Frank Wedekind

Frank Wedekind
Frank Wedekind
	pada 1883
Lahir	Benjamin Franklin Wedekind; 24 Juli 1864; Hanover, Konfederasi Jerman
Meninggal	9 Maret 1918 (umur 53); Munich, Kekaisaran Jerman
Kebangsaan	Jerman
Pekerjaan	pengarang sandiwara

Benjamin Franklin Wedekind (24 Juli 1864 – 9 Maret 1918) adalah seorang pengarang sandiwara asal Jerman. Seringkali mengkritik sikap burjois (terutama terhadap seks), karyanya dianggap mempelopori ekspresionisme dan mempengaruhi pengembangan teater epik.^[1]

Referensi

Catatan

^ See Banham (1998) and Willett (1959). In his Messingkauf Dialogues, Brecht cites Wedekind, along with Büchner and Valentin, as his "chief influences" in his early years: "he", Brecht writes of himself in the third person, "also saw the writer Wedekind performing his own works in a style which he had developed in cabaret. Wedekind had worked as a ballad singer; he accompanied himself on the lute." (1965, 69).

Daftar pustaka

Banham, Martin, ed. 1998. "Wedekind, Frank." In The Cambridge Guide to Theatre. Cambridge: Cambridge University Press. ISBN 0-521-43437-8. p. 1189-1190.
Boa, Elizabeth. 1987. The Sexual Circus: Wedekind's Theatre of Subversion. Oxford and New York: Basil Blackwell. ISBN 0-631-14234-7.
Brecht, Bertolt. 1965. The Messingkauf Dialogues. Trans. John Willett. Bertolt Brecht: Plays, Poetry, Prose Ser. London: Methuen, 1985. ISBN 0-413-38890-5.
Mueller, Carl R. 2000. Introduction to Frank Wedekind: Four Major Plays, Vol 1. Lyme, New Hampshire: Smith and Kraus.
Willett, John. 1967. The Theatre of Bertolt Brecht: A Study from Eight Aspects. Third rev. ed. London: Methuen, 1977. ISBN 0-413-34360-X.

Pranala luar

Karya Frank Wedekind di Project Gutenberg
Karya oleh/tentang Frank Wedekind di Internet Archive (pencarian dioptimalkan untuk situs non-Beta)
Karya Frank Wedekind di LibriVox (buku suara domain umum)

[express-1] See Banham (1998) and Willett (1959). In his Messingkauf Dialogues, Brecht cites Wedekind, along with Büchner and Valentin, as his "chief influences" in his early years: "he", Brecht writes of himself in the third person, "also saw the writer Wedekind performing his own works in a style which he had developed in cabaret. Wedekind had worked as a ballad singer; he accompanied himself on the lute." (1965, 69).

[1]

Pengawasan otoritas
Umum	Integrated Authority File (Jerman) ISNI 1 2 VIAF 1 WorldCat (via VIAF)
Perpustakaan nasional	Norwegia Spanyol Prancis (data) Catalunya The ICCU id CFIV060879 is not valid. Amerika Serikat Latvia Jepang Republik Ceko Australia Yunani Israel Korea Kroasia Belanda Polandia Swedia Vatikan
Basis data ilmiah	CiNii (Jepang)
Lain-lain	Faceted Application of Subject Terminology Historical Dictionary of Switzerland MusicBrainz artist RISM (Prancis) The RISM id people/121266 is not valid. RERO (Swiss) 1 Social Networks and Archival Context SUDOC (Prancis) 1 Theaterlexikon (Swiss) Trove (Australia) 1