University of Cambridge
Faculty of Music
Retrospective evaluation of elapsed duration relies on retrieval of information relating to the event in memory. Hence the way in which this information is coded, or chunked, during the experience, is central to the evaluation of its... more
The phenomenological experience of elapsed duration is dependent on multiple and complex factors. These include, but are not limited to, level of arousal, valence, familiarity, body temperature, memory, and division of attention.... more
Retrospective evaluation of elapsed duration relies on retrieval of information relating to the event in memory. Hence the way in which this information is coded, or chunked, during the experience, is central to the evaluation of its... more
237 participants listened to a 37 second extract of original music for solo piano, and were asked to retrospectively verbally estimate elapsed duration. Differences were found for age (mean estimate for ages 5-8: 76.11 seconds, ages 9-10:... more
1992): major key leads to longer duration estimates (vs. minor and atonal) •Bailey and Areni (2006): if not performing a memory task, estimates are shorter listening to familiar (rather than unfamiliar) music, if performing a memory task... more
Harry: I was just admiring your hourglass. Slughorn: Ah yes, a most intriguing object. The sand runs in accordance with the quality of the conversation. If it is stimulating the sand runs slowly. If it is not...
237 participants listened to a 37 second extract of original music for solo piano, and were asked to retrospectively verbally estimate elapsed duration. Differences were found for age (mean estimate for ages 5-8: 76.11 seconds, ages 9-10:... more
The article reviewed in this commentary takes philosophical models of temporal experience as its starting point, in an exploration of how an "experience of succession" may be distinguished from a mere "succession of... more
Psychological time may be warped and shaped by musical engagement and variation, including factors such as the music’s volume, tempo, arousal-inducing tendencies, and major vs. minor key (see e.g. 1, 2, and 4 below). Rather than... more
Neoliberal education policiesviewing students' life as human capital, economic investment for the labour market and consumer powermay increase students' workload in higher education. In this mixed methods study, we examined music... more
A longitudinal study of music students in a specialist higher education institution explored career intentions of students preparing for a career in the music industry. Stage of study had an impact on career goals, with students likely to... more
From a humanistic perspective, participatory processes in research find support on both ethical and moral grounds. In practical terms however, it is often difficult to establish protocols that best honour (i.e., elicit, capture, and... more