Dear Anon,
💖 I like BOC episode 1 a lot. It was admittedly not an impressive episode, but unlike 1st episodes of most anime, BOC’s didn’t need to draw in a new audience and impress everyone enough to stay. With BOC (being aired in the middle of the night), the target audience is one that already knew Kuro to be worth their time. Therefore episode 1 only needed to be an introduction to the axis of the show; the kidnapping case. Since it fulfilled that purpose excellently, it’s an excellent episode 1 in my opinion.
Let’s unpack this episode. (*´▽｀*)ノ
“Just a repetition of the trio idiots”?
Ah, I partially agree with you. I do think the first episode is a showcasing of the trio idiots’ failures in juxtaposition of Sebastian’s perfection. However, I also think the first episode has more legitimacy than just going: “OMG Sebas, kyun💗”, because for the Circus Arc this display of the trio’s incompetence is functional. This is in stark contrast with most other adaptations of Kuro and in the beginning of the manga, which were little more than glorifications of Sebas.
The trio’s incompetence display plays a key role for the series, because this image given to the audience is the same image the Circus Member would have had of the only remaining staff guarding the Phantomhive estate. I believe that this element of surprise is part of the Phantomhive strategy; intruders can’t prepare themselves for 3 human war machines if they don’t know of them. This is also reflected in what I read to be Sebas’ main M.O. as described here, and now in retrospect it makes sense that it had been Sebas who recruited Bard and Meyrin.
This surprise that the Phantomhive servants are actually talented private soldiers is also not just there to “outsmart the audience, jokes on you!!” It showcases how well-organised the Phantomhive household is under Ciel and Sebas, under the same main strategy: “play with everyone’s non-suspicion.”
Indeed, with the first episode having shown how Sebas alone can handle any mundane housekeeping task, one is invited to question “why hire such fools in the first place for these jobs?” And the answer is clear now: “there was no need, and they were not hired for ‘these jobs’.” They were hired for the jobs of private soldiers, just put under guise of maid, chef and gardener, respectively. Of course they wouldn’t be good at their not-jobs!
Potent introduction to the protagonists
Another reason I think episode 1 of BOC works well is because it introduces its two protagonists very effectively. The surface checklists of Sebas and Ciel are of course ticked, but it also does more than just that: episode 1 exhibits the mutual bickering between master and servant, Ciel’s testing personality, and Sebas’ passive-aggression.
When master and servant were walking down the corridor for example, Ciel told Sebas he “was not looking forward to it”. Sebas however, interpreted it as his master was talking about the meeting with Brandel. That is quite telling for the way Sebas’ brain works, because the demon consistently works only with very clear, transparent messages. If someone does not convey clearly what they mean, Sebas will have no choice but to guess.
It then turned out Ciel was actually talking about the dancing lesson, and Sebas then says: “I see. Do you mean to say that you wish to demonstrate your 'staggering waltz’ to the Lady Elizabeth?” Defeated, Ciel only replies: “you snide bastard.”
This conversation is likewise very characteristic of these two. Here again Sebas is interpreting, because it is unclear to him what exactly his master wants him to do with this information. Was he simply complaining? Or was he hinting for Sebas to cancel class? (Just pay attention to how much people “communicate” only implicitly through hints. For Sebas this “code of communication” must be as consistent as guesswork.) In Ciel’s dismayed reply “you snide bastard”, we get a hint that Sebas might not have been too wrong in his interpretation either, because it clearly touched a nerve. Had he been wrong, then Ciel would undoubtedly not have given Sebas the satisfaction of letting him know his comment hit something, and instead simply corrected his butler like he did about Brandel. This back-and-forthing is in my opinion an innocent but excellent taster of their toxic dynamic.
Potent introduction to the series nature
Another thing this episode does well is how it represented what this series is in its core; a comical dark fantasy. When Brandel was convinced that his assassination attempt had succeeded, he boldly hid himself under the table laughing, and when he emerged from underneath it was just total peace. I really giggled at the anti-climax and secondhand embarrassment, it was SO GOOD.
Then when Sebas congratulated Brandel for winning La fève, it was just so casually macabre, I loved it!! I really loved the skin-crawling feeling of Sebas having done a mass-murder, and just casually breaking it to Brandel like the most trivial thing. Because it WAS the most trivial thing to Sebas.
Once again we see just how terrifying the Phantomhive household is, what the “Phantomhive Hospitality” means, and what “Phantomhive” means.
When Sebas crowned Brandel I really loved his mirth at the man’s terror. And when Ciel revealed his contract eye saying: “do you have any idea why nobody has spoken of how the Watchdog inflicts punishment? It is because dead men tell no tales.” it was so bone-chilling, it was amazing. In my opinion it was a very effective way to impart “old information” to viewers, without it feeling like: “exposition, exposition, exposition”.
Conclusion
So yes, though the first episode of BOC is not really impressive on first glance, it gives the audience a lot to unpack and understand what this series will be about.
- The first episode effectively disclosed the universe’s law: The Queen’s Watchdog is relentless with “Phantomhive hospitality”, made possible through his strategy and the demon butler’s powers
- It constructively introduced the character dynamic of the two protagonists: an unconventional master-servant relationship with back-and-forthing.
- It practically sets up an image about the idiot servants, which is not a lie, but does paint a different picture of the full truth.
- And finally, it faithfully shows the audience the atmosphere of the universe: a comical and macabre world where atrocious crimes are trivial to our protagonists from Hell.
In short; as an introductory episode for BOC, it’s more than successful in my opinion. The episode was written by Yana herself, so naturally it understands the source material well. Yes, it’s indeed not a very flashy or impressive opening, but for those who are interested, I do recommend giving this episode another investigatory watch rather than a passive watch.
I hope it had been an interesting read ^v^
