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omus triumphaag:

, 9: THE

:-

English
Stage;
Expos'd in a
-

CATALOGUI E
*-

..

."

OF ALL THE

* W
#.: ". l

Opera's,

Tragedies,

Interludes, &c.

Poloral,

Both Ancient and Modern, that were ever yet Printed in Eng
li/h. The Names of their Known and Supposed Authors.
Their several Volumes and Editions: With an Account of
the various Originals, as well Englift, French, and Italian, as
-

Greek and Latine; from whence most of them have Stole

their Plots.

. .

By 6 ERARD LANG B MINE Esq;

Indice non opus off no/tris, nec vindice Libris:
Stat contradicity; tibi tua Pagina, Fures. Mart.
L O N DO N: Printed for Nicholas Cox, and are to be Sold by him in
Oxford. MDCLXXXVIII.
-

The Preface
Fit be true, what Aristotle (a) that great Philo/opher, and (a) Poet.
Father of Criticipm, has own'd, that the Stage might in
ftruct Mankind better than Philofophy it felf. If Homer
Erift.
2was thought by Horace (b) to exceed Crantor and Chry (b)
2. ad Lol

ftippus, in the Precepts of Morality; and if Sophocles and lium.

Euripides, obtained the title of Wife, for their Dramatich Writing,

certainly it can be no difcredit for any man to own him/elf a lover of

* *

that fort of Poetry, which has been filed, The School of Wertue
and good Manners? I know there have been many fevere Cato's
2who have endeavoured all they could, to decry the ufe of the Stage;
but thofe who pleafe to conful; the Writings of the Learned Dr. Ga
ger, Albericus Gentiles, Sir Philip Sidney, Sir Richard Baker,
Heywood, the Poet and Ator both in one; not to mention feveral of

thers, as the famong Scaliger, Monfigur Hedelin, Rapin, &c. will

find their Objections fully an/vered, and the Diverfion of the Theatre
fufficiently vindicated. I /hall therefore without any Apology, pub
lickly own, that my inclination to this kind of Poetry in particular,
has lead me not onely to the view of moff of our Modern Represen

tations on the Stage, but alo to the purchafe of all the Plays I could
meet with, in the English Tongue; and indeed I have been Maffer

of above Nine Hundred and Fourscore Englijh Plays and Masques,

befides Drolls and Interludes; and having read most of them, I
think am able to give fome tolerable account of the greateff part of
our Dramatick Writers, and their Productions.

The general Ufe of Catalogues, and the effeem they are in at pre

fent, is fo well known, that it were to waite Paper to expatiate on

if : I./hall therefore omely acquaint my Reader, that I defgned this
Catalogue for their
2who may have the fame religh
Dram

ma with my felf; and may poffibly be defirous, either to make a

Colletion, or at leaf have the curiofity to know in general, ":
A 2

54GSG#.

The Preface.
has been Publish't in our Language, as likewife to receive fome Re
marks on the Writings of particular Men.
* The Reasons that inducd me to the publishing this Catalogue,
2pere thefe : Firft, That the1: Catalogues were out of Print.
Secondly, That they were all of them full of gro Errours. Third
-

ly, That they were not, as I thought, Jo Methodical as this which I

have now made; wherein the Reader will #nd the Imperfections I
obferved in the former Cataloguss,amendedja! the Plays which have
been Printed fince 1680, to this prefent time, added; with feveral

Remarks, which whether or no obferved, I cannot tell, but never pub

liffhed by any Author till now.

... .

To begin then first with the Errours of former Catalogues, they

are chiefly Five:

...'

First, There were Plays inferted in all of them, which were never
in Print;, as for Brevity's fake, to give one infance for many, The

Amorous Widow, and Wanton Wife, a Comedy. This is a

Stock-Play, and was written (if not Tram/lated from Mollieres
George Dandin) by Mr. Batterton.
Secondly, Some Plays were omitted, which had been Printed ve.

ry long ago; as, Cola's Fury, and Lirenda's Misery. Written by

Henry Burkhead. The Religious Rebel; and/everal others.
Thirdly, Two Titles which belong'd to one and the fame Play,

were frequently printed, as if they had been two distinct Plays; as

The Constant Maid, or Love will find out the Way. Written
by Shirly. Ferex and Porex, or the Tragedy of Gorboduc.

Written by Sacvile and Norton; with many others.

Fourthly, The fame Title was often time; printed twice, and that
feperately, is if writ by two feveral perfons; and fometimes arib'd
to different Authors likewife; when it was onely a new Edition of
the fame Play; as for Example, Patient Griffel was again re
seated under the Title of Patient Griffel Old. And Appius and
*

W#. ,

written by Webster, is afterwards afcrib'd to T.B.

though as the deceafed Comedian Mr. Carthwright, a Book/eller by

Profeffion, told me,

the old Play Reprinted, and Corrected
by the above-mentioned Mr. Batterton; with feveral others.

Fifthly, Some Plays are a/cribed to one Author which were writ
by another; as Celum Britanicum, a Ma/que , is to Sir William
Davenant, though it was written by Carew and Jones. Which
fault is rather to # imputed to the Publishers of Sir William Dave
nant's Workes, 1673, in Folio, than to the Compilers of the former
w

-.

Cata

-The Preface,
Catalogue; who are more excufable than Mr. Phillips in his Ca
talogue of Poets, called, Theatrum Poetarum; and his Tran

(criber Winstanley, who has follow'd him at a venture in his Cha

raters of the Drammatick Writers, even to a word, in his Lives of

the English Poets. Both thefe Authors through a miffake of the

Method of former Catalogues, and their Ignorance in what Pieces each

Drammatick Author had published, have fallen into very great Er.
rours, as I am going to Jhew.
The first Catalogue that was printed of any worth, was that Col.

letted by Kirkman, a London Book/eller, whofe chief dealing was

in Plays; which was published 1671, at the end of Nicomede, a

Tragi-comedy, Tran|lated #om the French of Mnfieu Corneille.

This Catalogue was printed Alphabetically, as to the Names of the
Plays, but promiscuously as to thofe of the Authors, (Shakspeare,
Fletcher, Johnson, and fome others of the moff voluminous Authors
excepted) each Authors Name being placed over againft each Play
that he writ, and fill repeated with every feveral Play, till a new
Author came on. About Nine rears after, the Publiher of this Ca
talogue, Reprinted Kirkman's with emendations, but in the fame
Form. Notwith tanding the Anonimous Plays, one would think
eafly diffinguishable by the want of an Author: Name before them; .
yet have both thefe charitable kindGentlemen found Fathers for them, .
by ranking each under the Authors Name that preceded them in the
Thus Charles the Firt & placed by them both
to Nabbs; becau/e in both the former Catal gues it followed his Co
vent-Garden: and for the fame reafon Cupid's Whirligig is afori
bed by both of them to Goff; becaufe it follow'd his Careless Shep-.

#: Catalogues.

heardes; and/o of many others, too tedious to repeat. . .

To prevent the like miffake for the future, and to make the Cata-.

logue more u/ful, I wholly altered the form : And yet that I might
pleafe thofe who delight in old Paths, I have Tran/cribed the fame as

a Second Part, after the former way of Alphabet, though more Me

thodically than formerly, as I/hall flew prefently.

..

In this New Catalogue the Reader will find the whole to be di

vided into Three diffin: Claffes. In the firff I have placed the

Declared Authours, Alphabetically, according to their Sirnames, in .

Italick Characters: and placed the Plays each Authour has written,
underneath in Roman Letters, which are rank'd Alphabetically like
2wife; fo that the Reader may at one glance view each Authours La
hours. Over again/f each Play, is plac'd as formerly a Letter to in
dicate .
-

The Preface.

dicate the nature of the Dramma: as C. for Comedy: 7; for Tra

gedy. T.C. for Tragi-comedy. P. for Pattoral. O. for Opera:

I for Interlude. F for Farce.
, - .
And for the better ufe of thofe who may de/gm a Colle#ion, I have :
added to the Letter the Volume allo, (according to the best Edition
as Fol. 4. 8. against each Play that I have feen. And for their

further help; where a Play is not printed fingle, the Reader will
he by a Letter or Figure to the bottom of the Colume, 2where
he will meet with Infructions how it is to be found; I mean, with
what Poems or other Plays it is printed, the rear when, the Place

where, and the best Edition oftach Book / mentioned.

This may feem # at first fight, but may poffibly be no
longer thought fo, when I/hall have acquainted my Reader, that
2when I was making my Colle&tion, I found feveral Plays and
Masks, bound up with other Poems, which by the name were farce
known to the generality of Book/ellers: as for infance, Sir Robert
Howards # Lady; Daniel's Philotas; Carew's Coelum

Britanicum; Shirley's Triumph of Beauty ; , with infinite o

thers. But two Plays I might particularly mention, both taken no
tice of in former Catalogue, to wit,

and Hegio, a Paffe.

ral; and Deorum Dona, a Ma/que; both which were written

by Baron, and were wholly unknown to all the Book/ellers of whom

I happened to enquire, and which I could never have found but by

chance; they being printed in a Romance called, The Cyprian

Academy, in 8. The fame I might add of The ' ( a

Play which was never in any Catalogue before, and was tranjlated
from Ariftophanes's Nubes by Stanley, and printed with his

History of Philosophy, Fol. Lond, 1655. and now newly re

printed; and of feveral others) but that I muff haffen back to

give an Account of the two other Divifions of my Catalogue. The

one of which contains thofe Plays whofe Authors difcover them/elves
but by halves, and that to their intimate Friends, by two Letters
only in the Title-Page, or the bottom of their Epistle; and in the

lafi Degree are plac'd all Anonemous Plays; and this compleats the
First Part.

The Second Part contains the Catalogue Reprinted in an exai

Alphabetical wanner, according to the forms of Dictionaries, the
Authors Names being here left out as fuperfluons; and again/f each
Play is a Figure to direfit fou to the Page where you may find it in
the Firff Pari.

Thus

The Preface.
* This much as to the Method and Alterations of the Catalogue :
Now a tothekemarks, which are of three forts; the first of ule, and
the other two conducing to Pleafare at leaf, if not to Profit likewife. "
... The First is to prevent my Reader being impos' on by crafiy Book
fellers, whof cuffom it is a frequently to vent old Plays with new
Titles, as it has been the ufe of the Theatres to dupe the Town, by ai
# Plays under new Names, as if newly writ, and mever affed

before; as, The Counterfeit Bridegroom, an old Play of Middle- . . . .

ton'; The Debauchee, another of Brome's; The Match in
Newgate, another of Marfton's; with many more, too tedious to

repeat. By thefe Remarks the Reader will find The Fond Lady,
to be only the Amorous Old Woman, with a new Title, The Eu

nuch, to be The Fatal Contract, a Play printed above thirty years.

ago; with many the like. ". . . . . . .

.. . . . . ..

The Second is an Effay towards a more large Account of the Ba

fis on which each

Play is built, whether it be founded on any Story

Paff: iii., in History. Chronicle, Romance, "Nov

this means the curious Reader may be able to form a judgment of

the Poets ability in working up a , by comparing his Play

with the

# Story.

I have not been flarge 4nd full in this

as I intend hereafter, not having by me feveral Chronicles and

Novels, which might have been fabfervient to my Defgn, as the
Chronicles of particular Countries, and the Novels of Cynthio
Geraldi, Loredano, Bandello, Sanforino Belleforreste, &c.
For this reafon, in #. Note: on everal Plays which I have taken

iotice of, I have been forc'd to refer to the Chronicles of a Country in

Meneral, not have had time or opportunity to make an exact fearch
what Hitorian the Author has chiefly follow'd, or what Author has

noff largely treated on that particular Ation which is the fabje of

be Dramma. So in Novel; I have been fored through Necifty to
'uote fame which have been printed fince the Plays were written to
which they are referred : becaufe I knew that ibey were extrated:

nd collected fom the Originals, whence the Plot was taken, though
had them not by me : of which I could produce many infances, .
were it material.
*
. . .
.
. . . . .

I would deffre my Readers leave to make this Obfervation by the

V, that a Drammatick Poet is not ty'd up to the Rules of Chrono

*gy, or History, but is at liberty to new model Story at his plea
re, and to change not only the Circumffances of a true Story, but s
... Of this opinion are moff of our mo

en the

derm.

The Preface.
aern Criticks ; and Scaliger objrves, not only that 'til the priviledge
but allo of Tragedians. Quis nescit omnibus

#. of Epick Poets,
*

picis Poetis Historiam effe pro argument ? quamiili air ad."

umbratam, aut illustratam certe alia facie quam offendunt ex
Historia conficiunt, Poerua. Nam quidalius Homerus? Quid

Tragicisipfis faciemus, Sic multa Lugano ficta, Patria: Imago

qua fee offerat Cafari: excitam ab Interis animam, atq; alia

#: 7": #.Lucan, makes me call to mind what Sir

: " William Davenant foys on account of the fame Author, whom he

. #,

blames for making choice of an Argument / near his own time, that

fuch an Enterprize rather be/eem'd an Hitorian, than a Poet. For

(Jays he)wife Poets think it more worthy to seek out truth in the
Paffions, than to record the truth of Actions; and practise to

describe mankind just as we are perfwaded or guided by in

stinct, not particular perfons, as they are lifted, or levelled by
the force of Fate, it being nobler to contemplate the general

History of Nature, than a selected Diary of Fortune. So that

we fee the buffnes of a Poet is to refine upon Hiffary; and Reforma
tion of Manners is / much his buffneff, that he is not to reprefent

thing on the Stage, as he finds them recorded in Hiffery, but as they

# to have been:

and therefore we are not to make History J3

smuch the Standard and Rule of our judgment, as Decency and
JProbability. For indeed, provided the Author/hew judgment in

the heightning and working up of his Story, it matters not whether the
Play be founded on History, or Romance, or whether the Story be

#. , * ** .
of our # Plays, as well ancient as thofe of latter ##
that our modern Writers had made Incurons into the deceas'd Authors

this own,
The left fort of Remarks, relate to Thefts : for having read moff.
-

Labours, and robb'd them of their Fame. I am not a fifficient Ca

{uff to determine whether that fevere Sentance of Synesius be true,
Magis impium Mortlibrum Lucubrationes quam vetes furari;
That 'tis a worfe fin to #eal dead mens Writings, than their Clothes:
but I know that I cannot do a better fervice to their memory, than by

taking notice of the Plagiaries, who have been fo free to borrow, and
to endeavour to vindicate the Fame of thee ancient Author:from :

whom they took their Spoiles. For this reafon I have objerva what
Theft, I have met with throughout the Catalogue, and have endea
vour'd a refitution to their right Owners, and a prevention of the

Readers being impos'd on by the Plagiary, as the Patrons ofaw:

-

...

The Preface.
of our Plays have been by our Modern Poets. But none certainly

riviledge

as attempted it with greater confidence, than he that files him/elf

nibus E-,
i aut ad.

the Author of The Gountry Innocence, or The Chambermaid

turn'd Quaker: a Play which was affed and printed in the year
1677 but fir/f publih'd many years before by its genuine Author

ldunt ex

s? Quid
a: Imago

t. Brewer.

It is not to those of our own Nation only, but to Forreigners allo,

atq: alia
Sir

that I have endeavour'd to do juffice.

*hom he -

mark'd (as far as my knowledge would permit me) what has bees

ine, that

tran/lated or/$ollen from Taffo, Guarini, Bonarelli, Garnier, Scar

ron, both the Corneilles, Molliere, Rucine, Quinault, and others

et. For
th in the

For that reafon I have re

both French and Italians. Neither have I omitted, tomy power, to

do right likewife to the ancient Greek and Latin Poets, that have
2written in this way, as Sophocles, Euripides, AEschylus, Arifto

actise to

d by in.
elled by
general

phanes, Seneca, Plautus, Terence, cre. Imit acknowledge, with

regret, that thefe are not fo well known to me as I could wifth; but
yet as far as my power, I have endeavour'd to do right to their Me

So that

Reforma.

repre!ent
ut as they ".

mories. But I dare effire my Reader, that for the future it /hall be
more my buffneff to obtain a more intimate acquaintance with all
2worthy Strangers, as well as with my own
fo that if this

6
Trifle hould have the fortune to appear abroad a jecond
time, it hall
be more compleat and corre, than the hortner of the time, and my . .

History/
incy and

finall acquaintance with Authors at# ent allow; the Catalogue be-,

dgment is
hather the

ing in the Pre, and the firff (heet of it fet, before I thought of adding

# Stajk

thefe Remarks.

".

found

But before I quit this Paper, I defire my Readers leave to take a

View of Plagiaries in general, and that we may obferve the diffe
rent proceedings between the Ancients and our Modern Writers.

j Authors

This Art has reign'd in all Ages, and is as ancient almoff as Learn

read moff
', I

ing it felf. If we take it in its general Acceptation, and according

to the extent of the word, we fall find the moff Eminent Poets (not to
move excentrically and out four prefent Sphere)are liable to the charge

#ient C4
5 he true,

s furari;
r

Clothes:

and imputation of Plagiary. Homer him/elf is not fee from it, f

by

ave willgive credit to Suidas, AElian, and others : and that the in

7, than

vention of the Iliad is not wholly due to him, feems to be confirm'd by

row, and
*

jors from
v'd what

we ended.

of :
f/vra
of

107;

the Teffimony of Ariftotle, who mentions a fmall Iliad, which was Poet. c.23.

2"ritten before his was produced. But whether there be any ground,
for this Opinion,or nocertain it is that the moff eminent Poets amongft
the Romans, I mean Virgil and Ovid, made affe of the Grecian
44agazines, to /apply their
To prove this, let as firft

*::"

*-

3.

confider

The Preface.
Poet 13, confider Virgil, il'd the King of Poets by Scaliger, and in the fi
cap. 15,

nion of Propertius exceeding Homer him/elf, a appears, hy.

lowing Lines / well known amongji all learned men.

Cedite RomaniScriptores, cedita Graii,

Nescio, quid majus nascitur Eneade. ... . . .

ret, even this great man has borrow'd in all his Works; from Theo.
critus, in his Eclogues; from Hesiod, and Aratus, in his Geor

gicks; and fiam Homer and Pisander, inha Eheads: kdes

2uhat he has borrow'd fam. Parthenius Nicaus, h, Tutan is the

Greek Tongue, and from Q.Ennius, an ancitat Latin Foet'; as:

Saturnalia, you may read more at large in Macrobius. If we consider Qvid,
l. 3. c. 11, the Flower of the Roman Wit, we /hall find him, imitating at leaff,
1 * c 1 if not borrowing from, the forementioned Parthanius: his Metamor.
vol.2. o-phosis, that Divine Poem", (at Ant, Murett's files it in his Qrati,

rat. 3

ons), being built upon that Poem writ in the Greek Tongue, which
bore the Jame. Name, and handled the fame,Sahje, as we are told:
by Plutarch and Ruftathius. And if to theve add that worthy"

Garthaginian Terence, who by the kindus/ of the generous Lucan,

2max at once made a free man and Gitizen of Rome, and whom on.
the account of his Camedies written in the Latin Tongae, we may

number among the Roman Writers: we /hall find him likesvi/e bes
,for his Produions, to that eminant Athenian Rott Menans,
CT.

Butlet a now ok/erve how these Eminent Man manage what the
borrow'd; and then compare them with theft of our times. First,
They propos'd to then/elves the4mthors wh's Works they horrowd.
from, for their Modek Secondly, They were cautious only

2yhat they found beautiful in them, and rejeied the riff. . This *.
provd by Virgil's An/wer.

Ennius his Works, when he

2was akd by one who /aw him reading, what he was ahaut, reply'd,
Aurum fe ex Enii.ftercore colligere. Thirdly, They plainly,

config'd what they borrow'd, and mod:#ly aftrik's he credit of itse:

the Author whence 'twas originally taken. Thus Terence owns his
* -

Tranflations in his Prologue to Eunuchus.

Qui benevertendo, &eas discribesda.mala

Ex Gracisbonis, Latinasficianonbanas.
This

The Preface.
7%is behaviour Pliny commends in theft words : Eft enim beni-Epiff. ad
gnum & plenum ingenium Pudoris fateri perquos profeceris: and V

jer having blam'd the Plagiaries of his time, he commend, Gicero"

#made
making mention of Plato, Grantor, and Panatius, whom he
affe of in his Works: and let it be observd by our Modern
Poets, that rhough our modeff Carthaginian own'd his Tran/lations,
was he not the lef effeem'd by the Romans, or his Poems leff wa-.

tu'd for it. Nay, even in this Age he is univerfally commended by

learned men, and the judicious Rapin gives him & Charaffer, which

A doubt few of our Age will deferve. Terence a ecrit d'une Mari Refleft.
ere, & finaturelle, & fi judicieuse, que de Cople qu'ilefloitil 26, Part*
eft devenuoriginal: car jamais Auteur n'aeti ungouft plus par

de 4a Nature. Lafly, Whatfoever thefe ancient Poets (particularly

'' copyed from any Author, they took care not only to alter it
for their purpok; but to add to the beauty of it; and afterwards to
infert it Johandformly into their Poems, (the body and Oeconomy of

which was generally their own) that what they borrow'd, feem'd ,
of the fame Contexture with what was originally theirs. So what

it might be truly d of them; Apparet unde fraptum fit, allud

tamen quna andefit, apparet.
... if on the
the proceedings %our late

#:

English Writers, we hall find them diametrically oppofile in althings.

Shakspear *johnson indeed imitated thefe
Meh

#.

tired; the one having borrow'd the Comedy of Errours from the
Menechmi of Plautus; the other has made ufe not only of him, but

of Horace, Ovid, Juvenal, Saluft, and feveral others, according

to his occaffons: for which he is commended by Mr. Dryden, as Epiff."
having
thereby of
beautified
Rymer, Modka
2whofe
him is thisour
; I Language:
cannot (Jaysand
be displeas'd
he) Mr.
firologer.

#:

with homeft Ben, when he chufs rather to borrow a Melon Tragedies

of his Neighbour, than to treat us with a Pumpion of his own of the last

growth. But for the moff part we are treated for otherwife; not *****
with found Roman Wit, as in Ben's time, but with empty French
Kick/haws, which yet our Poetical Hoff, ferve up to as for Re
gales of their own Cookery; and yet they themjelves undervalue
that very Nation to whom they are oblig'd for the beft hare f thri
Treat. Thus our Laureat him/elf rams down the Frnch Wii in his .
Marriage a la Mode, and #eals from Molire in his Mock A

4trologer; and which makes it, more objervable, at the fame time
he dots &, pretends in his Epistle to juffie him if fom the impa
* -

[a 2.]

tation

The Preface.
tation of Theft : Not unlike the Cunning of a Jugler (to app:
Ep, to the his own Simile to him) [Epiffle to the Spanish Fryer] who is al
Spanish ways staring us in the Face, and overwhelming us with Gib

berish, only that he may gain the opportunity of making the

cleanlier

': of

his Trick. I will wave the Epiffle to

this Play, which feems to be the Picture of Bays in little, yet I can
not omit one Ob/ervation more, which is, that our Laureat /hould

borrow from Old Flecknoe, whom he fo much defife: and yet

whoever pleafe, to read Flecknoe's Damoyfelles a la Mode, will

find that they have furni/ht Mr. Dryden with thofe refind Expref:
* . . . . fims which his Retrenching Lady Donna Aurelea makes use

#.44f

, ,

the Counsellor of the Graces, and that furious indigence of Ri

bons. But poffibly he will own that he borrow'd them as Father
Flecknoe did, from Mollieres Les Precieuses Ridicules: howe
ver, I hope he will allow that thefe Expreffions better fait with the
Spiritual Temper of thofe French Dam/els, than with the known
Gravity of the Spanish Ladies. I hope Mr. Dryden will pardon
me this Di/covery, it being abfolutely neceffary to my defgn of Refto
ring what I could to the true Authors: and this Maxim I learnt
kind Ree-from his own Father Aldo. Every one muft have their Own.
-

Fiat Justitia, autruat Mundus.

per.

In pursuance to which, I own

that Mr. Dryden has many Excellencies which far out-weigh his
Faults; he is an excellent Critick, and a good Poet, his Stile is
(mooth and fluent, and he has written well, both in Ver/e and Profe.

I own that I admire him, as much as any man;.

Neque ego illidetrahere aufim,

180t.
10.

Haerentem Capiti mult cum Laude Coronam.

But at the fame time I cannot but blame him for taxing others with
/tealing Characters from him, (as he does Settle in his Notes on Mo

rocco) when he him/elf does the fame, almoff in all the Plays be
writes; and for arraigning his Predeceffours for ealing from the
Ancients, as he does Johnson; which tis evident that he him/elf is
guilty of the fame. I would therefore defire our Laureat, that he
2would follow that good Advice which the modeff Hiffor, Profeffor
A4r. Wheare gives to the young Academick in his Antelogium, to
fhun this,Confidence and Self love,as the worft of Plagues; and
Mr.Bhus's to confider that Modesty is it which becomes every Age, and
-

* leads all that follow her in the streight, and right Fath %
-

ory;

The Preface.
Glory; without it we are hurld down Precepices, and instead
of acquiring Honour, become the scorn of Men, and inflead

loaden with Ignominy and

of a good Fame, we return

tempt.,

. .

. .

Con

I have not time to examine the Thefts of other Plagiaries in parti

cular, both from the French and our own Language, and therefore

Jhall omely defire them to confider this Sentence of Pliny: Obnoxii Et adry.

profecto animi, & infelicisingenii eff, deprehendere infurto

malle, quam mutuum reddere cum presertim fors flat exuffi.

K2.

----"

Alth Icondemn Plagiaries, yet I would not be thought to reckon

as fuch either Translators, or thofe who own what they borrow from

other Authors: for as 'tis commendable in any man to advantage the

Publick; fo it is manifeff, that thofe ' have done fo, who
have contributed to the Knowledge of the Unlearned, by their excel.
lent Versions: Yet at the fame time I cannot but effeem them as
the worst of Plagiaries, who/teal from the Writings#. thofe of our own
Nation. Becau/e he that borrows from the worff Forreign Author,

may poffibly import, even among# a great deal of trafh, fomewhat

of value: whereas the former makes us pay extortion for that which
awas our own before.

. . .

For this reafon I muff diffinguih one of our bef Comick Writers,
from the common Herd of Translators; fince though proportionate M. shad.
to his Writings, none of our modern Poets have borrow'd lef; yet well.

has he dealt ingenuouffy with the World, and if I miffake hot, has

publickly own d, either in his Prefaces, or Prologues, all that be

has borrow'd ; 2which I the rather take notice of, becau/e it is folit

tle praffi/ed in this Age. Ta true indeed, what is borrow'd from

Shakspeare or Fletcher, is usually own'd by our Poets, becau every.
one would be able to convi them of Theft, Jhould they endeavour to .
conceal it. But in what has been tolen from Authors not fo gene.
rally known, as Murfton, Middleton, Maffenger, &c. we find.

our Poets playing the parts of Bathyllus to Virgil, and robbing them
of that Fame, which is as juffly their due, as the Reward the Em.
parour Augustus had promijed to the Author of that known Diftich.
affixed on the Court Gate, was to Virgil. . . . . . . . . . . . .
Neither can this Imputation be # at the doors of fach who are
onely Initators of the Works of others, among # which, are admired

Sir Charles Sidley, and the inimitable MWytcherley: Thelaff of

which, if Imitake not, has Copied Mollieresle

i.

**

The Preface.

a's firlin Delers mascimene, is the f

#ctr
Olivia; but fo well, that # the Gharaer 6f the Misan
Reflect:26, thrope be accounted by Rapin, Te Caractere le plus achevee;

The compleateff Character, and the moff fingular that ever appeared

part. 2.

.on the Stage : yet certainly our Poet has equaled, if not exceeded his

.*, *... Coty. , Imitation which Longinus commends in Steichorus, Ar

-

and Herodotus, all of them being imitators of Homer;

larly he Jay: of Plato: riart: 9 raw axis: 5 TIAtlaw",

Ulargr but particu
* * * * *usew: *** **ate air afty Avela: 52a weekseywa, *A*rew
*

IIse:

away. Sedomnium hujus Poeta ftudiofiffimus imitator fuit

Plato, abilis Homericis Laticibus ad f feductos vivos quam

plurimos transferens. . .
| But to put an end to the Observations, which may prove alike
troublesome to the Reader, as well as to the Poets: I must fay this
-

for our Country-men, That notwithftanding our Modern Authors

have borrow'd much from the French, and other Nations, yet have

we/everal Pieces, if I may/ # of our own Manefacture, which

equal at leafi, any of our Neighbour: productions. This is a ruthf.
generally known, that I need not bring infances to prove, that in
the humour of our Comedies, and in the characters of our Trage.

clies, we do not yeild to any other Nation. Tatrae he unities of

, Time, Place, and Action, which are generally allowed to be the
Beauties of a Play, and which the French are fo careful to obferve,
\

add all lifture to their Plays; nevertheleff, feveral of bar Poets have
given proof, that did our Nation more regard them, they could pra.
ice them with equal/ucceff: But as a correct Play is not fo much
under food, or at leafi regarded by the generality of Spettators; and

that few of our Poets now-a-days # much for Honour as Pro

fit: they are therefore content to pleafe at an eafter rate. But would
Jome great Man appear here in the defence of Poetry, and for the
Mupport of good Poets, as the great Cardinal Richlieu, that Noble
Patron of Arts and Sciences, did in France; I doubt not but we
hould find feveral Authors, who would quickly evince, that neither
the

# of Aristotle, or the

traffice frhoff admirable Rules

laid down by that Father of Criticism, and his beff Commentator,

Horace; with the rest of the emigent Men, that have written on
the Art of the Stage, are unknown to them. . . " ' ".
But in the mean time, would our Nobility and Gentry, who de
light in Plays, but allow them/elves (6 much time as to read over
what is extant on this Subje in English, as Ben. Johnson's Dif
coveries ;

The Preface.
coveries; Roscommon's Tranflation of Horace's Art of Poetry; Ra.
pin's Rifleions on Aristotle's Treatie of Poetry; Longinus of the
lofting of Speech; Boyleau's Art of Poetry; Hedelin's Art of the
Stage; Euremont's Effays ; Rimers Tragedies of the last Age con

fidered; Dryden's Drammatick Effay; and feveral others; though

they under/food none but their native Language, and com/equently
could not read what Woffius, Heinfius, Scaliger, Plutarch, Athe

naeus, Titius Giraldus, Caffelwetro, Lope de Vega, Corneille,

Menardiere, and others which have written to
purpofe in

#.

feveral Languages; yet tho/**hich are to be met with in English,

are fufficientita excellency of the Festi
Art, and the Rules which Portrfallow, with the Rasjons of them's
They would then find their Plta'ra, excreaffawith their Knowledge; ,
zaould have thagreater/atisfaion in fai
by how much they were capable (by the help of thefe Rules) to differs.
the Beauties of it; and the greater value fr a good Poet, by how

much they were#. of the Pains and Study requite to bring/uck.

a Poem to perfection. This would advance the fame of good Poets,

and procure them. Patrons amongji the # and Gentry, and

through their Emulation to exceedeach other, Poetry might in 4
few fears be advanced to the fame. Perfestionshot it was informer.

5, at Rome and Athens,

.

. .

... t...

. ..

' ' ' '... . . . . . . . . . . . . . . . . .

, , i. . . . . . . . . . . . "
. ., ,

*
.

. . .. .
*

" ", , , ,
**

" -

1 ..

- i.

. *;

... "

.."

" .. ( ..) A
' ' ' ' ).- A- --: - ,

*.

G.

..

(1) : *

~
*

- .

-.

- -

-,

--

INE.'

b-

* - -,
.

. ..
-

- -

. .. .. . . .
-

*
-

*
-

". . . . . . "

*
-

*-

E R R AT A.

B'. reafon of my great diffance from the Pr', feverall confiderable Errata's art
.*.*.*t with throughout; but the neit materia are theft which fellow:

Which the Radiris diffriat.

Perdon and carna.

-In the Catalogue it self.

- Age 6. The Wits is left out, a Play of Sir W. Davenant, p. 10. Courageous
Turk, c. for 4 riad 8 p. 11. Play of Love, &c. delt 4, for I atver

: -

f* but the firii Play. p. 13. for Hymenesrtad Hymenzi. p. ifor Antiqua
*ary read Antiquary. p. 17. Heyre for 8rtad 43. p. 25. fir Loyal
rtad Revengers Tragedy.
*

**

- -

,, .

In the Notes.

vitam read in vita, and invitas read in vitis.

P* 7. and / throughout, for inrtad
Procopii. p. 10. N. (n) add the Lint of
p. 9. Nott (c)

** Page, viz. Plot from Guiciardine's Hiltop of Italy, p. ii. 4tle and from
Poetical History, ibid, to N. (*) in tead of what is Printid, read, Theft three
Plays art Tran|lated from Seneca, and Printed with the rtf, Lond. 1581. p. 13:
M. (b ''' Book the Ninth, Satyr the first Part, read, Book the Firi, Satyr 9.
# (d) for du Bee, read du Bec. p. 18. M. (f) for Fourtetn, rtad
Thirtet", and for Thrte, read Fivt. p. 19. N.(1) belongs to Cambyses. p. 20.
M. (h) for Mons read Monsieur. p. 21. N. '' for Mane&rini, read Ma
nechmi. p. 22. M. (i) for 1581, read 1653. ibid. to Triumph of Beauty,
d (k) with this Nott, Printt with his Poins, Lond. 1646. p. 25. N. (b)
or Pihlh'd, read Reprinted. ibid. M. (d) for Mufre Erotoprguion, read
Mufti Erotopagnion." p. 24. N. '' for K. riad Prince. * 25. N. (n) to
) for Poem, read
Observationum, add Medicarum Volumen. . p. 27. N.
Play: ibid. N. (g) belongs to French Conjurer, and N. (h) to witty
Combat. p. 28. N. (h) belongs to Thornby-Abby: M.(i) to Marriage
Broker, and the lai List to Menechmus. p. 31. N. (r) htlongs to Rivals.

Catalogut of 33lays,
W IT H

T H E IR

Known or Suppofed Au T H o Rs, &c.

Will. Alexander, Lord Strim.

Robert Baron.

fgripus & Hegio

(a) AlexandrianTrag Tr. Fol.
(b) Croesus
- T. Fol. (h) iDeorum Dona
(c) (d) Darius
T. Fol. (i) Mirza
(e) Julius Caesar
T. Fol.

p.s.
--M.8
T. 8

Anthony Brewer.

Robert Armin.
Maids of Moorclack

H.

Barnaby Barner.
(f) Devil's Charter.--

(k) Love-sick King-T.C. 4'

T. 4.

Nicholas Breton.

Samuel Brandon.

(g) Virtuous OctaviaT. C. 8.

Oldmans
mans
Leffon, and Young'3. I.4.
Love
4.

Henry Burkhead.
Dabridgecourt Belchier.

Colas Fury,or Lyrindas Misery.T.4

. See me, and fee me not

C.4
*

(a) Plot from Justin's Hi. Lib. 14.

(b) Plot from Herodotus, Lib. 1. Plutarch
in Solon's Life.
(e)
Thift of the Lord Sterline art all30and
with his Works (in Folio) called. Re

(h) The two of R. Baron are mintioned

creations with the Muses. Printed at

prian Academy. Printtd at London,

Ilondon, 1637.

Romance writ by him, and called the Cy

1647.

d) Plot from Justin's Hill, Lib. 11:

ej Plot #on Suetonius anddPlutarch.
f) plot #an Guiciardine's Hiji.of Italy.
g) Plot from Plutarch's Livts.:

in former Catalogues, but are part of 4

i) plot from Herbert's Travels, Fol

k) From an old English chronicle, Fol.
B

Francis

A Catalogue of Plays.

Queens Exchange--G.4
Francis Beaumont.

Sparagus Garden

C.4

Wide Fletcher.
Alexander Brome.
Richard Bernard.

-C. 4'

Cunning Lover
Terences Comedies, viz.

Fulk, Lord Brook.

(d) Alaham.
-T. Fo.
(e) & Mustapha---- T. Fo.

Andraca.

Adelphi.
Evnuchus.
Heautontimorumenos.

4.

Abraham Baily.

Hecyra.
Phormio.

Spightful Sister- c.4

Lodow, Barrey.

Mrs. Frances Boothby.

Ram-Alley, or Merry Tricks. C.4

C.

Court Beggar

john Bancroft.

Richard Brome.

YCity Wit

-T. C.4

Marcelia

- T.4

Sertorius

*-*

(a).<(Damoyfelle
--C.X8.
Mad couple well matcht.\.
Novella

C.

Covent Garden weeded. C.89

YEnglish MoorG, 8
(b)<Love-fick Court

C. 89

Mrs. Aftrea Behn.

-T. C. 4.

Amorous Prince

(f) Abdellazar,or the Moors" T.4

Revenge
(g) City Heiress

C.4

New Exchange

-C. 8
Queen and Concubine C. 8
Antipodes
-C.4
* Jovial Crew--C, 4 (d) Theft two of the Lord Brook's are
Printed with his PoeticalWorks in Folio.
(c) Northern Lass
C.4 London,
1633.
e) Plot from the Turkish Chronicle.

f) This is a Play of Christopher Marlo's,

(a) Thiff ve of Richard Brome, art
Printed in one Volunt,

O&avo, London,

call'd Lufts Dominion, Printed in O&a.

vo, London, 1661.

"

(g) Part of the City Heires, fom a Play

I635.

* Reprinted, Lond. 1686.

of Middleton's, cal"d, A Mad world

my Mafis, Quarto; and part from a
nothir of Malenger's, called, Th Guar

(c) Laitly Reprinted.

dian, 0%iavo.

(b) Theft five of Brome, are Printed in

another Volume in

Oavo,London, 1659.

Dutch

A Catalogue of Tlws.

(a) Dutch Lover

C 41(1) Virtue Betrayd-An-Bullen.T.4
(b) Emperour of the MoonF.4
George Chapman.
Forcd MarriageT.C. 4
False Count
-C.4 All Fools
C.4
Feign'd CourtezansC.4 (*) Alphonsus, Emperor of *T 4
o

Lucky Chance.
C.4
Germany
j -.
(c) Rover, two Parts
C.4 Blind Beggar of AlexandriaC.4
(d) Roundheads---C. 4 t)
Buffy D' Amboys
T.4
(e) Sir Patient
T
4 (
His
4
Town-Fopp, or Sir TiByrons
Conspiracy-T.4
(m)
y
His
Tragedy--T.4
Tawdry
#C.4
->
-

5c.

''

I:

T. C.4 (n) Caesar and Pompey-T.4

Gentleman lisherC.4
Capt. William Bedloe.
Humorous Days Mirth
C.:
Excommunicated Prince.T.G.Fo. May Day---G.4

(g) Young King

Monsieur OOlive

--C. 4"

Masque of the Middle Temple.M.4

Revenge for Honour
T.4 .
(*) Deffruction of Troy--T.4 Temple
M.4
(b) Rival Kings-T.4 Two Wife Men, and all they G.4
rest Fools
9.4
(i) unhappy Favourite-Effex-T.4
(k) Mary,Open of Scotland-T.4 (o) Widows Tears
C.4
john Banks.

(p) Eastward HocC.4

a ) Plot from Don Fenise, O&avo.

Robert Cox.

b) Stollen from Harlequin, Emperur dans

le Monde de la Lune.

(l) Actaeon and Diana-

(c) Taken from Tho. Killegrew's Don

Thomaso, or The Wanderer, Folio.

(d) A Play of John Tateham's, called,

The Rump, altered, Quarto.

(e) Part of this Play

#: from Richard

John Cook
Green's Tu Quoque

I, 4"

C. 4

Brome's Damoyellt,0&a, and Le malade

Imaginal re.

(f) A great part of this Play borrowed 1) Plot Q. Eliz. Novel, fift Part 8.
from a Play, called,. The Miseries of *) Plot from Chron. de Rebus Germanicis.
forc'd Marriage, Written by George f) Plot from the French chron. Hen. 3.
Wilkins, Quarto.

m). Plot from the French Chronicles.

-

(g) Plot from Alcamenes and Menalippa, in) Plot from Lucan's Pharsalia, Suetoui
us, in the Life of Julius Caesar.
in Cleopatra, Folio.
o) Plot from Petrnius Arbyter.
*)Plot from the old Story fo called.
h) Plot#: Caffandra, Folio.
'"
by Chapman, Johnson, and
O
rtion,
i) Plat fron E, of Effex and Q.E.a Nov.
k) Plot from Caufin's Holy Court, Folio. (l) Plot from Ovid's Metamorph.
-

B 2

--

Edward

A Catalague of Tlws.
(e) Heraclius Emperour of R. r. L.
the East

Edward Cook:

*-

Abraham

(a) Loves TriumphT.C. 4"

#T.

Conley.

(f) Cutter of Coleman firect-c. 4.

-C. 49
(g) Loves Riddle
-P. Fol.

Thomas Carew, and

Guardian

Inigo Jones.
(b) Coelum Britannicum M.8l.
Lady Eliz. Carew.

(h) William C arthwright.

Lady Errant
Ordinary--T.4 Royal Slave
(i ) Siege

(c) Mariam

---T. C. 8o
--C.89,
----T. C. 8o
T. C. 8

Robert Chamberlain.

(k) Sir Affon Cockain.

Swaggering Damoyselle

C. 4

William Chamberlain.

Lady
(+) Ovid

Victory

(l)) STrappolin
a Prince.suppos'd

Obftinate

Loves

C.4

( d) Lodowick Carlell.

C. 8o

--T. 89

#Tcs

o
-

Richard Carpenter.

C. 4
Arviragus and Philicia, }T.C. 12" Pragmatical Jesuit
/
two Parts

- ... --

Charles Cotton.

Fool would be a FavouriteT.C.8

Deferving Favourite-T. C. 8 (m) Horrace-T.42.

(*) Ofmond.the Great Turk-T.8

Paffionate Lovers,two Parts. T.C.8

e) From Corneille, .

f) This Play is the Guardian, corrttd

3) Plot from Caffandra, Fol.
b) Printed with Carew's Potms. Lon

and Enlarged.

(g) Bound with his Second Volume, Folio,

London, 1681.
c) Plot from Josephus, Folio.
).
All Printed with his Poems.Lon.1651.
d) The # of Carlell's Plays, (viz.) in
t0 Parts,Bound in one Volume,Twelves. f) Occaffon in Plutarch's Life of Cymn,
don, 1670.

Part from Boccaces "Novli, the

The three next Printed in another Volume, and
Ninth Day, Novel the Firfi.
96tavo, London, 1657. And the next k'All Frittd with his Poems, Lon. 1669.
in Ottavo. Printtd 1659.
f) Plot from his Elegits.
(*) Plot from Knolls's Turkish Hitory, in 1) Plot from Trapolen creduto Principe.
the Reign of Mahomet the Fift.
-

! (m). From Corneille.

#phn.

A Cualague of Plays.

(k) Travels of threeFnglish #.

...

john Corey. . . .

Brothers-

(a) Generous Enemies-C.4

- Robert Dambourn.

|Christian turnd Turk

john Crown.

4.

T.42
----C.4

T.4 Poor Mans Comfort

T.4
4 Sanuel Daniel.

(b) Andromache

Ambitious States-man
City Politiques- G.4
(c) Country Wit- C. 4,
-

(m) Cleopatra
T.4
Hymens
TriumphP.4
(e) Califto--M. 4.
(n ) Philotas
T.4
(f) Dellruct.of Jerusal. 2 pts. T.4 Queens Arcadia
- P.
Henry the fixth
T.4
Vition of the twelve Goddesfes.M.4.
The fecond Part,
(d) Charles the EighthT.4

(t)5 or the Miseries of

#.

Robert Davenport.
Juliana, Princess of Poland. T.C.4 (9) City Nightcap
C.4
(g) Sir Courtly Nice
C.4
Civil War

(5) Thiettes-

T.4 (p) John and Matilda

--

john Day.
Blind Beggar of Bednal Green. C.4

T.4

Thoma pecker.

Humour out of Breath

Forum"

C.4

-C. --

Honest Whore, two PartsC.4

( ; ) Isle of Gulls-C.4

":

bentin'ta -good Play, the c.4.

Law Tricks
C.4 if: this
Devils
4.
Parliament of Bees--M. 49. Match me in London C. 4
Northward Hoe
C. 4.
(q)<Westward Hoe
H.4.
(a) Part of this Play is borrowed from Sir
CWyat's History
H. 4
William Lower's Noble Ingratitude.

b) Tran|lated from the French.

ej Part from Molliere's Le Sicilien.

d) Plot from Guiciardine's Hiff, and the (k) Writ by him, Rowly, and Wilkhs.
Prench Chron, in the Reign of Charles 8. (l # Printed in ont Volume, London,
(e) The Foundation from Ovidii Metam.
1623.
Lib. 2.

f) Plot from Hit. Book 6.7.

#:

m.) Plot from Appian of Alexandria.

n) Plot from Plutarch's Life of Alexan

English chronicles, and part of

er, and Quintus Curtius, Book the 6th.,
the Language, from Shakespear.
(o) Plot from Don Quixot's Novel, of the
(g) Plot, and part of the Play from a
Curious Impertinent, and Boccaces Nos.
Spanish Play, called No Puedefer,
vels, Day the 7th, Novel 7th. .
- (h) Plot from Poetical History.
(p) English Chronicle.
-

(i) Plot from Sir Phil. Sidney's Arcadia. (q) Writ by him and Webster.

tintruffing:

A Catalogue of Plays.
untruffing of the Humorous $c. 4
Dr. Charles D'Avenant.
5

Poet

C. 4
Whore ofofBabylon
Wonder
a Kingdom-C.4
Circe

O.4

---T.4

* Y WA/*

(*) Witch of Edmonton--T.4

(1) Sir Will. D'Avenant.

Tho. Denham.

(e) Sophy
- T. 8

(a) Albovine -T. Fol.

John Dancer.

Cruel Brother-T. Fol.

Distreffes-C. Fol.
Fair Favourite

T.C. Fol.'(f)

P. 8

Just Italian T.C. Fol. (g Agrippa King of Alba.T.C.4

Love and Honour

T.C. Fol. (b)

NicomedeT. c. 4

(b) Law against Lovers-T.C. Fol.

john Dryden.

(c) Man's the Master--C. Fol.

Platonick Lovers

- C. Fol.

t Play-House to be LettC. Fol. (i) Amboyna

T.4
Siege
T. C. Fol. ( k.) Affignation
C.4
Siege of Rhodes,two Parts. T.C.Fo. (1)Auringtebe
T.C. 4
Temple of Love
M. Fol. (m) All for LoveT.4
Triumph
of the Prince M. Fol
Albion and Albanius-O.Fol.
D'Amour
'Ol.
--

llnfortunate Lovers

T. Fol.

(d) Coelum Britannicum.--M. Fol.

News from Plymouth

Britannia Triumphans

...

C.Fol. (

*R'' from Herbert's Travels, Life of

-M.4 Printed with his Patns. London, 1670.

(f) Translated from the Italian of Taffo,
and Printed with Dancer's Poems, Lon.

Writ
rit by him, Rowly, and Ford
Ford.
#df
Translated from Mnfieur
'fitur Quina
Quinault.
{ *)
1) All, except the #, Printed with
# from Corneille,

his Works, in Folio. Lond, 1673.

(i) Sanderson's Hii. of K. James p. 377.

The last writ by him, and Inigo Jones, the k). Plot of the firious Part, from the An
latt King's Surveyor.
(a) Plot from Heylin's Cofnographie, Book
the First. Chronicle of Italy.

nals of Love: In the Story of Constance

the Fair Nun. The part of Aureleo,
from Scarron's Comical Romance: In

(b) Fr." Measure for Measure, and Much \, thistory of Definy and Madam Star.
adoe about Nothing.
(1) Plot from Tavernier's Voyages into In
(c)
From Mollieres'; Joddelet, ou le Mai-' Book
dia, Volume
the Fir, Part the strong,
tre valet.
the Second.
-

(m) Plutarch's Life of Marcus Antonins,

d). Not his, but Carew's, and Printed
and other Roman Hitorians.
Part from Mollieres Sganarelle.
with his Potws, Q&tavo.

(a) Con

A.

Catalogue of Tlws.

7
(a) Conquest of Granada,
two Parts

--

Rival Ladies
T. 4
4 |t Sir Martin Mar-all
C. 4
|(g)
State
of
Innocence
C. 4
C. 4
*

{T.c.

* Evenings Love,or Mock

Aftrologer
(h) Spanish Fryar
T.C. 4
(b) Indian Emperour
T.C.4 (i) Tempest
-C. 4
Kind Keeper,or Mr. Lymber(l)
Tyrannick
Love,
or
T. 4
ham4.
-

$c

Royal Martyr

- 4".

(c) Maiden QueenT.C.4 ( k). Troylus and Cresfida- T. 4

( d.) Marriage Ala-mode.--C. 4. Wild Gallant
C. 4
(f) Mittaken Husband-C.4 #)3 (1) Duke of Guise-T.
4
(m) Oedipus
T.4

();

''leopatra
Plot, Almanzor and Almahide, from
in the Story of Artaban; and

john Dover.

Almahide the Romance. Ozmyn and Roman Generals- T. C. 4

Benzaida, from Oman and Alibech, in
Ibrahim. Abdalla, Abdelmelech, Lyn
Thomas Durfey.
daraxa, from Prince Ariantes, Agathir
fes, and Elibefis, in the First B ok of
(n ) Banditti
C. 4
the Ninth Part of Cyrus. .
.
* Part frim Corneilles De Pit Amoreu, (0). Common-wealth of t+.
Women
#T.G. 4.
part from Le-feinte Astrologue, and
part from the Illustrious Baifa, a Ro | Fool turn'd Critick
C.4
Manta.
Fond Husband
C.4
4.
(b) Plot, Heylin's Cofnography, Book the
Fourth. Hen. Bonzonus rerum ab Hi (P) injured Princess----T. c.4
Q

-- -

* -- -- -

ra

panis in India Occidentall gefiarum,

Lib, 3.0%tavo.
c
Plot, from Cleobuline, Queen of Co
| rinth, in the Second Book of the seventh + Part from Molliere, L' Etourdy.
Plot from Milton's Paradise loft. o.
Part of Cyrus: and the charatter of e (g)
ttawa.
-

ladon and Florimel, from Pifistrate and

Cerinthe in Cyrus, Part Ninth, Book

(h). Plot of the Comical Part from the Pil

Third; and from the French Marquij;

..grim, 4Novel, Twelves.

in Ibrahim, Part Second, Book the First.

(#30 iginally Shakespear's.

(d) Plot of the firious Part, aid the Cha (

raters from Sesostris and Timareta is
Cyrus, Part the Sixth, Book the Second :

#3 Plot from Jul. Capitolinus in vitam

*

Maximini.

k.) Part Shakespear.

and Palamedes from the Prince of Sala. 1) From D'Avila's Hitory of France.
mis, in the Story of Timantes and Par m). From Sophocles, and the pottical
Hitories.
thenia, Part Sixth, Book First, of Cy (t)
Joyn'd in theft two last with Nath.
rus 3 and from Nagaret, in the Annals of

Lee.

Love, Ojiavo.

(f) Founded on Plautus's Amphytruo.

(n) Plot from Don Fenife, oslavs.

Q9) &row'd from Fletcher's Sea-voyage.

P). The Foundation Shakespear's.

(a) Madam

A Catalogue of Plays.

(a ) Madam Fickle ----C. 4 Cuffom of the Country-T. C.Fol. .

-

C. Fol.
Siege of Memphis--T.4 (b) Chances
Captain----C.
Fol.
(b) Squire Old Sapp-c. 4' Coxcomb
-C. Fol.
- ,

Royallift

--

C. 4

C. Fol.
( ) Sir Barnaby Whigg-C.4 Cupids Revenge
T. C. Fol.
(d) Trick for Trick
C. 4 Coronation
Virtuous Wif
C.4 Double Marriage T.C. Fol.
Elder Brother-- C. Fol.
Tho.

Mock-Tempest
Spanish Rogue

Duff".

False One--T. Fol

-F. 4

Four Plays in OneT. C.Fol.

Faithful Shepherdess
P. Fol. ".

--C. 4 Fair Maid of the Inn- C. Fol.

Honest Mans Fortune--C. Fol.

Humerous LieutenantT.C.Fol.
Love in a Tub-C.4 (*) Island PrincefsT. C. Fol.
T.C. Fol. .
Man
of Mode,or Sir Fopling, C.4 King and no King
Flutter
Knight of the Burning Pestle. C.Fol.
She wou'd if [he could
C.4 Knight of Malta
T. C. Fol.
( i) Little French Lawyer--C. Fol.
Edward Ecclefton.
|Loyal Subject-T. C. Fol.
Laws of Candy
C.Fol.
(e) Noah's FloodO.4
(k) Lovers ProgressT.C. Fol.
Sir George Etheridge.

Francis Beaumont.

- C. Fol.

Loves Cure

* john Fletcher, and

(l) Loves PilgrimageC. Fol.

Mad Lover

C. Fol.

Beggars Bush-C. Fol. ( m). Maid in the Mill-C.

(f) Bonduca
T. Fol.
Masque of Grays-Inn Gent. M. Fol.
(g)
Bloody
Rollo
D.ofBrother, or
T. Fol Monfieur ThomasC. Fol.

#}

(h) Altered by the Duke of Buckingham,

and Printed in Quarto. Lond. 1682.

Part from the Antiquary. Quarto.

The Plot from Lady Cornelia, in Exem

b) Plot from Francion's Romance, Fol.
plary Novels, Folio.
c) Part of it from the Fine Companion,
3 marto. And Plot from the Double (*) Lately Reprinted with Alterations, .
by Nat. Tate. Lond. 1687.
Cuckold, a Novel, Qtavo.
from Gufman's Don Lewis de
From Monfieur Thomas.
t
Foundation on Sacred Writ.
ftro, and Don Roderigo de Montalvo.
All Beaumont and Fletchers Plays
k ) Plot, Lysander and Califla.
Printet together in one Volume, Folio,
1) Part of it from Johnson's New Inn,
Ottavo, and the Plot from Exemplary
London, 1679. .

{:

from Tacitus's Annals, Book 14.

% f)g) Plot
Plot from Herodiani Hifloria.

('

Novels, Two Damfels.

(m) Strious Plot from Gerardo,p.350. 8.

Maids

A Catalogue of Plays

9
Maids Tragedy--T. Fol. Fancies-C.4
Noble Gentleman

C.Fol.

Nice Valour-

T.C. Fol. Loves Sacrifice

Lovers Melancholy-T.4
T.4

Night Walker--C. Fol. Ladies Tryal---T.4

Prophetess
T.C. Fol. (d) Perkin WarbeckH.4
Pilgrim
T.C.Fol. Pity [he's a Whore
T.4
Philafter
T. C. Fol. (e) Suns Darling-C. 4
een of Corinth

T.C.Fol.

Thoma Ford.

Rule
a Wife, and have a los
Wif
C. Fol.

(a) Spanish Curate

C. Fol.

Sea Voyage-

T. C. Fol.

Scornful Lady

C. Fol.

(f) Loves Labyrinth

T. C. 4

Abraham Fraunee.

(b)
Thierry and ' T.
. Fol &
2- -o Countess of Pembroke's Ivy
#";
4
Church, 2 Parts
Two Noble Kinfmen--T. C. Fol. |
T. Fol. & 4
(c) Valentinian
. Fol.
C. Fol.

Womans Priz

Women pleas'd

C.Fol.
Wit at several WeaponsC.Fol.
Wild-goose ChaseG.Fol.
Wife for a Month

Woman Hater

C. Fol.

Wit without Money

-C. Fol.

#P. 4

Richard Flecknoe.

(g) Damoyfelles a-la-mode- C.8

Erminia
T. C. 8
(h ); Loves Kingdom
T.G.8
'' Loves Dominion
P. 8
Marriage of Oceanus and R

#M.

Britannia
-

vitian fulwell.

Nathaniel Field.

Amends for Ladies--C. 4.

Womans a Weather-cock--C. 4.

j. Fountain.

john Ford. v. Decker.

Broken Heart

LikeDevil
willtotothe
likeCollierquoth the:} C.A.
.4

T.4 Reward of Virtue

a ) From Gerardo's Leandro. p. 214.8.

b) Plot from the French Chronicles, in

the Reign of Clotaire the Second. Imper
fift in the Folio Edition, but right in

. . . . .

C. 4"

d) Ford
Plot from
Hitory,
4...
#3
and Gainsford's
Decker.
#tory, *

.."

f) Printed with his Works, 0 tavo. Lon

don, 1661.

the Quarto.

(c) Plot, Procopis Csarientis Historia;|( g) Borrowtd from Molliere's Preceeuses

.

Redicules. 0#ava, . . .
Alterta by the Lord Rochefter. Printtd
(h) Theft two almost the fame.
Raarto, 1686.
-

Sir

A Catalogue of Plays.

IO

-Sir Ralph Freeman.

- -

- Robert Green.

| Flyermen

T. 4. |(*) Looking-glass for London-H4.

Geng Gerber.

$ Raging Turk. $1.

T.4

Larim Falkland.
-

* 3(f) orctics.

Impriate=

Marriage Night

(e) courageous Turk.

"

..."

|Filt Favourited gradaT.G.8.

Sir Richard Fan/haw. '

t George Gafcoign.

( a D Pastor Fido-P. 8
-

- -

dClass of GovernmentT. C. 4.

...] "..

Sir Francis Fane, Jun. ",

k) 'oeafia--T. 4

(!). Supposes--C. 4*.

4.

(b) Love in the Dark--T. C.

Sacrifice-

": s Kenelworth-Ca-

"M."

T.4

. . . ..,

: ... . . Henry Glapthorn.

Francis Gouldfinith.

3.1(n) JosephT. c. 8.

* 3." T-- ... "

(-) *Er

Albertus Wallentine--T.4
(c) Argalus and Parthenia-P.4
Robert Gomerfall.
Hollander
C. 4
c.
Ladies Priviledge ---C.4 (n ) Sforza Duke of Millain-T. 8
-

Wit in a Conflable
* **

C.4

Twer

Alexander Green.

Politician Cheated----C.4

'-

Careless Shepherdess.
(d) Selimus

" * *@

~---

* -

P. 4

---T. 4

e) Plot from the fame.

(a) Translated from Guarini's Italian, and

Printed with his Poems, London, 80.

(b) Plot from the Invisible Mitres, in

Scarron's Novels, 80.

f) From Euripides.
3) Plot from the Turkish Hitory.
Printed in one Volume....

i)ture."
Plot, story of Jons in the Holy Seri.
-

# From Euripides.

(c) Plot from Sir Philip Sidney's Arca

dia, Folio.

fd) Plot from the Turkish Hillory.

h) 'ot from the Englih chronicle.

1) From Ariosto.

mLatin.
From Hugo
Grotius's Sophompaness,
.. .
(n) Printed with his Potms, Lond.1633

john

A Catalogue of

Plays.

II

(d) Fair Maid of the West,

Two Parts.

john Hywood.

C.4.
4.

Four London-Prentices---H. 4
Pour P.P.---

I.4. Fair Maid of the ExchangeC. 4

Play of Love
Play of the weather--

I.4
-I.

(e) Fortune by Land and

H.4

Sea.

Play between John the Huf-l I.4 (f) Lancashire WitchesC.4

band, and Tib his Wife. ,
(g) Loves Mitress
M.4
Maidenhead well loft
C. 4
Play between the Pardoner,
Fryar,Gurate,and
I. 4 (h) Rape of Lucrece.--T.4
bour Pratt.
Robert Earl of Hunt & tingdon's Downfall.
4
Play of Gentileness and

#3
-

*}.

lity, 2 Parts.

His Death

Woman kill'd with Kindness-C.4

Wife Woman of Hogsden--C.4

* jaffer Heywood.
Hercules Furiens

Thyestes

=3

"

Troas-

William Habington.
T.4

Queen of Arragon

Tho. Heywood, vide Ford.

Charles Hol.

f :\

Brazen Age

Folio.

(i ) Terrences Comedies--C. 8"

#4
ra. Hauffed.
-C.4 #

Golden Age--Age-

#:

-T.4

(a) Iron Age, 2 PartsH.4

Challenge for BeautyC.4
(b) Dutchefs of SuffolkH.4
English Traveller
-C.4

Rival FriendsC.4:

Paris-H. 4
(c)Elizabeth's Troubles.2Pts-H4'

Marriage of

Barton Holiday.

Edward the Fourth, 2

the Arts-

C. 4

* Plot from Guiciardine's Hitory of Italy,

Folio, and from Poetical Hitory.

f : .
d) Plot, English Lovers, 8.
e) By him and Rowley.
Plot from Poetical Hillory.
a) Plot from Virgil's AEneids, Second f) By him and Brome.
g) Plot from Apuleius's Golden Aff, 4".
Book, and Homer's Iliads.
h) Plot from Titus Livius.
# Theft are ufually Bound together. .
Plot, Stow and Speed's Chronicle,
(b) Plot from English Chronicle, and
(i) Caffrated Latin, English.
Clark's Martyrology. ,
-

(c) Plot from English Chronicle.

G 2

William

A Catalogue of Plays.

I2

William Hemings.

(t ) Benj. johnfon.

(a ) Fatal Contrat

T.4

- |
(b) Jews TragedyT.4 Alchymist
Bartholemew-Fair. W."

Christmass Masque
Cloridia-

Richard Head.
Hic & ubique

C.

Cynthias Revels

M. Fol.

C. Fol.
--M. Fol.

Challenge at Tilt

* Sir Robert Howard.

C. Fol.

(e) Cataline's Conspiracy-T. Fol.

Devils an Afs.

Indian Queen--Committee

T.
---C.

C. Fol.

Every Man in his Humour

Fol. Every Man out of

#ct.

SurprisalVestal Virgins-(c) Blind Lady

T. C. (** *
T.C.
C. 8

Duke of Lerma

--T.4

InOur.

!):

#E.
Entertainments
the Q.' E. Fol
and Prince, atof:

(f) Entertainment
at K.
Coronation.

Fol.

*O1,

James Howard.

All Mistaken, or the

Mad Couple.

Entertainments of the King

--C. 4
4

English Monfieur -C. 4

of England.and
the Theo.
King F. Fol.
of
Denmark, at
baldr,

Edward Howard.

Entertainment of the

Man of Newmarket--C. 4
Six Days Adventure-C. 4]
llfurperT.4
Womans Conquest
T. C. 4
-

James Howel.
(d) Peleus and Thetis.

Entertainment of K.james, {F. Fol

and Q. Ann, at Theobalds. ,
-

King and Queen, on

May-Day,at Sir Wil.)>E. Fol.
Cornwallis's House, at
High-gate.
Fortunate IslesM Fol.
-C.Fol.

Fox

M.4 Golden Age restoredM. Fol.

Honour of Wales

M. Fol.

{ # # Chronicles.
s' #7

from Josephus's Hitory of

ews, ofBook
f the (f) All Ben. Johnson's except the four
145t, are Printed with other Poems in t?0
The four first of Sir Robert Howard', Volumes,
Folio, London, .1640.
Plays, art afually Bound together.
( J Plot from Saluff's Hiory.
Printed with his Poems in 80.

#}

.d.) Translated from the French.

(f) From feveral Anthours quoted in the

4Margin throughout,

* Hymenes.

A Catalogue of Plays.

I3

M. Fol. (d) Sad Shepherd-

* Hymenes

-T.Fol.
T.Fol.

-M. Fol. (e) Sejanus

Irish Masque

King's
Entertainment at
Welbeck

Tale of a TubTime Vindicated

M. Fo}.

C. Fol.

M. Fol. .

Loves Triumph
--M. Fol. Vition of DelightLove's WelcomeM. Fol. Cafe is altered

M. Fol.

C.4

C.4
M. Fol. New-Inn-----C. Fol. (f) Eastward HoeC. 4
M. Fol. (g) Widow -C.4

Love Restored-

Magnetick Lady-

Masque of Auguurs
Masque at the Lord Hayes's

M.Fol

john Jones.
Masque
at
the
Lord
Had-'
dington's Marriage.
5 M.Fol. Adrafta
C. 49
Masque of Owls
-M. Fol.
* Masque of Queens
M. Fol.
Tho. Ingeland.
Mercury Vindicated
M. Fol.
I. 4
Metamorphofed Gipfies--M. Fol. Disobedient Child--House.

he Lord Had

( a ) Mortimer's Fall-

T. Fol.

News from the NewWorld

".

{M.Fol

in the Moon. .

The jordain.

M.4
Neptune's TriumphM. Fol. Fancies Festivals-Mony's
an
Afs.
C. 4
* Oberon the Fairy-Queen-M. Fol.
Pleasure reconciled to Virtue-M.Fol. Walks of Islington and Hogf-l C.4
den
- 4 4.
Pan's AnniversaryM.Fol.
-- -

- C. Fol.

(b) Poetaster
* Ohrasn.

- )

$: * * *

. . . William joyner.

M.Fol.
T.4

*Her Masque of BeautyM.Fol. (b) Roman Empress

Speeches at Pr. H. Barriers-M.Fol.
-Staple of News
-C.Fol.
(c) Silent Woman

C.Fol.
d) This Play left Imperfeit.
e). Plot, Tacitus, Suetonius, Seneca,2%. ,

* All marked with this * are in the first

Volunt, and Quotations art Citt by the
Authour in the Margin throughout:

Thirt is an Edition of this Play, 4, Print

td Lond. 1605, by the Authour's own Gr
ders, with all the Quotations from whence

he borrowed any thing of his Play. .

(a) An Imperfit Piece just begun.

(f) foyn'd in this with Chapman.

fb) From Ovid's Elegits; and from Hor (g) Foynd in this with Fletcher and Mid--race'sPart.
Satyrs, Book the Ninth, Satyr the : deton.
ifi
-

"t

(h) Plot, Zosimi Hioriz,

(c) Borrowed part of it from Ovid de Ar

Kte:Amandi, and Juvenal's Sixth Satyr.
Tho, .

A Catalogue of Plays.

I4.

-* Tho. Killegrew.

Tho, jevorn.
Bellamira
2 Parts. her
'Devil of a Wife

Dream,

Fol.

-F. 4
Claracilla

T.C. Fol.

Cicilia and Clorinda, 2 T.C. Fol.

Tho. Kyd.

Parts.

T.4 Parsons Wedding ---C. Fol.

(a ). Cornelia -

T.C. Fol.

Prisoners-

Princess

Tho. Kirk

Pilgrim--

(b)
Seven Champions of
Christendom.

Thomaso, or the
H. 4
er, 2 Parts.

T.C. Fol.
-T.Fol.
Fol.

w"'s

\ john Lilly.
Ralph Knevet.
(d)Alexander and Campaspe-G.8
P. 4 (e) EndinionC.8
-

Rhodon & Iris

Galatha-a--

-C.80

(f) Mydas--C.8

"Sir William Killegrew.

Mother Bomby.
Ormafdes -

T.C. Fol.

-C. 8

(g) Sapho and Phaon

.C. 8

Pandora --T.C. Fol. Loves MetamorphosisC. 4

Selindra
T. C. Fol. Maids MetamorphosisC.4

Siege of Llrbin

T.C. Fol.

Woman in the Moon-C.4

* Sir William Lawr.

Henry Killegrew.
C

(c)

Amorous Phantasm; Pallantus

onfpiracy
T.4
and Eudora-T.Fol.

P. J.2

# Theft all Printed in one Volume, Folio,

London, 1664.

| The first Six Printid together in Ottave

''arnier.
Tian/lated from the French of Robert London, 1632.'
(d) Plot, Pliny's Natural History, Lib.
35. Cap Io.
(b)
Plot, Hitory off the Seven Champio
ions
Of &#.
(e) Plai, Lucian's Dialogue between Ve
(

* All Printed in one Volume Folio, oxon.

1666.

(c) Title tas in a mannt, the famt.

nus and the Moon.

..

(f) Plot, Ovid's Metamorph. Lib. 11.

{g

Plot, Ovidii Epistola.

* thret first of Sir Wil. Lower's Plays,

Printed together in 12 London, 1661.

Enchanted

A Catalogue of Plays.

I5.

Enchanted Lovers--P. 12 (m) Nero-----

(a) Noble IngratitudeT.C. 12 (n ) Rival Queens

(b) Horatius(c) Martyr---

T.4 (o) Sophonisba-

T.4 (p) Theodosius

J. Leanard.

Tho. Lupon.

All for Mony .

*> .

>
-

.T.4 ( q) Country Innocence-C.4

- *

(r) Rambling Justice----C.4

. . . . ..

>

:T. 4
T.4
T.4
T.4

-Tho. Lodge.

&

(4) Marius and Scylla-T.4"|

Tho, Middleton, v. Fletcher.

(e) Looking-glass for London-H.4... Any thing for a quiet Life-G. 4

Blurt M. ConfiableC. 4
Chaft Maid in CheapsideC.4
of Love
----C.4
(f) Dumb Lady---C.4 Family
Garne at Chefs
C.4
Old TroopC.4
Inner-Temple MasqueM.4.
Sir Hercules Buffoon---C.4
a
Mad World my MastersC. 4
* if:
*
"+,

2- -john Lacey.

. . Nat Lee, v. Dryden.

Michaelmas-Term---C.4

T. 4

(g) Caesar Borgia

Phoenix

Roaring Girl--C.4
Trick to catch the old oneC. 4

##

Gloriana

Triumphs of Love and An-'t M.

k) Lucius Junius Brutus(l) Mithridates

##

--

tiquity.

( m). Plot from Suetonius, in Vitam Ne-ronis.

#3 Plot, Quintus Curtius,

(o) Plot, Sir walter Rawleigh's Histo:

ta\

c) From Corneille's Polyeute."

(d) Plot from Plutarch in Vitas C. Marii

49

y 4.

" -

From the French.

From Corneille.

C.4

(b) Constantine the Great

{:

|(f) Mayor of QuinboroughC.4

ry of the World, Book 5th, Chap. 3d."

Sei. 18th.

& Syllae.
e ) By him and Green. . .
f) Plot and Language from Molliere's
Le Medicine Malyreluy.

(p) Plot from Pharamond,Book 3d Part

3d. Page 282, and Eusebii Histor. Ec
clefiaftica.

(g) Plot from Matchiavel.

(q) Taken from a Play called The Coun->
Plot, Eusebius de vit Constantini. try Girl. C. 4.
Plot from Cleopatra.
(r) Part from More Diffemblers besides
Women. C. 4.
k) Plot, Clelia, and Livy's Hitory.
li). Plot, Historical Ditionary, Appian, (f) Plot from Ranulph, Cesirensis Poly--

Alexand. Romana, Historiae,

chronicon.

World:

A Catalogue of Plays.

I6

world tofs'd at Tennis

Your Five Gallants
More
fidesDiffemblers
Women-

M. 4 Ulnnatural Combat-T. 4

C.4 (f) Virgin Martyr

C. 80
(Bashful Lady
h < (g) Guardian
(Very Woman
| Women beware Women-T.8

T.4

*}

-C.82

C.8
--T,8"

Ne'e aWomansC.8
*

(a) Changeling

join Marton.

T.4

(b) Fair Quarrel-T. C. 4 Antonio & Mellida, 2 PartsT. 8

Old Law
C.4 (i) Dutch CourtezanC.8
((c) Spanish Gipfies--C.4 Fawn-C.8
(k) Sophonisba
T.8
What you willC. 8
Philip Maffenger.
-

(1) Infatiate CountessT.4

C
C.
City Madam
T.
Duke of Millain
(d) Emperour of the East-T. C.
Fatal Dowry-T.

'Bondman--

-T.G.4
-

Shakerly Marmion.

Great Duke of Florence-C 4

C. 4.

Maid of Honour-

Male-Content

Antiquarary
C. 4**
Fine Companion
G.4
Holland's LeaguerC. 4

New way to Pay old DebtsG.4

(e) Picture-

Chriftopher Mr.

# 4

Roman Ator-

2. '

.. 4

Renegado-

-C. :

(m) Dr. FaustusT.4

t

1 Plot from Hippolito and Isabella, a No

wel, 8.

f) Plot, Eusebii Hist. Lib. 8. Cap. 17.

+ Theft three in one Volume, 8, Lon.1657. g2 Plot from the Cimmerian Matron, 8...,
(a) Plot from God's Revenge against Mur

ther, in Alsemero and Beatrice Joanna,

Folio.

(b) Plot from Complaifant Companion,

8, Page 28o.

* All txcept the two last are in ont Volume,

8. Lond. 1633.
-

(i) Plot from Palace of Pleasure, the last

(c.). Plot, Cervantes's Exemplary No.

vels, Folio.

h)
Theft thret are Printed in one Voim,
8. Lond. 1655.

Force of Blood.

Novel.

..

(k) Plot .# Sir Walter Raleigh's Hi-

* Theft four were Writ by Middleton and /tory, and Livy's Hitory.
Rowley.
(1) Plot from Montius's Hitory of Naples,
-

d) Plot, Eusebii Hist,

in The Life of Joan Queen of Naples.

e) Plot from Fortunate, Deceiv'd, and (m) Plot, Camerarii Opera Subsc. Cent.

Unfortunate Lovers, 8 ; Novel the 4th

1. Cap. 7o.

of the Deceived Lovers.

(a) Dido

* *

A Catalogue of Plays.
(a) Dido Q. of Carthage--T.4
(b) Edward the 2"
T. 4"

Jew of Malta-

17

Gervafe Markham.

T.C. 4

Lufts Dominion

T. 8

(b). Herod and Antipater--T.4

c c) Mafficree at Paris-T.8

j. Milton.

(d)
the Great, 'T3.
twoTamberlain
Parts

Sampson Agoncites

T. 9

Thomas May.

john Mafin.
t

$ ( ? Agrippina-

-T.8

(f) Cleopatra--T.8

Males: the Turk

(g) Antigone-T. 8
Heyre
T.C. 8

T.4

Walter Montague. .

Old Couple----T.4
Shepherds *
Z

Th.

P. 8

Meriton.
Robert Mead.

T.4
T.
wandring Lover C.4
Love and War-

c:
of Love and Friend. $ce
1p
3.
Lewis Machin.
* Main.
IDumb Knight--C. 4
t Amor" War-----C. 4 & 8
City Match

Cofino Manach.

just GeneralLoyal Lovers-

--C.4& 8

Mathew Medbourn.

T.4
T. C.4

(i) Tartuff-a-C.4
L. Maidwel.

(a) Writ by him and Nash, Plot, Virgil's

AEneids, Book.4.
b) Plot, English Chronicles.

Loving Enemies

C.4

c) Plot, French Chronicles. ... .

Yj Pist, Jean du Bee L. Histoir de

>

famcrlane;89,and his Life in English,8.

(h) Writ by him and Sampson. Platffon
e) Plot, Taciti Annales, Lib. 12.
History, together,
Book 17. and may ht
f$ plot. Plutarchus in vitam.M. Antonii. + Josephus's
Theft two Printed

fbeft two Printed together, 8, London,

1639.

(g) Plot from Sophocles.

had either in 4 or 8.

(i) Translated from Molliere.

Thom is

D
*

18

A Catalogue of Plays.
|

Thomas Nabbr.

C. 4
-C.4. Poor Schollar

Bride

Covent-Garden

Entertainment on the Princes

Microcosmus

C. 4
J

#*
(a ) Hannibal and Scipic-T.4
'Tis.

Duke of Newcaffle.
M. : Humerous Lowers- -C. 4

*-

-M. 4 Triumphant Widow-C. 4

Springs Glory

Tottenham Court
--C.4
Ulmf
te MotherT. 4|
-

Rim Nai.

T50. N.Na/h,

f Dutchef of Newcaffle.

|Apocryphal
Ladies
C. Fol.
Fol.
|Bellin Campo,
2 Parts-G.

v, Marloe. .

Female Academy C. Fol.

* Loves Adventures, 2 Parts-C. Fol.
Lady Contemplation,2Parts-C. Fol.

Summers last Will and Tesla. X. C.4

ment

-.

The Norton, and Sackvile.

|Matrimonial irouble,2Parts.C. Fol.
|Natures 3 Daughters, 2 Pts.-C. Fol.
(b) Ferex & Porex, or 'T.4 |Publick Woing-C. Fol.
-

Gerboduc

$1.4 Religions--

-C. Fol.
C. Fol.
Thomas Nuce.
|Llnnatural TragedyT. Fol.
. . . Youth's
Wits Cabal,
2 PartsFol.
(c) oavis
-T.4
Glory,and
Death's G.
C
Several Wits

-*

- - -

Tho. Newton.

(d) Thebais

Banquet
Blazing World

C. Fol.

T.4 Bridals-C. Fol.

Covent of PleasureAlex.

3C Fol.

Presence-

Nail.

C. Fol.
C. Fol.

Sociable Companions.C. Fol.

(e) Oedipus

T. 4
|

(a) Plot from Corn. Nepos in vitam An f The first Fourteen of her Plays, are Print
nibalis.
b) Plot from Old Brittish Chronicles,

ed together in one Volume, Folia. The o

therThree art in another Volume, with 0

c) Translated from Seneca's Tragidits.

ther Sctnes, Printed London 1668.

(d) Tranflattd from the fame,

(e) Tran|lattd from the fams.

Earl

A Catalogue of Plays.
Earl of orry.

H9

Henry Porter.

H. Fol. Two angry Women of A( a ) Black Prince-Tryphon

T. Fol.
bingdon
(b) Mustapha--T. Fol.
Tho. Porter.
(c) Henry the Fifth--H. Fol.

c.
of the Soldiers Fortune-3"*

Athiest , or the

(d) Alcibiades
| Cheats of Scapin(e) Caius Marius
(f) Don-Carlos
Friendship in Fashion(g) Orphan

C .4.

Carnival
Willain

Tho. Otway.

C. 4
.. 4

-T. 4.

Lady Pembrock

T.4
F.4 Antonius
T.4

T.4
Tho. Preffan.

C.4

T.4 Cambyses King of PersiaT. C. 4"

G.4

Soldiers Fortune

(h) Titus and Berenice

-T.4
Venice preservd-T.4
George Peele.
( i) David and Bethshabe--T.C.4

Edward Preffnick
He&ors.

C. 4"

(l) Hippolitus

T.8

Mrs. Katherine

Phillips.

(k) Edward the First--H.4 (m) Horrace

-T. Fol.

(n) Pompey

T. Fol.

(a) Plot, English Chronicle in K. Edward.

the Third.

Samuel Pordage.

b) Plot, Turkish Chronicles:

c) Plot, English Chronicles.

(o) Herod and Meriamne--T.4

d) Plot from Plutarch, and Corn. Nepos

(p) Siege of BabylonT.4

! both in the Life of Alcibiades.

| Plot from Rave

ft's Scaramouch,

(e) Stollin part from Shakespear's Romeo

& Juliet, Plot fom Plutarch, in his Life (1) Plot Justin. Hist. Lib. 1. Cap. 9.
of C. Marius, and Lucan's Pharsalia, (m) Plot from Livy, Translated from
B006 2.d.
Corneille,
f) Plot from the Novel fo called, 12. (n) Plot from Lucan's Pharsalia, Tranji:
#3 Plot, English Adventures, a Novel,8. ted from Corneille.
From Manfieur Racine.
(o) Plot from Joseph. Hist, and Cleopa.
-

i) Plotfrom Holy Scripture.

{k) From English Chronicles.

tra 4 Romance, in the Story of Tyridates.

(p). Plot from Caffandra, a Romanct, Fol.
C 2

-Reaps

A Catalogue of Plays.

2O

Nah Rihad.
Love in its

Extific -P. 4

( e.)

Mania-T. 8."
Th. Rawlins.

John Pal/grave.
Acolastus

-----G, 4

RebellionT.4.

Tha, Randolph.

Francis Quarler.
Virgin Widow-

-C.4

Aristippus--T. 89
Aminta-

-T. C. 8
T. C. 39

Jealous Lover
William Rowley, v.
Webffer, Middleton,

Mufes Looking-glassP. 8
(f) Hey for Honesty,down
with Knavery
2
4.

Day, and Shake/pear.

#C.

(2) Ars off by Luff-r: 4

Match at Midnight

T.4

William Ridr.

(b) Shoemakers a Gentleman-C. 4. | Twins-

C. 4

Wonder aWoman never vex'd-C.4

Spanish Gipfies

C.4

Edward Revett.

W.
-

Samuel Rowley.

Town Shifts--C.4

(e) When you fee me you C.4

know me- ?"

Edward Ravenfrf.

joftph Rutter.

# ) Citizen turnd G.'c. 4

(d) Cid, 2 Parts

( )

Careles Lovers ---C. 4

man

-T. C. 8

Shepherds Holyday
(e) Plot, Suetonius in Claudio and Ta
citus, Lib. 11.

# Theft Four Printed with his Poems, 89.

: Lipfii Monita, Lib. 1. Cap. s.
f) Tran|lated from Aristophanes's Plutus.
Plot, History of the Gentle Craft.
g) Borrowed part from De Molliere's
c) Plot from English Chron, Hen, 8th.
Monsieur de Pourceaugnac, 8.

(h) Translated from Molliere's Le Bour-

fd) rangattaffon corneille.

geois Gentlehome, & Mons de Pource.

augnac.

(a) Dame

A Catalogue of Plays.

2I

C. 4 (m) Cromwells History-H.Fol.

(*) Dame
(b)
EnglishDobson
LawyerC. 49 ( m) Cymbeling
T.Fol.
(c) King Edgar and Alfreda-T.4"| Gentleman of Verona--C.Fol.
(d) London Cuckolds
|#Henry the 4', 2 Parts-#Fol.
(e) Scaramouch, &c.
F.49 |+ Henry the 5*---H.fol.
(f) Wrangling Lovers-C. 4 + Henry the 6' 3 PartsH.Fol.
Tho Rymer.

' 'H'.
Hamlet Prince ofDenmark--T.Fol.

".

. . . t John K. of England, 2 Pts.-H.Fol.

(g) Edgar-T4 #...}}'-'.

T. Fol.
Lears Tragedy--

+ Locrine's TragedyC. Fol.

* William Shakefhear.

London Prodigal

-C. Fol.
-

C. Fol.

(b)
Arawalhatandswe':
(i) Anthony andCleopatra-T-Fol. Merry wives of Windsor-G. Fol.
f

C.Fol. Measure for MeasureC. Fol.

As you like it-- C. Fol. Merchant of Venice-

T. C. Fol.
T. Fol.

(k) Comedy of Errours

(p). Mackbeth
(l) Coriolanus-T-Fol.

Midsummers Nights-Dream-C.Fol.
Much ado about nothing-C. Fol.

T ro

( 4 J Old-Castle, Lord Cb-

a) Translated from la Divineresle.

TFol.

by ranhatta from the Latin ignoramus.

{c} plot from English Chronicles. . .
(r.) Othello Moor of Venice-T.Fol.
d)
Plot:##,
part The
from Scarron's
Nevils, 8", pericles Prince ef Tyre-H.Fol.
Novil
Fruitles Precaution,
a part from Les-Contes Du-Sieur D'Ouvil Puritan Widow--C.Fol.
--H.Fol.
e, 8, 2de. Pte. Page 121: And part + Richard the Second

Novels,
3%m
andBoccac's
7 of the 7th
Bay."Day 7th,f Novel |+ Richard the Third -H,Fol.

(e) Part from Molliere's le Bourgeois (f) Romeo & Juliett--T-Fol.

Gentlehomme,& la

Mariage Forcee, 8. |

(f) Plot from Deceptio visus: or, Seeing

and Believing are two Things, a Ro

m). Plot from English chronicle. . . . .

mance in 8.

(8)

n) Plot from Boccace's Nevils, 2d. Day,

English Chrinilis.
All except the last, are Printtd in one
Plot,

Volunt, Fol. Lond, 1685. .

#a

9 mark'd had their Plots ffrom Eri

. . . . t glish Chronicles.

h). Plot from Boccace''', 34. Day,

9th Novel. Juliet of Narbona.
1) plot from Plutarch,in Vitam Antonii.
k') Ther"d from Plautus's Ampitruo,
and Maenectrini.

. ..

o) Plot, Livy's Hitory.

p) plot from Scotch chroniclis, and

Heylin's Cofnography. ... .

#f) plot from Cynthio's Novels.

(1) Plot, Plutarch: in vitam Coriolan :

and from Livy's History. .
..

q) Plot from English chronicle...

: Plot from Cynthio's Novels. , ,

.. . ..

---

- - -

Taming

A Catalogue of Plays.

22

Taming of the Shrew-C. Fol. Example-Tempest

--C. Fol. (e) Gamester
Titus Andronicus

T. Fol.

-T.4
--C.4

(f) Gentleman of Venice-T.C. 49

(a) Timon of AthensT. Fol. Grateful Servant-C.4

T. Fol. Hyde-ParkTroylus and Cresfida
C.4
Twelfth Night
-C. Fol. Humerous Courtier-C. 4"
(b) Winter's TaleC. Fol Loves Cruelty
T.4
-

York[hire Tragedy

T.

Fol. Lady of Pleasure-

Birth of Merlin-P.4 (g) Maids RevengeOpportunityPolitician--

J. Studley, v. Jaffar Heywood.

Patrick for Ireland

|
"

Agamemnon
- r. 4
HippolitusT. 4
Hercules Oetus--T.4
(Medea
T.4

C.4
T.4
-G.4

C.4.
H.4.
-C.4

Royal MasterSchool of Complements

C.4
Traytor-T.4.

Triumph of Peace-M.4
Wedding

--.C. 4
Witty Fair One
C.4
Young AdmiralG.4
Honoria and Mammon-C. 8

James Shirley.

(c) Arcadia-P.4 | J(h) Contention of Ajax.)

Bird in a Cage-C.
49
and Ullyffes, for A-$ M.8
'Ball
--C.4 || ||
chilles's Armour-Changes, or Love in a Maze--C.4
f"Brothers
C. 89
(d) Chabott, Admiral of

} T.4
Constant Maid, or Love "#c 4
France

find out the way

Riches

M. 4

"#" 4

| | Court Secret

UTriumph of BeautyM. 8

".

Duke's Mistress.

C. 89

Doubtful Heir---(i): Imposture

Cardinal-->T. C. 8

Cupid and Death-

Contention for Honour

Sisters

T. C. 4

#3 Plot
from The unlucky Citizen, 8.
Plot, Part from Gayton's Notts on

Don Quixot, Book 4th, chap. 6th.

(3) Plot from Lucian's Dialogue.
(g) Plot from Reynolds' God's Revenge
{b). Plot from Dorarius and Fawnia, 49. #" Murther, Folio, Book ad. Aji.

7th.
| All Tranflattd from Seneca', Tragedits.
{c.)
Plot
from
Sir
Philip Sidney's Arca (h) Plot from Ovid's Metamorphosis,
dia, Folio,
-

{d) Plot from the French chronicle.

Book 13th.

|Theft Printed together in Ottavo, Lon. 1658.

(i) # are Printed together in 8,Lond.
1581.

Henry

A Catalogue of Plays.
Henry Shirly.

23.

William Smyth.

T.4|Hector of Germany

Martyr'd Soldier
Edward Sherbourn.

William Strode.

|-

TMedea.-

H.4.

C. 4'

T. 8"|Floating Hiland

* Troades

T. 8|

Gilbert Swinhoe.

-Sheppard.

---

(c) Fair Irene-T.4

C.I . . . . . . . . . . ."
* Sir John Suckling.

Committee-man Curryed
-

George Sandyr.

| Aglaura-T. C. 8

T. 8"|Bremoralt-T. 83

(a) Chris's Pasion-

.# *

j, Swallow.

Goblins-

Cynthia's RevengeT. 4
Edward Sharpham.

Lewis Sharp.

Noble Stranger.

c.4:

Fleir -

T. 8
-T. 8

Sad one--

C. 4

john Smyth. . .
- -

- - ---

"

William Sampfon, v. Markham. |Cytherea--- C. 4.

-T. 4'

Wow Breaker
* .

- -

sir Robert Stapleton. . . . .

~ :

...

"

****,

".

... . . . . Thu. Stanley. . . . . . . . (d } Hero and Leander.--T.4

-

* -., - .

Slighted Maid

(b) Clouds

C. 4,

Fol.
- : *

. . .from. . Seneca's
. . . . Traetdy.
..
(c)
Plot fonLife
Bandello's
Novel, Turkih
j Tian lated
( #
:
#
* 22%an lated from Hugo Grotius.
|* All Printed with his Poems, 8 Lond.
by Fanta d from Ariftophanes, Print- . 1648.
t
#######iflory of Philosophy, nor- ( d) From Ovid's Epiftlts, and Muses E
b Publish. Folio.
rotopegnion Gr. Lat.
Tho-". .
-

A Catalogue of Plays.

24.

|(k) Female Prelate

Th9. St. Serf:
Tarugoes Wiles

T.4

-T.4
(l) lbrahim
T.4
C.4 (m) Love and RevengeT.C. 4
(n) Pastor Fido-----P. 4'
Heir of Morocco

Tho. Shadwel.

."

Sir Charles Sidley.

-C. 4|(0) Anthony
and Cleopatra--T.4
-

Epsom Well

+----C. 4

C. 4 ( p ) Bellamira(a ) Libertine
.C. 4| Mulberry-Garden
(b) Miser----C.4

G. 4

Lancashire Witches-

( c. )

'...T.f3. 4.

(d) Royal Shepherdess

- - - Tho. Shipman.

4.

(e) s'
(f) Timon of Athens

C. 4 (q) Henry the 3d.of France-T.4

T.4

True Widow ---C.4

Virtuoso

-C.4
*. .

Charler Saunders. .

C.4.

Woman Captain-----C.4" (r) Tamerlane the Great-T.4

Tho. Southern.

Elkanah Settle.

. Cambyses
(es K. of PersiaT.
4" | (f)
Difappointment
(g)
Perf
Loyal Brother

-C. 4
T. C.

(h) Conquest of China

Empress of Morocco

(i) Fatal Love

-T.4
--T.4

4'

* * *> . . .
-

(c) Plot, Apuleii Aureus Afrinus.

(k) Plot from Platina, &c. Life and

feath of Pope Joan, 88.
1), Plot from The Illustrious Baffa, Fol.
m.) From Fatal Contra&, 4.
n)
From Fanshaw's Tranflation of Gua
fini.

( d.) From Reward of virtue, 4.

(o) Plot, Plutarch's Life of M. Antho

(a ) Plot from Molliere's L'Athee Fou

droye.

(b. ) Plot from Molliere's L'Avaree.

e J Plot from Molliere's Les Facheaux.
f Part from Shakspear.

}
(#n
owns from Terences
* **
The Ground
g Plot, Justin's Hist. Lib. 1. Cap. 9. - P.)
chus.
Amianus
Lib. 23. Book
(h),
Plot, Marcellinus,
Heylin's Cofnography,

#3
r

3d, and Conquest of China, By Senior (

Palafax, Englished, 8.

(i) Plot, Achilles Tatius's Clitophon and

f Yom

icles.
the French Chronicles

Plot, Afteria and Tamerlain, a No

vel, 8,

(f) Plot, Tachmas K. of Perfia, a No

7tl, 8.

Leucippe, 8 Book 5th.

Cyril

A Catalogue of Plays.

P:
#

(f) Duke and :

4
Common-wealth- T.C.4

(g ) Ingratitude o

cyril Turneur.

25

(b) Island Princes

Asia.
Tagar14:
Loyal Brother
T. C.4

T.C. 4

Loyal General

T. 4

( ; ) Lear and his 3Daughters--T.4

(k) Richard the Second-H.4

. . .

john Tateham.

Scotts Vagaries

.4

Distracted State(a) Rump

S. Tuke.

C. 4"

Adventures of 5 Hours---C 4

C. 4

(b) Love Crowns the end-C. 8

Richard Tak.

... Nich. Trott.

C. 4

Divine Comedian

Arthur-T.

john Tutchin.

* Robert Taylor.

(1) unfortunate shepherdP. 8

john Webffer, v. Decker.

Hoghasloft his Pearl

The Thompfn.
-

Ens'

(m) Appius and Virginia-T 4"

n 5 Devil's LawCafe-T.C. 4'
Rogue--C.4 (Sutchess
of Malfey -T.4

(c)
. . andMother
Death Shipton's Life
-

} C. 4
4.

White Devil-T.4
H.4
\ Thracian Wonder
for a Cuckold-C.4
-

Nat. Tate.

(d) Brutus of Alba

T.4

(e) Cuckolds Haven-C.4

t

f) From Trapolin fuppes'd a Prince, 8.

) part from Shakspear's Coriolanus.

#5 Reviv'd from Shakspear.

ij Reviv'd from Shakspear. --

a)
few with
English
b) put
Printed
his chronicle:
Pot", London, k') Reviv'd from Shakspear.
-

15 printed with his Patns, Lond. 1686.

1651.
m.) Plot, Livy's Hijiory.
(c) part of the Lang'4: from the City Y(n
} Part
of the plot in Schenchii Rario
" Madam; and plot from a Books? called run
Observationum. ..
4.
{:in}Proft,
Piot, Virgil's AEmeiads, Book 4th. | By webfier and Rowley.
-

From Eastward Hoe.

Len is

26

A Catalogue of Plays.
Robert Wilmot.
... ". .

*R*le (b) Tancred and Gilmedr. 4."

William Wayer.

Garg. Wilkins, v. Day.

The longer thou liv't the ": C. Missie of infred Marriage.T.C.4.

Fool thou are ..
-

john Wright...f
George Wapul.

Tyde tarryeth for no

-

*These
C.

Inan-

Nairoods.

Atra-P 8.
Edmund Waller,

-l...[(e ) Pompey-T. 4

Luffy juventus

Ran rift.

Leonard Willan.

P.|(4)

R. ra.

o #=#:

coniaorches

T. So

William Wycherly.
-

Country wife
-C.4
eablers Prophecie-c. * Sentleman
Dancing Maffer-C. 4
Love in a Wood

jobn Wilfin.

C.4
G.4

Plain Dealer

(a) Andronicus Comenius-T.4

Projectors-

-Whitakr.

-C.4

Cheat

C.4 Conspiracy

5. Woffon.

f AmonogenT.c. *

T.4.

Robert Tarrington.
Twe Tragedies in One-T-4

a) Plot from Heylin's Cofnography in the (b) Plot from Boccace', Novels, 1.fi. Ng
7tl, 4th Day.
of
# Plat fran Strabo, Lib. 11, Quintus (c) Both in one Volunt, 8, Lond. 1674,
(

Curtins, Lib. 6.

the former from Seneca.

#lot from a Romance/o falled,

-->

8: } From Corneille.

Suppofed

Adalgue of Ple.
Sipof d Au T Hou Rs. .

27.
.

-- - -

R-4. -- :... "

T. D. .

(a) Valiant WelchmanT.C. 4 Bloody Banquet-

T.4
e) Fool turnd Critick-C.4

H. B.

{f) Pfiche Debauch'd--F. 4

. .
-

S.H.

(b) Landagartha-C.4||
. ... --- H. H. B.

.#idly and N

. .. "

... B. j.

(e) PlutusG. 8"|

... --

... "

* P. B.

...

"

Guy ofWarwickT.

... |
-->

. . . j.c.

* .

: *::::}re

Merry MilkmaidsC.4"|
T.P.

R.c.

) witty Combat-T.C. 4,

{
(d) Ignoramus---G.4
A's KefArms"c.

) French Conjurer-G.4
Monfieur P. P.

j.D.

||

(i)

*-*-*-**

*****

3's

Hell's higher Court of JufficeI.4"||

Mall ----C.

4'
e) Aftrib'd to Tho. Durfey.
-

*
- -

f) Said to be Writ by Tho. Duffet.

Suppofed to be Mathew Medbourn.

(a) Plot fan British Chronicles.

| (g) Plot, part of it from Gusman's Fol in

b) Written by Henry Burnell.

Translated from

| (h) Plot from the German Prince', a No.

#"
uppoftd to be Peter Bel

c?

d) Translated from
Q:"
" the Latin Potn fof

the Story of Dorido and Cloridia.

.vel, 8:

(i) Put into Muffek, by *urgributt.

E 2

S.

28.

A Catalogue of Plays.
S. P.
*

... f. , , 7.3.

* * : * , , , *

(*) Troades.--T 8 e) Grim the Collier of 7- c. -

T. R. . .

Croyden

3c.

f'

(f) Troas----T.4

(b). Extravagant Shepherdi-P.8

'# *i-sac. W.' 'wis' ' ' )
* ,
*-

- - -

*...*

- , , ---->| | | | : ) : .

***

, - *
...C.
'

* *

. ...------- W. R.

2'' .

"

\.

(g) Electra-

T. 39

Three Lords and Ladies of Lond...C.

** Mrs. Matt flank: '.' Apollo Shroving--C. 8"

*

Gammer Gurton's Needle--C.4

** *-

- -

* -

--------E.-W. -----.'t. .

* * ,
A ---- ***-*... . . . . .

; : - .

. **

j. S.

Miguerade DuCel3

|Orgula, of the Fatal Errour--T.4

*** *

* *

* >

**Mir Mir fat."

(e) Phillis of Syros-P.8%
(d) Andromana---T.4 (b) Marriage Brokerc. 8:
M.

T. W.

**

S. S.'.
-

. . . .

(i )

| #.

Thornby-Abby-H. 8.
--"::"
.. .
* W. P. r:. . ,
-

(' Suppod

to be Writ by Samuel Por

Menechmus-

' '. -

.
":

C. 4

- ... dage, being Printtd with his Potims,

8 Lond, 1660.

b) Translated from Corneille.

- -- -

- -

c) Tran lated from the Italian of C. Gui

ubald di Bonarelli.

(d) Plot from Sir Philip Sidney's Arcadia,

in the Story of Plangus, p. 155.
(e) In a Book call'd The fernory of

f) Tranflattd from Seneca.

g) From Sophocles by Christoph, wafe.
h) In the Ternary of Plays, and Plot ,

from English chronicles, in the Reign of

Sebert,
of the weft-Saxons. . . .
Plays, 8 Lond, 1662. Plot from Mat- t i). In theKing
fami
Ternary of Plays, and,
chiavil's Marriage of Belphegor, a No
vel, Folio: The fame is Printta with
Quevedo's Novtls, 8.

| Tran|lattd from Plautus. ".

*

onkhown

A Cata ogue of Plays.

* -"

29

** * *

*.

Unknown Au T H ou Rs.
-

Coffly Whore
.

. .

-C.

(f) Contention between York

and Lancaster, 2 Parts

Abraham's Sacrifice--

(a) Alarm for London-H.4 Counterfeits-6. 4

Albion.

--I.

Albion's Triumph

(g) Counterfeit Bridegroom-C. 4: .

-M. 4 (h) Country Captain-C. 8."

Albumazar- C. 4. Cromwell's Conspiracy

(b) AmintaP. 4o Cruel Debtor

T. C.

Amorous GallantC.4 |Cupid's Whirligig-c. 4

- -T.
Amorous old Woman 4. Cyrus King of Perfia
*

... I

(e) Arden of FevershamT.4

Arraignment of Paris--P.

D. . . .

B.
. . . .

-, *

T.4:

#eftruction
) Debauchee-C.4
of Jerusalem

I.

DickScorner-

T.

* *

(d) Battle of Aksar

Band-Ruff and Cuff

*f

T.4 (k) Divine Masque-

Baffard.

. . . .

*- : * *

Doctor Dodipolc.4:
is:

|- c.

M.4

"

. "
*.

"...

Damon and Pythias-H.

Caesar's Reven
(e) Charles the First
Combat of Gaps

|
E."
( l ) Edward the Third-H.4

T. 4
M.

Commons Conditions--

(m) ElviraT. c.4:

C.

Confiant Nymph

P.4

----

(f) 'Plot from the second part of shak: spear's Henry 6th, Folio.

==

(a) Plot from the Tragical Hitory of the

city of Antwerp, 4.

b) Translated from Taffo, Italian. ..

Plot from Baker, and other English

(g)
From No wit like a womans,
Ey.. .
Middleton.
. . . ..

{}i.) Bound
with the Varieties, 89.
..
From Brome's. Mad Couple well &

{}}

Chronicles.

Matcht.

. ...

. . .. ..

(d) Plot from Heylin's Cofnography in the

Hitory of Spain. De Rebus Lusitan: (1) Plot fifth English Chronicles.
By Andr. Schottum, Folio.

(e) Plot from Englishchronicles,

. .

(2 Plot from Holy Scripture, Jeroboam, !

. . . .

(m) Aftrib'd to the Lord Digby. . . . .

- -

(a) Empress,

A Catalogue of Plays,
(a) Empress of MoroccoF.4 How to chuse a good Wife
(b) English Princess
T.4. ... from a bad one * '-'
Enough's as good as a Feast-C.I .
j.
Every Woman in her Humour-G.4
-

F.

c.

!ce

acob and Esauc.

ack Drums Entertainment C.4

ack luggler----

#. Life and Death-H.4")

H.'

(c) Faithful Shepherd---P. 4.

Fair EmC. 4| ames the Fourth-

Fair Maid of BristolH. 4 eronimo, 2 Parts

T. 4"

Factious Citizen-C. 4 mpatient Poverty

Fatal jealousie
-T.4
t
Imperial
Tragedy-T.
Fol.:
Fidele and Fortunatus---

#ofeph's Afflictions

of Youth-I:
(d)
Feign'd AirologerC. 8" Interlude
the Evangelist----.'
Pree-Will-

- *

C. 4

(e) Flora's Vagaries

(f) Fond Lady---

* -* *

1.4

owial Crew
Fulgius and Lucrelle--K.

|| King Edgar and

:"-G" "

" ' "

| King and Queen's Entertain-

* ,

gendle-craftc.4:
'Richmon:"
Ghoff-----C. 4 Knave in Grain --C. 4".
...

"

|Knack how to know an homeftMan

H.

': how to know a Knave.C.4.

the Fifth, with the # *

attle of Agencourt
4.

Knight of the Golden ShieldH."

navery in all Trades

(h) Hctors

.G.4"|

Histriornaftix
Hoffman-

C. 4

. .

.-

--

# ! #:# Il #

||iberality and Prodigality-C.

Lingua

------C.4
London CarticleersF. 4
ch of * Look
you-G.4
AM

- - --

Aftrib'd to Rhodes.
{ #3 The
fame with the Amorous old Wo
man, only a differint Title.
{ #3 Plot
from English Chronicles.
Aftrib'd to Edm. Prestwith.
-

. .

Lady Alimony-------C.4
T.4 Laws
of Nature
C.
- Levellers levelrd
I.

{b\ Aftrib'd to J. Carell,

471

L.
*

.4

ta) said t, it wit by Tho. Duffet

fieur

C.4

~r

| Plots from English Chronicles.

# Translated
Aftrib'd tofrom
Sir William
Killegrew,
the Latin.

Amti

Loft

A Calgae

y ?lays.

Loft Lady
T.C. Fol.
Love A-la-mode--C.Fol.
Loves Loadstone-C. 4

3I

Lumenalia -

( a ) Eyer

... P.
|

--M.4 ( i)Patient Grisisc

G
--C. 4 Pedler's Prophecie

"Philotus Scotch--G.4s
M.

Pinder of Wakefield

G.4

( k.) Piso's Conspiracy

-T.4
Manhoodand Wisdom--Presbyterian
LashT.C.
(b) Marcus Tullius Cicero-T.4
C. 4,
Marriage of Wit and Science
I. (l) Prince of Priggs
'Promises
of
God
manifested
Masque of FlowersM.4
Promus and Gaffandra, 2 Parts
(c) Masque at Ludlow Castle-M
-

( d.)

"#.

..

Mercurius BritannicusC.4
Merry Devil of Edmonton-C.4 Queen
(e)
Morning RambleC.4
Mucedorus

-T.C.4

-C.
R.

(f) Muof NewmarketF.:

(m) Rambling Justice-C.4

N.

(n ) Rampant AldermanF.4
Revenge
-C.4
New Custom
--I. 4 (p) Rehearsal
--F.4
New-market FairF.4 ( q) Reformation-C. 4
New
Trick
to
cheat
the
Devi-C4'
Religious
RebelT.C.
4
Nice Wanton
(r) Return from ParnaffusC.4

(g) Nero's Life and DeathT.4 (o)

No-Body and Some-BodyH.4

O.

Oldwives Tale--

(i) Plot from Boccace's Novels, Day 19, .

Novel Io. Folio.

(b) Orlando Furioso

H.4 {k} Plot from Suetonius, in Vitam Nero-.

n15.

1) Plot from Hyne's Pranks, 8*.

{ :Middleton's
),4ferib'd to
J. Lenard, Part from
a ). From Corneille's Le Menteur.
More Diffemblers befides
{ b% Plot from Plutarch in vitam Cicero Women,
80.
(n) From the Fine Companion, and "-c) Aftrib'd to J. Milton.
{ } Plot from Giraffi's Hiffery of Naples, ther Plays.
n15.

(o) Aferib'd to Mrs. Behn, but Borrowlds

all from Marston's Dutch Courtezan.
f) Thru Drolls follin from fivtral Plays. (p) said to be Writ by the late Duke of *
Englishd by James Howel.

. .

e) Said to be Writ by Mr. Pane.

{g) Plot from Suetonius.

Buckingham.
-

h). Play from Ariosto's Potn fo call'd,

Fal. Englished by Sir J. Harrington.

q) By Mr. Arrowsmith.
r) A/trib'd to Sir William D'Avenant
Rivals

32
Rivals
Robin Conscience

A Cital gueTherfytes-------I.
of Plus.
T. C 4

(f) Tom Effence -C. 4

Robin Hood's Pastoral May-games Tom Tyler and his Wife1.4

--I.4.
Rob. Hood and his Crew of Soldiers Traytor to himself
Royal Masque at
4 (g) True TrojansH.4
Court
of Chivalry-(a) Romulus and Herfilia-T.4 Tryal of Treasure--

*}. #

(h) Tunbride-Wells

C.4

Tyrannical Government

S.

Salmacida Spolia

v.

M.4

(b) Siege of Constantinople-T.4

Sicillides a Pifcatory Drama P.4

Valiant Scot

Sir Gyles GoofecapC.4 (i) Varieties

(c) Sir Solomon
Solimon and Perfeda-

-T.4
C.8

C.4.

(k) unfortunate usurper-T.4

-T.4
C.4.

ungrateful FavouriteT.4

Sophifter
W.
(d) Sport upon Sport.--Drolls-Spanish Baud
T. C. 4
for Fair Women--T.4
Step-motherT. C. 4,Warning
Wealth and Health
( e.) Strange Discovery-T. C. 4
Weakest goes to the Wall
C.4
Sufannas TearsWily beguil'd
C. 4
Swetnam the Woman-hater"
Wine Beer Ale and Tobaco-I. 4
*
Arraigned
4.
(l) Wits led by the Nofe-C. 4"
Wit of a Woman
4
T.
-. 4
Woman turn'd Bully
M.4 Woman will have her WillC. 4
Tempe Restored
-

!C.

(a) Plot from Livius, Lib 1: Ovidii Me

tamorph. Lib. 14.

(f)narie.
PartC.from
Molliere's Le Cocu Imagi
89.

(b), Plot from Heylin's Cofnography, Book (g) Plot from Liv. Lib. 5. Caesaris
2d.in the Dfcription of Greece,and Con Coment. Lib. 4 & 5. Galfridus ap Ar
fiantinopolis Mahammada, 2da, ex
thur Monumetensis. De Geflis Regum
pugnata, Fol.
Brittannia, Lib. 4.
(c) Altrib'd to John Carrel, from Corne (h) That and Tom Effence aftrib'd to Mr.
-

ille's L'Escote des Femmes, 89.

Rawlins.

(d) A Collttion of Drolls taken from

Plays, Printed in 8 Lond. 1673.

(e). Plot from Heliodorus Emiffenus AE

thiopicorum, Lib. 10. The fame is in
English, 8 1687.
-

{k.)) Bound
with the Country Captain, 8.
Plot from Heylin's Cofnography, in the
Defaription of Greece.

(?ove's
Part of it taken from Chamberlain's
Victory.
The

The Alphabetical IND Ex of PLAY's,

Referring to their A UT HO URS, &c.
*

Page

A.

Andrza . . . .

Pagt Andromache
Abdelazar

Abraham's Sacrifice
29
Acolastus
- 20

A&a on and Diana -

Andronicus Commenius 26

24.

22

All for Love

All mistaken
All Fools

19

of Bednal Green

16

Blind Lady

:
I2

Antonio and Mellida, 16 Blurt Mr. Constable , 15

... 19. Bloody Brother, vide Rollo.

.. .

6
17
6
I 2

* . . . 3
!
I5

Anything for a quietLifers

Albion's Triumph .
Albion and Albanius
Albertus Wallentine
Albovine
Albumazar

-Parts
Io As you like it

. ..

. . .23

...

.. .

2O

:* I4

Britannia Triumphans

Broken Heart
25 Brothers

29

6
26
25
6
;:

Auringzebe

29 Baftard

Amorous War

17 Battle of Alcazar

6
9.
22

25

Buffy D' Amboys's Revenge

His Tragedy

Byron's Conspiracy
His Tragedy

ib.

29
7
I2

I6
29
29
8

Beggars Bush

ih.

C.

Califto
22

4. Banditti
5 Bartholomew-Fair
9 Bashful Lover
29 Bashful Lady

Amorous Gallant
Amorous old Woman

18
18,

. , 21

6 Affignation
29 Aftrea
I9 Athiests Tragedy

B.
Alexandrian Tragedy
1
Alphonsus K. of Arragon 27
Alphonsus Emp.of Germ.30 Ball
AmaZOn Queen
26 Band-Ruff and Cuff

Amboyna

. . . . . II

27. Bride

.4

I2

Amends for Ladies

... 8

ib. Arviragus and Philitia, two Brutus of Alba

Ambitious Statesman

8
27
16

Appius and Virginia

25 Bloody Banquet
Apocryphal Ladies
18 Bondman
Apollo Shroving . . . .28 Bonduca
Arcadia
" ",
22 Brazen Age

All's well that ends well 21 Ariadne

Alaham
.
2 Ariflippus
Alarum for London
29 Arraignment of Paris
Albion
ib, Arthur

... 5

Caius Marius's History and

Fall

I9

Cambyses Kof Persia 19.24.

Captain

Cardinal

22

Careless Lovers ...

2O

CarelessShepherdes , Io
Carnival

19

Case is altered , .
13
.'s i8 Cataline's Conspiracy 12
15 Bell in Campo .
Casar
Borgia
I5
6, 20, 29. Bellamira, her Dream 14
F
Czfar

Amorous Prince
Amorous Fantasm

Amynta

18

Blind Beggar of Alexandria,

All for Mony

Arden of Feversham. 29 Brenoralt
All's lost by Luft. . . 20 Argalus and Parthenia . Io Bridals

Alcibiades
Alchimift
Alexander

22
22

Black Prince

23 Antonius. . .

Agrippa King of Alba

Agrippina

<

Bird in a Cage
Birth of Merlin

Agamemnon
Aglaura

. . . . . Page

Anthony and Cleopatra, 21. Blazing World.

Antigone
Adrafta
12 Antipodes :
Adventures of 5 Hours 25 Antiquary
Adelphi

5
28

'Andromana

Bellamira,the Mistress 24

"2

SThe I N T) E X.
Page

Pagt

Page

Cafar and Pompey

3|Constant Nymph
29|Damoiselle
Caesar's Revenge
29 Constantine the Great - 15 Damoiselle A-la-mode
Chabot Admiral of France Contention of Ajax and U- |Damon and Pythias
22

Chances

14

Changling

16|Coronation
Charles the Firft
29|Costly whore
Charles the 8th of France 5 Covent-Garden

2 | Country wife

Citizen turn'dGentlemsn2ol Country Wit

':

Cleopatra

Cloridia

Cobler's Prophecy
Calum Britannicum
Colas

16|Couragious Turk
17| Court Beggar
5 | Court Secret

5
3
12

18 Devil's Charter

f.

25
I4.
29

17

26 |Divine Masque
5|Doctor Dodipole

24
I3
6
25
25
29
29

16|Dotor Faufus

16

2 |Don Carlos Prince of Spain

I9

22

$| Coxcomb

8|Double Marriage

2 | Cruel Brother

6 | Doubtful Heir

22

M4|Custome of the Country 8, Duke and no Duke

5. 17 | Cromwell's History
2 I Duke of Guise
12 | Cunning Lover

Clouds

If

3 |Destruction of Troy
29 |Devil's an As

Chaft Maid in Cheapside 13 | Covent-Garden weeded 2 |Devil's Law-Case

Cheats
36 | Covent of Pleasure
18||Devil of a wife
Cheats of Scapin
19| Counterfeits
29 |Dick Scorner
Christmas Masque
12|Counterfeit Bridegroom 29 |Dido # Carthage
Chrift's Paffion
23| Countess of Pembrook's I- Disappointment
Christian turn'd Turk 3 vy-Church
9 |Disobedient Child
Cicilia and Clorinda
14|Country Captain
29 |Distresses
Cid
zo | Country Innocence
15 || Diffrated State
Circe
5|Country Girl
5 | Divine Comedian
City Madam
City Match .
City
City Politiques
City wit
Claricilla .

19
29

21 |Destruction of Jerusalem29.

8|Coriolanus
22 I Cornelia

City Heiress

22

22 |Darius's Tragedy

lifles

Challenge at Tilt
12 | Contention for Honour and ||David and Bethsabe
Challenge for Beau
11 | Riches
22 || Debauche6
Champions of :kna: Contention between York |Deorum Dona
14| and Lancafter
29 Deserving Favourite
Changes

23| Cuckolds Haven

26|Cupid and Death
4.6 | Cruel Debtor
1 | Crafus

25
7

2 | Duke of Lerma

I*

25 | Duke of Millain

16

22 | Duke's Miftress

22

291, Dumb Knight

1 | Dumb Lady

17
15

29 | Cupid's Whirligig
29 | Dutch Courtezan
Combatof Love andFriend-|Cupid's Revenge
8] Dutch Lover
[hip
17 | Cure for a Cuckold
25 | Dutchess of Mal
Comedy of Errours - 21 Cutter of Coleman-street 4 | Dutchess of Suffo
Commonwealth of Women Cymbeline
21
7| Cynthia's Revels
I2
E.
Committe-man Curried 23 Cynthia's Revenge
23
Commons Conditions 29 Cytherea
23|Eastward Hoe
Conflit of Conscience 26, Cyrus King of Perfia
29 |Edgar
Conquest of China
24
Edward the Firft
Combat of Caps

16

3.
25

- of Granada

Conspiracy

Maid

D. ^

14, 26
22

Dame Dobson

Qu

Edward the Second

Edward the Third
Edward the Fourth
*

II
-

3.13
* I

19
17

29
II
r

The IND E
Pagt

Page |-

>

Y
-***

P.

30 | Gaine at Chess

A $.

in Gamcfter

22

Elder Brother
Eletra

8 Fair Maid of Bristol

--Maid of the Weft
28

Elizabeth's Troubles

II -of the Exchange

11 Gamer Gurton's Needle 28

Elvira

29 -of the Inn

$
8 Generous Enemies
3>
16 Gentle Craft
3o Gentleman Dancing-Master
26
8

Fair Quarrel

Emperour of the East 16 Faithful Shepherd

Emperour of the Moon 3
Empress of Morocco T.& F. Faithful Shepherdess

of Venice

22

Uher
3
f Verona
-o
8
I5 Ghost

21

3o

9 Glass of Government
13 Gloriana
Goblins
12

15
23

24, 30. False Favourite disgrac'd Io

Enchanted Lovers
Endimion

English Lawyer
English Monfieur

15 False Count
14| False One

2 Family of Love

English Moor

12 || Fancies
2 / Fancies Festivals

English Princes
English Rogue
English Traveller

33| Fatal Contra&

25 | Fatal Dowry

16

11 || Fatal Love

24

to

Golden Age
Golden Age restored

I It

12

3o Grateful Servant

Enough's as good as a Feaft|Fatal Jealousie

Entertainment
at K. James's Fawn
ion

22

Great Duke of Florence 16

12 ||Feign'd Astrologer
-of K. James, and Q | Feign'd Courtezans
Ann, at Theobalds , 12 | Ferex and Porex
-of the K. of England, Female Prelate
and the King of Den- Female Academy
Coronat

&

13

16 Green's Tu
3o
3. Grim the
den
19
|Gripus and
24
ian
18

3.

of Croy
28

Hegio

4. 16.

mark, at Theobalds, 12 ||Fidele and Fortunatus 36 Guy of warwick

-on the Prince's Birth-|Fine Companion
16|
17|Fleir

* Day

23

-of the Q and Prince |Floating Island

at Althrop

sy

23 Hamlet Pr. of Denmark 2 s.

12 | Flora's Vagaries

of King and Queen at |Fond Lad

High-gate
12|Fond Husband .
Epsom wells
24|Fool turn'd Critick

3o
Hannibal and Scipio
33
7|Heautontimorumenos -

Erminia

Hector of Germany
.. 7 He&ors
e4
9|Fool would be a Favorit

Evening Love

7|| Forc'd Marriage

Hecyra

13
2

as
19
2

EveryMan in his Humour, 2 |Fortunate Isles

24
I2 Heir of Morocco
17
Every Man out of his Hu-Fortune by Land and Sea 1 Heir
Inour
12. Fortunatus
5 # higher Court of Ju
Every woman in her Hu-|Four P.P.
II
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Hen h

27
20 O
2
30|Four London Prentices 11 # the
#.
#
Eunuchus
2 |Four Plays in One
8
Henry the 5th
21. 19
Example
. .22 || Fox ...
12 -Item, with the Battle of
Excommunicated Prince 3 |Free will
.
3o
Agencourt
3G>
Extravagant Shepherd 28|Friendship in Fashion 19 Henry
the 6th,3 Parts Shak
French Conjurer
27
mout

F.

3o

Fair Em

3o

Fair Irene

2E

IO

30 Henry the 8th, 2 Pts. Crown

Lucrelle

Fa&ious Citizen
Fair Favourite

Jptar

Frver Bacon
F: and

|Heraclius Emp. of the Eaff:

G.

a3l Gallathea

J4

Hercules Furiens

II

Hercules Cetus

22

F 2

Hero

The IN DE X.
Paget'.

Page

Hero and Leander

23|Imperiale

IO

Herod and Antipater

17|Imperial Tragedy

3o

L.

Page

Herod and Mariamne

19|Impofiure

22

Hey for Honesty down with

Indian Emperour
20 Indian
Queen

I2

12| Ingratitude of a Common

19, 22 wealth .
25
30|Injured Princes
7
30|Inner-Temple Masque 15

Hic & Ubique

Hippolitus
Histrioma ftix
Hoffman
.

Hoghath
loft his Pearl 35
|Infatiate Countes
Hollander
Io ' of Youth
olland's Leaguer

16 | |0Caita

# Law :

16
3o
IO

Honoria and Mamon

Honeft Whore
Honour of Wales

22

Ladies Tryal
Ladies Priviledge

IO

Lancashire Witches 24, 11

Landgartha
Law against Lovers

Lears Tragedy

3o

Liberality & Prodigality20

Law Tricks

5 Levellers Levell'd

I in

5
8

Devil to the Collier - 9

Lingua

Humerous Lovers

18 Island Princes

Humerous Courtier

22 Iuliana Princess of Poland 5 Locrine

Humerous Days-Mirth

3|Julius Caesar

Humerous Lieutenant
Humorifts

8|Just General

24|Juft Italian
Humour out of Breath, 5 || Hyde Park ' ' ' ' 22
Hymenai
13|_.

21

24
2. 30 Libertine
13 like Will to like, quoth the

30 | Isle of Gulls

I. 2 I

17
6

K.

5|Kind Keeper.
King and no King

* |K: Edgar and Alfreda 21.3

J.

27
8
6.
3o
5
30

laws of Candy

IO

4, 19|Jovial Crew

, *

3o Laws of Nature

- -

s' 15 Irish Masque

How to chure a good Wife|Iron Age

Wymens Triumph

4.

13|Joseph's Afflictions

Horatius

from a bad

Lady of Pleasure

i8.

21

Horace

3o

# the Evangelist
22 ||John King of ngland
8 John and Matilda
#
28

Honest Man's Fortune

Lady Alimony
Lady Contemplation
Lady Errant

King's Entertainment

Jack Drum's Entertainment]. Welbeck

3o

Little French Lawyer

8
21
3o

London Canticlers

London Prodigal
2I
Look about you
3o
Looking-Glass for Lond.1o
London Cuckolds

21

Loft Lady

3I
31

Love A-la-mode,

Love Crowns the End 25

Love in its Extasie

2O

at Love freed from Ignorance,

13

30|King and Queen's Entertain

By B. F. Omitted
Love and Honour

ack Jugler
ib. I ment at Richmond
3 Love in the Dark . . . Io
ack Straw's Life and Death |K. Lear, and his 3Daughters Love loft in the Dark, Omit
20.

acob and Eau

ames the 4th

Love reflored

13

Love and Revenge

24.
Love-fick King . . . I

24- Knack to know a Knave 30 Love-fick Court. 1, . ~ 2:

Ibrahim
ealous Lovers
eronymo

25

ib. Knack to know an honeft

ib,
Man
30
2d Knave in Grain
-

ew of Malta

3o

Love in a Tub

30|Knavery in all Trades 3

17|Knight of the Burning Pe

Love and War

ews Tragedy
12 | ftle
8
f this bent a good Play the Knight of the GoldenShield
Devil's in't.

30

Ignoramus

27|Knight of Malta

Impatient Poverty

3ol -

8
17
26.
18
8

Love in a Wood
Loves Adventures
Loves Cure

Loves Cruelty

.22

Loves Dominion

Loves Kingdom .

.9

Loves
-

The IND EX.

Page

Page [...

Page

12|Miseries of inforc'd Marr.

Loves labour loft

21 Marriage Night

Loves Labyrinth

9|Marriage of the Arts 11 ||Miftaken Husband

31 Marriage of Oceanus and Mithridates
9| Britannica
9| Mock Tempest
14|-of Wit and Science 31 Mock Duelleft

Loves Loadstone

Lovers Melancholy

Loves Metamorphosis
Loves Miftress

Loves Pilgrimage
Lovers Progress
Loves Riddle
Loves Sacrifice

Loves Triumph.
Loves Vitory
Loves Welcome

15
8
27.

4; Mony is an Ass

, - In Marlam
8| Marcelia.

13

2| Monfieur Thomas

8 Marcus Tull, Cicero

4|Marius and Scylla

31 Morning Ramble

9| Martyr

15 || Women "
23|Mortimer's Fall
3|Monsieur D'Olive

8
I

15 More Diffemblers

4. 13 Martyr'd Soldier
4 Mary Q. of Scotland

*
I6
13:
3.

13| Mary Magdalen's Repent 2 |Mother Bomby .

I4

Love will find out the way | Masque of Augurs

13|Mother Shipton's L&D. 2;
Loving Enemies
17| Masque at the L. Hadding. Mucedorus
... 31.
Lucius Junius Brutus
15 ton's House.
*3|Much adoeabout nothing 31.
Luminalia
31|Masque of Greys-Inn Gent.8 Mulberry Garden.
24
Lufts Dominion

Lufty Juventus Loyal Brother

Loyal Gentleman
Loyal Lovers ''
Loyal Subjet
Lucky Chance
Lyer

M
*

Mackbeth

17|Masque at Ludlow-Castle 3 [Muleaffes the Turk

2O,

25 ... and Lincolns-Inn Gent. 3|Muse of Newmarket

31,
25 Masquerade Du Ciel
28|Muftapha
1-2, 19
17| Mafiacree at Paris
8 Malianello

17|, |
31

3|Masque of Owls

13

31|Masque of Flowers
Masque of Queens
Match me in London
21|Match at Midnights

Mad Couple well Matcht 2 |Matrimonial Trouble

Day

Madam Fickle

17.

26 MaqueoftheMiddle-Temp. Muses Looking-glass

8: May-

. . . .
N.

: .

-*

31|Natures 3 Daughters
13|Neptune's Triumph

* *

18
13.

5||Nero, newly Written

13

20||Nero's Life and Death

31

18||New Custom . . . .31,

ange

3 New Exch
2
8 Mayor of Quinborough 15||New Inn
13 .
Mad World my Masters 15 |Measure for Measure
21 |Newmarket Fair
3
Magnetick Lady
13 Medea
21. 23||New Trick to cheat the De
-

Mad Lover

Maid of Honour

Maid in the Mill

Maids Metamorphosis
Maids of Moor-clack
Maids Revenge
Maiden Queen

16|| Menechmus

28

vil

31

8|Merchant of Venice ... 21 |New way to pay old debts 16

14 Mercurius Britannicus 31 | News from the world in
- 1: Mercury Vindicated
13|, the Moon
13."
22 Merry Devilof Edmonton31 'News from Plymouth : 6
7. Merry Milkmaids
27||Nice Valour
9.

Maids Tragedy ..., , -9. Merry wives of windsor21 ||Nice wanton . . .

Maidenhead well loft's 11: Meffilina

20||Nicomede

3r's
5.

Male-Content

"** 16: Metamorphofed Gipfies 13|Night-Walker . . . . , 9

Mall
27 Michaelmas-Term ' ' (15|Noah's Flood. . . . , 8.
Man of Mode
8||Microcosmus ... ;17||No|Body andSome-Body3r
Manhood and Wisdom 3, #.
* - 14||Noble Gentleman
91
Man's the Mafter
6|Midsumer Nights Dream 21 ||Noble Ingratitude
I5 x
Man of Newmarket

12 || Mirza

Marriage A-la-mode

7|Miffer

1|Noble Spanish Soldier, By,

-->
-

S. R. Omitted. ,

24

Marriage Broker . . 28'Miseries of Civil War: a 5J Noble Stranger. <

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--

-- -

*-

23 :

Northern:

. . ."

. .. . . . .

*.

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The IND EX.

-

Page
Northern Lass
Northward Hoe
Novella
Wit
No

Page

Page

2| Queen and Concubine

16| Queen of Corinth

Phormio
5 Piture

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9

2 Pilgrim
2
9. 14| Queen's Exchange
*like a Wom. I6 Pinder
31|-Masque of Blackness 13
of wakefield

Help :

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Piso's Conspiracy
Pity he's a whore:

ib.|-Masque of Beauty

Platonick Lovers

.6

Oberon, the Fairy Prince 13 Play-House to be Lett, , ih. Raging Turk

Obftinate Lady
4 Play of Gentilenes and No- Ram:Alley
11|Rambling Justice
bility

3:

# Play of Love

. .

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21

ib.

Rampant Alderman

Play between John the Huf.

Rape of Lucrece
his Wife i5. Rebellion
17
i6
Play between the Pardoner, Reformation
and a and the Fryer, the Cu Rehearsal

Old Couple
Old Law

Qld Man's Leffon,

young Man's Love
Old Troop
Old Wives Tale

13

R
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2

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31
II
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1 rate,and Neighb. Prat ih. Religions

15|Play of the Weather
ib. Religious Rebel
31|Plain Dealer
26 Renegado

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16|Pleasure reconcil'd toWir.13 Revenge
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Revenge for Honour
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31|Plutus
27 Revengers
Urlando Furioso
Tragedy,
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14|Politician
Ormazdes
22 Reward of Virtue
9
19|Politician Cheated
Jo Rhodon and Iris
Orphan
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19.26
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the Second 21. 2;
4|Pope Joan, vide Fem. Prel. Richard
Ovid
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Richard the Third
Ordinary

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Poor Schollar

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Pragmatical Jesuit

P.

Rival Friends
Rival Kings
Rival

Pallantus and Eudora

Pandora

Pan's Anniversary
Parliament of Bees

Parson's wedding
Paffionate Lovers
Paftor Fido
Patient Gristle
Patrick for Ireland

14 | Presbiterian

31

Rival Queens

14|Presence

18 Rivals

I4

Roaring Girl

I5

31

Robert Earl of Hunting

Downfall

22

14
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26 -His Death
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31

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Peleus and Thtis

Perkin Warbeck

12

27

Rollo D. of Normandy

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Pericles Prince of Tyre 21 Publick Woing

Philafter
9

Puritan Widow

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28
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27 Roman Ator
18 Roman Empress
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31
5

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ib.

Hood's Pastoral May

31 Robin
games
32
Promises of God ": -and
his Crew of Soldik.

Pedler's Prophesie

Philotus, Scotch

13|Princes
5|Prince of Priggs
14|Prisoners
Io. 24 |Prophetess
35 |Promus and Caffandra

Phillis of Scyros

9
15
32

4|Projetors

Phoenix
Phoenix in her Flames

II

Queen's Arcadia
Queen of Arragon

31
5
II

ib.

8
16

13

Roman Generals
Romeo & Juliet

2I

Romulus and Herfilia

32

Round-heads

Rover

Royallist

The IN DEX
Page

Pagt

Royal Master
22 Sir Patient Fancy
Royal Masqat Hampt.Court Sir Solomon
Royal Slave
4 Sifters
Shepherdess
24 Six Days Adventure
Rule a Wife and have a Slighted Maid

32

Rump

25

Soliman and Perfeda

Sophifter

Tempeft

I2

The longer thou livest, the

32
ib.

\.

5,
-

Sacrifice Sad One

Sad Shepherd
St. Cicil

. Spolia
Sampson Agoneftes
Sapho and Phao
Scaramouch, &c.

15. 16

Sophonisba
IO

14

- 21

9 ||

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15

Theodofius

Therytes

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I4
2 p.

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28

16, 20. Thyerry, and Theodoret 9

-Gipfies

8 [TimeVindicated to himself,

-Rogue

2 ... and to his Honour r?

Speeches at Pr.H. Barriers 13 Timon of Athens, 22, 24
Sparagus Garden

3'Titus Andronicus
32| Titus and Berenice.
18| Tom Effence -

I9

... 32

8|Tom Tyler, and hiswife it.

13|Tottenham-Court
18

. * Town Fop

.. . .

7| Town Shift
*
20
2|Trapolin suppos'd a Prince4
Deli: Travels of 3 Eng. Broth. 5

vide Battle of Alcazar |Traytor

2:

22

24|Traytor to himself
32
Sforza Duke of Millain ro Summers last will and Te-|Trick to catch the old one
She wou'd if five coud

I8 Sullen Lovers

8 ||

ftament

17 Sun's Darling
2O Supposes
Shoomaker a Gentleman 20 Surprizal

I'8

- 9|Trick for Trick

10|Triumph of Beauty

Shepherds Paradice
Shepherds Holyday

Sicelides

32

25.

7| Thyestes T. & F. 3. 1 r. 20

School of Complements 22 Spightful Sister

Scornful Lady
9 Sport upon Sport
Seet's Figgaries
25 Spring's Glory
Sea Voyage
9 Squire Old-sap
Seven Cham. of Christen.14 Staple of News
See me and fee me not
I Step-Mother
. .
Sejanus *
I3 State of Innocence
Selimus
IO Strange Discovery
Selindra
I4 Stukeley's Life and
Sertorius
Several Wits

25

32 | Three Lords and Ladies of

23 Spanish Bawd
I 3 -Curate
27 -Friar
32.
17

thou art

6 Thornby-Abby
I9 Thracian Wonder

Souldier's Fortune

3
6
7, 22

22

23
more Fool
18 Thebais

9 Sociable Compani

Wife

Pagt

Temple
Temple of Love

Tears

15
8.
22

r2|-of Love and Antiq 15

oysel

32

=: :

22

4|-of the Pr. D'Amour .5

Siege
4, 6 #: Woman-hater|Triumphant Widew
-of Babylon
I9
arraigned
32 Troades
23, 29
i -: .
Troas
28. II.
-of Constantinople 32 **: , I
T.
Troylus and Cresfida 7. 22
-of Memphis
8
True Trojans , , , , 32.
--of Rhodes
6

Sicily and Naples

27 Sw

ng Damovie

...

13|True widow

14 Tale of a Tub
Silent Woman . . . . . I3 Tamberlain the Great
-of Urbin

--

Silver Age ...

Sir Courtly Nice
Sir Barnaby Whigg
Sir Giles Goose-cap

Sir Hercules Buffoon

$ir Martin Marr-all

17|Tunbridge Wells

Tamerlain the Great , 24|Tryal of Chivalry

Tancred and Gismond 26|Tryal of Treasure
Taming of the Shrew 22|Tryphon
17| Twelfth-Night
32 Tartu
24| Twins
15 Tarugo's Wiles

I d

5
8

Tempe reflored

32 | Two Noble Kinsmen

24.
32
32.
19
22
2O

9|
Two,

... . . . \ \

$7"he I N DE X.
-

. . . . Pagt
Two Tragedies in one 26 Virtuous wife
Two angry Wom, cf Ab.19 Virtuoso
Tyde tarryeth for no man26 Vision of Delight
-

Page'
8 Wit without
-

Page,

9.
Mony
24. Wit of a woman
.. 32.
I3; Wit at feveral Weapons 9

Tyranuial Government 32 Wifion of the 12 Goddefle55 Wits, By Sir W. D. omitted .

23 Wits Cabal
18
7 Wow Breaker
Tyrannick Love

Two wife Men, and all the

2." -- 3
rest Fools
... 1

". . . .

Y. . . . . . .

w.

Wits led by the Nose

Witty Combat.

32.

Witty Fair One

22

27

walks of Islington & Hog': Woman turn'd Bully

13
don
-Captain

32

- *

24

.
I2
17 's Conquest
Warning for fair Women32 kill'd with kindness 11
27 Weakefigoes to the Wall ib. -Hater
Valiant Welchman
ib. -in the Moon . . 14
.
. .32 Wealth and Health
Varietics ..
I6 | Wedding
Very Woman
32. -'s Prize
9
6 Westward Hoe
Unfortunate Lovers
5 -will have her will 32
* 16 -'s a Weather-Cock 9
Unfortunate Shepheard 25 What you will
18 When you see me, you women pleas'd
Unfortunate Mother
ib.
2O
know me
32
Unfortunate Usurper
women beware Women 16
25 wonder, a Woman never
32 White Devil
Un rateful
d
Favourite, EJiz 3 whore of Babylon
2O
vex'd
# wonder of a Kingdom 5
Combat, 16 wiat's
History.
13 world toss'd at Tennis 16
Linnatural Tragedy, 1 - 18 Widow
2M
3|Wrangling Lovers
a r2| widow's Tears
Usurper
9| 1
Intruffing the humerousPo-|Wife for a Month
Y.
7
. .. 5 ||Wild Gallant
et

. . 9 Wandring Lover

Valentinian .
Valiant Scot

32

Venice preserved

19|Wild-Goose Chase

3|Wily beguil'd

Virtue Betray'd ,

32|Yorkshire Tragedy . . .22

Vestal Virgin . . . . 12|Wine,Beer,Al4,& Tobac. ib. Young Admiral , , ih.

16
22|Your five Gallants
19| Winter's Tale
Villain . . .
16|Wisewoman of Hogsdon 11 |Youth's Glory, and Death's
Virgin Martyr5], Banquet ". . . . 18
20|Witch of Edmonton
Virgin widdow.
3
1ol Young King .
__1 | Wit in a Constable
, Virtuous O&avia
-

* :*
-

- -

. . . A D VERTIs E MENT . .

. C. Stand, for comedy, T. Tragedy, T. C. T.regreme.

*
-

O. Opera, H. Hi/tory, P. Pafforal, I. Interlude, and E.

Entertainment. .

* *
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... it
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FAR 18 t.

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Zzola.

54.6Col

D7 L2.3
RESTRICTED

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