Books by Pavlina Paraskevaidou
UNCOVERED Nicosia International Airport, 2013
UNCOVERED Nicosia International Airport Book 1. 2013. Eds. Basak Senova and Pavlina Paraskevaidou... more UNCOVERED Nicosia International Airport Book 1. 2013. Eds. Basak Senova and Pavlina Paraskevaidou. Phileleftheros Publishing Group, Nicosia.
It is the book of the UNCOVERED Nicosia International Airport project. The project was initiated in 2010, based on Cypriot artist Vicky Pericleous’s idea for an artistic intervention at Nicosia International Airport, subsequently submitted as a proposal to the UNDP by Özgül Ezgin and Argyro Toumazou in parallel to the peace-negotiations process. Following the initial state with the UN, as two curators, we – Basak Senova and Pavlina Paraskevaidou – were asked to work collaboratively on this project for 2011. After a research and working period of six months, we have developed a long-term research-based art and media project which has input and goals further than the initial idea. In this respect, by acknowledging the UN initiation and their support for the first exhibition, the project articulates itself through three terms – “memory construction,” “commons,” and “control mechanisms” – forming the conceptual springboard for the project, which begins by developing a space of encounter for cultural producers from across the divided island.
Papers by Pavlina Paraskevaidou
Helsinki Photography Biennial is a series of events organized by the Union of Artist Photographer... more Helsinki Photography Biennial is a series of events organized by the Union of Artist Photographers in the spring of even years, which showcases Finnish and international photographic art. In 2014 the biennial is produced by the Union of Artist Photographers and Photographic Gallery Hippolyte in collaboration with the Finnish Museum of Photography. The special issue follows the structure of the biennial: Ecological Fallacy, curated by Basak ¸Senova (with a special section co-curated by Branko Franceschi) begins after the foreword, followed by the artistic-scientific section by Mustarinda, called Objects on Oil. The sections approach the theme of the biennial from slightly different points of view, and are in dialogue on many levels. The schedule of the biennial, along with the exhibitions and events locations, as well as the authors of the texts and the organizers, are introduced at the end.
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Books by Pavlina Paraskevaidou
It is the book of the UNCOVERED Nicosia International Airport project. The project was initiated in 2010, based on Cypriot artist Vicky Pericleous’s idea for an artistic intervention at Nicosia International Airport, subsequently submitted as a proposal to the UNDP by Özgül Ezgin and Argyro Toumazou in parallel to the peace-negotiations process. Following the initial state with the UN, as two curators, we – Basak Senova and Pavlina Paraskevaidou – were asked to work collaboratively on this project for 2011. After a research and working period of six months, we have developed a long-term research-based art and media project which has input and goals further than the initial idea. In this respect, by acknowledging the UN initiation and their support for the first exhibition, the project articulates itself through three terms – “memory construction,” “commons,” and “control mechanisms” – forming the conceptual springboard for the project, which begins by developing a space of encounter for cultural producers from across the divided island.
Papers by Pavlina Paraskevaidou
It is the book of the UNCOVERED Nicosia International Airport project. The project was initiated in 2010, based on Cypriot artist Vicky Pericleous’s idea for an artistic intervention at Nicosia International Airport, subsequently submitted as a proposal to the UNDP by Özgül Ezgin and Argyro Toumazou in parallel to the peace-negotiations process. Following the initial state with the UN, as two curators, we – Basak Senova and Pavlina Paraskevaidou – were asked to work collaboratively on this project for 2011. After a research and working period of six months, we have developed a long-term research-based art and media project which has input and goals further than the initial idea. In this respect, by acknowledging the UN initiation and their support for the first exhibition, the project articulates itself through three terms – “memory construction,” “commons,” and “control mechanisms” – forming the conceptual springboard for the project, which begins by developing a space of encounter for cultural producers from across the divided island.