuring: Elvan Koçer, Berfin Emektar, Dijle Güneş Yavuz, Şahperi Alphan Bayhan, Rugeş Kırıcı, Zelal Bakır Turan
Cinematography: Ayman Nahle
Original score by: Alva Noto
Editing: Meggie Schneider
Production management: Yelta Köm
Destana Gilgamêş, qasî tê zanîn, berhema wêjeyî ya herî kevn a cîhanê ye. Ev destan, zêdetirî pênc hezar sal bere hatîye nivîsandin, rêvîtiya desthilata bi navê Gilgamêş a Urukê, ku di dîroka cihanê de di nava metropolên pêşîn de ye, vedibêje. Piştî mirina hevalê wî yê herî nêzik a bi navê Enkidu, Gilgamêş, da ku ji heman çarenûsê dûr bikeve, dest bi lêgerîna nemiriyê dike. Gilgamêşê nîvxweda û nîvînsan, ji xwedawenda Îştar û gelê dûpişkan heta Utnapîştîm - ku mîna Nûh, bi çêkirina keştîyekê, mirovahîyê ji Tofana mezin xelaskiriye-, bi karakterên cûr be cûr re rû bi rû dimîne. Li bajarên qedîm ên Mêrdîn, Heskîf û Dara ku li qerexa çemê Dîcleyê ne hatiye çêkirin, filmê Gilgamêş: A Ku li Kendê Dîtîye (2022) ê Anton Vidokle û Pelîn Tan çîroka Gilgamêşê, bi sûdwergirtina kozmolojîya Sûmerî û felsefeya kozmîzmê ya Rûsî, wekî rêvitîyek di nava dem û mekanê de vedibêje. Bi kastê xwerû jin, bi kompozisyona resen a Alva Noto û lîstikvanên jin ên Şanoya Bajêr a Amedê re, Gilgamêş weke medîtasyoneke li ser pirsên jiyan, mirin, hevaltî, evîn û nemirîyê ye.
Berlin Kurdish Film Festival
New York Film Festival
After politics, religion and philosophy failed, art was embraced as the last, irrational and final choice for organization on the planet to prevent the end of life."
"Siyaset, din ve felsefenin iflası sonrasında insanlar, hayatın sonuna gelinmesinin önünde duran son irrasyonel ve nihai örgütlenme seçeneği olarak sanata sarıldı.Sanat dünyayı kurtardı ve maddeyi bilinç sahibi yaptı. Ancak sanatın yarattığı hayat o kadar güzeldi ki,insanlar hayvana dönüştüler."
film, 18 dk., Directors: Pelin Tan & Anton Vidokle, Tripoli - Lebanon)
in 14.İstanbul Bienale, Adahan Cictern, Istanbul http://14b.iksv.org
A project by Francisca Benítez
Curated by José Esparza Chong Cuy
with:
Jonathan Middleton as the Human
Karakachan as the Donkey
Mehmet Ali as the Plant
Voiceover by Ariana Beyne
Directed by Anton Vidokle & Pelin Tan
Script: Anton Vidokle
Camera: Derek Howard
Editor: Meggie Schneider
Music: Tisha Mukarji
Sound Mix: Jochen Jezussek
Anton Vidokle and Pelin Tan’s 2084 is an ongoing exploration of the history of the future, translated into films. In Episode 3, filmed last Summer in Cappadokia, Turkey, Vidokle and Tan refer to the circle of ideas of Cosmo-Immortalism, a vitalist philosophical movement of early twentieth century, which strongly influenced Russian revolution. Script for the film is a collage of texts by and about important scientists: Vladimir Vernadsky – one of the most ardent partisans of the idea of the “noosphere”, and Konstantin Tsiolkovsky, the father of Russian space exploration.
https://topologicalatlas.net/blog/a-conversation-with-pelin-tan-on-studying-place-as-a-constellation
about violence, nihilism, religion, occupy, the West and soccer with Simon Critchley.
“Arazi”, “mekan” olarak tanımladığımız uzam veya seyrettiğimiz manzara/peyzaj bazen temsil edilemeyeni temsil eder. Arazi/mekanı araştırırken, kabuklarını soyarken, açıklamaya çalışırken kullandığımız temsiliyet araçlarını sadece özneler değil; araziyi oluşturan şeyler, ölü nesneler üzerinden de oluşturabiliriz. Şiddet ve arazi arasındaki ilişki biosiyasetin egemen arasında tahakküm sürecine dayalı. Bu süreçte gerçekleşen olay sonrası failleri bulmak ve tanıklık adli estetik ve forensik analizin temsiliyet alanına girer. Anselm Franke’ye göre, “Adli bilimlere olay sonrası başvurulur: çatışmanın, suçun ve şiddetin sonrasında, sınırlar halihazırda çiğnendiği, kırıldığı, ihlal edildiği ve çözüm gerektiren mevcut kriz tarafından teste tabii tutulduğu zaman.”(Weizman&Keenan, s.9: 2012). Mardin İHD’nin 11 senedir sürdürdüğü faili meçhullerin araştırılması, kemiklerin bulunup, DNA kimlikleştirilmesinin adli tıpta tespit edilmesi süreci; şeylerin temsili, arazinin tanımı ve nesnenin (kemik, kuyu) performansı bize tanıklık ve ispat arasındaki temsiliyet düzeneğini analiz etmeye davet ediyor. Hakikat söylemi, insan hakları ile mekan üretimi/mimarlık/planlama/görsellik arasındaki ilişki farklı temsiliyet araçlarının aynı anda birlikte ele alınmasını, ve farklı bilgi üretim alanlarında analiz edilmesini zorunlu kılıyor.
www.kontraakt.com/2014/11/kontraakt-talks-xaris-savdaroglu-matina.html
Review: http://www.tandfonline.com/doi/full/10.1080/1472586X.2014.887316#.UzQwZKh_tlw
www.tandfonline.com/toc/rvst20/current#.UuSLnGT8KKs
Public Program - CIVA museum Brussel.
06.11.2024 - Pelin Tan & Anton Vidokle:
Notes on Gilgamesh: She Who Saw the Deep
14.01.2025 - Spyros Papapetros
Magic Architecture as pre-architecture
https://www.civa.brussels/en/exhibitions-events/pre-architectures
Collective learning and the creation of decolonial methodologies against slow violence, extraction, and forced eviction/migration led to pedagogies of the commons. Navigating through migrating ingredients, refugee seeds, and exiled foods, we witness and learn about extractive strategies, state-making, and slow violence. The non-extractivist practices in dispossessed and cohabited landscapes are about “survival-with” and “through” foraging, composting, preserving, landscaping, the comradeship of ingredients, and the germination of resilience, which propose to create together a relational phenomenology.
Avrupa Sosyal Forumu 2010 / Radikal Estetik
1 – 4 Temmuz 2010
PROGRAM
1 Temmuz Perşembe
16.00 – 18.00
Seminer: Radikal Estetik
Sunum: Pelin Tan ve Önder Özengi
Konuşmacılar: Burak Delier, Hale Tenger, Mürüvvet Türkyılmaz
Tartışmacı: Ayşe Çavdar
FİLMLER HAKKINDA
Dario Azzellini & Oliver Ressler
Comuna Under Construction, 2010
Film, 94′
Oliver Ressler
What is Democracy?, 2009
Film, 118′
Dario Azzellini & Oliver Ressler
5 Factories – Worker Control in Venezuela, 2006
Film, 81′
Aernout Mik
Raw Footage, 2006
İki kanallı video, 74′
Petra Holzer & Ethem Özgüven
4857, 2008
Film, 30′
Sanatçıların izni ile
Heidrun Holzfeind
Mexico 68, 2007
Film
Nils Norman & Stephan Dillemuth
I’m Short Your House, 2007
Film, 24′
Angela Melitopoulos
Möglichkeitsraum II (The Blast of the Possible) Brian Holmes ile, 2010.
https://www.matera-basilicata2019.it/en/programme/themes/utopias-and-dystopias/1411-gardentopia.html
https://www.artribune.com/matera-2019-capitale-europea-cultura/maggio-giugno/2019/04/matera2019-gardentopia-giardini-paesaggio/
https://www.materaevents.it/progetti/51/gardentopia/1
June 28–September 29, 2018
A.M. Qattan Foundation
22 Al-Jihad Street
90624 Ramallah, Ramallah
Palestine
https://www.e-flux.com/announcements/179178/subcontracted-nations
Curator: Yazid Anani
Assistant Curators: Abed al-Rahman Shabaneh, Aline Khoury
Subcontracted Nations is a group exhibition that questions differing concepts of nation. In these times, we are seeing major transformations in these concepts through rhetorical and political discourse across many corners of the globe.
The exhibition draws its title from the proliferation of the processes of sub-contracting found in our world today―whether it is the sub-contracting of health services, or the privatization of public resources including education. These processes have been instrumental in the fragmentation and compartmentalization of public services and the diminution of the role and obligations of the state.
Institute of Threshold: Border Infrastructure
Pelin Tan & Joseph Grima.
The Cyprus Pavilion, 15th Venice Architecture Biennial
28 May 2016, opening.
What will happen is the border will be removed, not exist anymore? Or is already borders a liquid and fluid zone? What could be the autonomous infrastructure of conflict zones?
Date: 20 April 2016
Participants: Yelta Köm, Artıkişler Collective, Ayşe Çavdar, Sevgi Ortaç, Önder Özengi, Seçkin Aydın, Ahmet Öğüt, Ilhan Sayin, Gülsün Karamustafa, Ege Berensel.
Curator: Pelin Tan
Exhibition Design: Yelta Köm & Pelin Tan
Institution: Goethe Ankara
Date: 20 April 2016
The title of the exhibition We Wont Leave is borrowed from the a photo-collage series by artist Ahmet Ogut. The slogan "We Won't Move!" ("Ons dak nie, ons phola hier") that was used by Sophiatown residents during the 1955 forced removals. This exhibition focuses on the urban conditions in Turkey and artistic methodology of representation, engaging and researching. How we can record the image of urban action? How artistic methodology could engage and participate as an affect methodology in urban uprisings? As we are living in intense socio – spatial transformation fostered by upside down urban transformation projects, territorial border politics, migration/refugeehood and local urban movements in Turkey. All cases indicate the ethics of how we want to live together in cities. We Wont Leave exhibition invites artists from different cities and practices that metaphorically designates the will and visual strategies of a demand for to remain and resistance in urban spaces. The exhibition presenting a knowledge of artistic methodologies focusing on artistic research, archival practice, images of civil disobedience from trans-medium practices.
The Esch Clinics understands the need to care for the urban commons and to give space to under-represented voices that are often left out of urban policy decision-making. We believe that the political dimension of urban practices must go beyond the refined intellectual discourse of academia and the technical language of city administration. We want to support the ability to read and communicate with the complex mesh of social realities that interact in the city and the diversity of communities they represent.
Trough social and spatial contextual research, we want to work with the everyday realities, frictions, challenges, and aspirations that coexist in cities. Equipped with this knowledge, we will digest, develop and present a set of urban governance protocols that reflect this complexity. Posed as hands-on policies, they can then be practically and strategically applied by politicians and decision-makers. We attempt to devise a counterbalance to the economic forces that have traditionally influenced the city’s development.
The Esch Clinics seeks to listen and understand, and to extent the circle of political decision-making beyond the elected representatives: to include everyday voices and under-represented groups in the challenge of building the city together.
Project team: Markus Miessen (PI), César Reyes Nájera, Gustav Kjær Vad Nielsen, Kristina Shatokina.
Cultures of Assembly—Chair of the City of Esch
Prof. Dr. Markus Miessen, Professor or Urban Regeneration, Department of Geography and Spatial Planning, Faculty of Humanities, Social and Educational Sciences (FHSE), University of Luxembourg.
culturesofassembly.org / masterarchitecture.lu
Arazi Assembly & Topological Atlas www.araziassembly.org www.topologicalatlas.net
Topological Atlas and Arazi Assembly are two research and action collectives consisting of artists, architects, social scientists, and activists from Pakistan, India, and Turkey. Both sister collectives have been collaborating since 2017 on the solidarity&care infrastructures and visual narratives about the extractive zones of dispossession and displacement in the global south. TA and AA are focusing on the planetary effects of extractive zones, migration, and climate justice in the relational geontologies along the topographical routes from Pakistan to India and to Turkey. TA&AA produces visual narratives through mixed media on displaced community narratives such as those of fisher communities, precarious female farmers along Tigris River, and undocumented migrants across borders.
Issue #1
Alliances: Introducing Urgent Pedagogies
Editors: Pelin Tan, Magnus Ericson
Contributors: Munir Fasheh, Silvia Franceschini, Katya Sander, Pelin Tan
Urgent Pedagogies online platform. Here we will introduce the project and platform and the first set of texts and online talks that through various perspectives look at the role of alternative pedagogy and spaces for knowledge production in relation to socially engaged critical spatial practice. In this project we have developed public events, online talks and commissioned texts so as to gather a wide variety of views related and in response to the urgencies of social justice and equality, contested territories and conditions of conflict.
Over four successive Fridays and Saturdays in October-November 2020, a globally diverse group of activists, artists, agronomists, farmers and scholars will meet online to engage a range of concepts related to agroecological practices, including soil and land, care pedagogies, and herb and seed heritages. We will discuss community initiatives informed by transdisciplinary agricultural thinking, including a wide range of Indigenous knowledge and other structures of social cooperation and production. These conversations will redefine gardens, growing, and growth through broadly sustainable processes that involve both human and non-human entities. We will consider racial and environmental justice as ontological and political projects.
- ENTANGLED THINGS AND CARE: LAND AND SEED
- INDIGENOUS COSMOLOGIES AND DECOLONIAL ENVIRONMENTALISM
- CULTIVATION AND HERITAGE
- CASE STUDIES: COOPERATIVES AND FOOD SOVEREIGNTY
Threshold Infrastructure, 2017 by Pelin Tan
Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)
Photography: Pelin Tan & Yangyi Quyang
Video: http://vimeo.com/153393892
Map&Images referencec: www.bit.ly/2jQI4cH
Design: Tengo Kawana
Typset in Garamond
Printed on 250gsm & 100 gsm in Hong Kong
Territorial Sea and Contiguous Zone
Design Trust Seed Grant, 2016
Hong Kong Design Trust Seed research grant 2016
Diyarbakir Cinar Ezidi Multeci Kampi uzerine calisma. 2016 Mimari Proje 1, Mardin Artuklu Universitesi, Mimarlik Fakultesi, Mardin.
A study on Diyarbakir Cinar Iraqi Refugee Camp. Mardin Artuklu University, Architecture Faculty, Mardin. Advanced Master Architecture Studio 1, 2016
http://designtrust.hk/type-of-grants/m-design-trust-fellowship-grant/
Ahmet Öğüt (artist), Yelta Köm (architect) , Artıkişler (video collective), Sevgi Ortaç (artist), Seçkin Aydın (artist), Ayşe Çavdar (urbanist&journalist), Önder Özengi (researcher/curator), Eda Soyal (architect)
on the focus of border politics, urban warfare, artistic&architectural methodology.
Curator - Pelin Tan
More Info:
http://blog.goethe.de/actopolis
Curator intro speech:
www.youtube.com/watch?v=uHiopdhHkWg&list=PLTUzqknRY5zdY6SE5jpbfYXGqe7luO3t_&index=2
Speakers: Özge Çelikaslan, Pelin Tan, Nagehan Uskan
https://2021.visibleevidence.org/
15-16-17 April 2021
Part I: "Surplus of Destruction"
Pelin Tan, Özge Çelikaslan
Our workshop -in three parts- implicates complex cartographies of images of forced displacement and war circulating in the digital sphere. We are particularly interested in discussing the social, material, cultural, and political dimensions of digital media infrastructures and threshold infrastructures of residual spaces and related diverse issues such as counter-surveillance, transversal labor conditions, access, curation, and disruption of violence and social inequalities through visual documentation specifically open-source archives.
As geographer Stephan Graham describes: “ …urban infrastructures as complex assemblages that bring all manner of human, non-human, and natural agents into a multitude of continuous liaisons across geographic space” (Graham, 2010). We call “Threshold Infrastructure” as multiple thresholds of spaces and mediums.
The first part of our workshop focuses on the specific region in Turkey that has been witnessing intense political, cultural conflicts, urban destruction, internal migration, and psychological outcomes for over four decades. Thus, it is possible to witness the neighborhoods where buildings and humans become waste and garbage in the affected region. We present our continuous visual research that focuses on the residual space, its dynamics and representations, and the circulation of the subject and object in the towns; Diyarbakır, Mardin, and Cizre. While tracing the sociological, economic, and cultural reflections of the invisible sign and unrecorded paths that lasted from urban transformation and migration footsteps on the recorded material, the workshop takes into its center the methodologies of forensics and ge-ontologies of visual documentation.
Part II: "Migrating Images"
Nagehan Uskan
“After several years spent on the global agenda with its normalized images of misery circulating both in mainstream and alternative channels, in September 2020 the infamous Moria camp was burned to the ground as a result of a riot. Perhaps this is an example of a residual space being “re-residualised” as a form of resistance by its inhabitants. Since the Moria camp burned down, migrants applying for protection and asking for asylum have been forced to live in the “provisory” camp also known as Moria 2.0, built on the toxic ground in an old military shooting area on Lesbos Island. At the same time, a new migrant camp is now planned to be constructed in an area adjacent to the only garbage dump of the island, in a way that makes the concept of “waste place” extremely concrete. What is the role of the self-representative images of migrants in all these oppressive dynamics? In which ways do these images resist mainstream representations that normalize pain with countless repetitions? What is the meaning of a “self-residualising” image of a migrant taking a souvenir photo among the ruins of the burned-down old Moria camp? How is it possible to produce resisting images and create circulation networks in a place where self-representative images are prohibited and criminalized by the authorities? This border region, whose militarization has been increased through increasing fluxes of capital, is not only hindering the freedom of movement and the legitimate claims to asylum, but it is also trying to criminalize the migrants’ practices of visual self-representation and to prohibit the free movement of images. On the one hand, there is the ongoing circulation of stereotyping mainstream images that contribute to the normalization of suffering, while on the other hand, the anonymous images used by migrants to document their own situation constitute an attempt to controvert this condition. We will discuss all these issues and questions based on the direct experiences of the Lesbos based video-activism migrant collectives."
Part III: "Border Infrastructures & Forensics"
Stefanos Levidis
Forensic Architecture (FA) is a research agency, based at Goldsmiths, University of London, carrying out investigations with and on behalf of communities and individuals affected by conflict, police brutality, border regimes, and environmental violence. In this workshop, FA researcher Stefanos Levidis will discuss the tools and techniques the agency has developed and employed over the past years in order to counter-investigate cases of state violence at the external borders of the EU. Drawing on several complementing case studies, participants in the workshop will be introduced to complex methodologies of spatial and architectural analysis, open-source investigation, digital modeling, and immersive technologies, as well as documentary research, situated interviews, and cross-disciplinary collaboration. The diverse spectrum of actors and practices involved in these investigations provides critical insight into how novel modes of evidence and testimony amplification emerge, and how interdisciplinary and collaborative research provides a pathway to democratizing the processes of evidence production that have been traditionally monopolized by the state.
Introduction: Jens Hanssen (Director of Beirut Orient Institute).
Designing Modernity: George Arbid (Center for Arab Architecture, Beirut)
Al-Mashrou': Pelin Tan (Batman Univ., OIB Roemer Fellow) & Dima Yaser (Birzeit Univ.)
Film screening: Landscapes as Archives, 20 min., Pelin Tan (Ramallah, 2023)
Discussion.
(Max Weber Stiftung)