Conference Presentations by Ugur YALÇINKAYA
Since 2006, the Tuscia University is carrying out in Cappadocia a survey fallows two main guidel... more Since 2006, the Tuscia University is carrying out in Cappadocia a survey fallows two main guidelines: the realization of a database on painting and rupestrian habitat in Cappadocia published in www.museovirtualecappadocia.it and the realization of a project of knowledge, conservation and enhancement of Cappadocian rock hewn painting in the Nevşehir region.
Kapadokya bölgesinde yumuşak ve gözenekli olan tüf kayaya oyulmuş kültürel miras kalıntılarımızın... more Kapadokya bölgesinde yumuşak ve gözenekli olan tüf kayaya oyulmuş kültürel miras kalıntılarımızın doğal nedenlerden kaynaklanan bozulmaları yavaşlatacak yöntemler saptamak projenin temelini oluşturmaktadır.’
Papers by Ugur YALÇINKAYA
GUIDELINES AND RECOMMENDATIONS FOR THE CONSERVATION AND MAINTENANCE OF MURAL PAINTINGS IN SUBTERRANEAN ENVIRONMENTS, 2015
A three-day meeting in Berlin brought together experts from around the world to discuss the curre... more A three-day meeting in Berlin brought together experts from around the world to discuss the current practices for mural painting conservation and led to the adoption of new Guidelines.
Within the framework of the UNESCO/Republic of Korea Funds-in-Trust Project for the Preservation of the Koguryo Tombs and Mural Paintings in the DPRK, the UNESCO Expert Workshop: Conservation of Mural Paintings – Research, Access, Conservation was organized in Berlin (Germany) at the Museum für Asiatische Kunst, Staatliche Museen zu Berlin, on 2–4 June 2015. This workshop brought together over 34 international mural painting conservators and experts from 13 countries from Europe, Asia and the United States of America, and notably brought together experts from the Republic of Korea (RoK) and the Democratic People’s Republic of Korea (DPRK).
The workshop was not only an opportunity to reinforce the DPRK’s national capacities with regard to conservation, but also to gain insights into the conservation and management of the World Heritage property ‘Complex of Koguryo Tombs’ in the light of international conservation standards. Furthermore, the Workshop provided a platform where experts of the RoK and the DPRK could share experiences and discuss various issues related to the conservation of their shared heritage. The Workshop also contributed to promoting the visibility of the UNESCO/RoK FiT Project on the Koguryo tombs among the international community.
Invaluable exchanges occurred around interesting cases studies concerning mural painting conservation, in particular with regard to World Heritage properties and other important mural paintings. As a result of these discussions, the Workshop released a new set of General Guidelines on the Conservation of Mural Paintings, with a special focus on paintings in damp environments. This marked an important step forward and acted as a welcome, specific complement to the Principles for the Preservation and Conservation-Restoration of Wall Paintings established by ICOMOS in 2003. The new Guidelines will be a useful guidance tool for many experts specialising in the conservation of mural paintings and will be available on the World Heritage Centre’s website.
The Workshop was jointly organized by the World Heritage Centre and the Rathgen Forschungslabor of the Staatliche Museen zu Berlin, in close cooperation with Museum für Asiatische Kunst Berlin and the German Chapter of ICOMOS.
ORTAÇAĞDAN KALMA BİR KÜLTÜR VARLIĞININ KORUMA- ONARIM BAĞLAMINDA YENİDEN TANIMLANMASI SORUNU: ŞEHZADE KORKUT CAMİİ (KESİK MİNARE) / THESEUS’UN GEMİSİ PARADOKSU, 2022
MESOS Disiplinlerarası Ortaçağ Çalışmaları Dergisi içinde yayımlanan tüm yazılar kamunun kullanım... more MESOS Disiplinlerarası Ortaçağ Çalışmaları Dergisi içinde yayımlanan tüm yazılar kamunun kullanımına açıktır; serbestçe, ücretsiz biçimde, yayıncıdan ve yazar(lar)dan izin alınmaksızın okunabilir, kaynak gösterilmesi şartıyla indirilebilir, dağıtılabilir ve kullanılabilir.
KAPADOKYA BÖLGESİNDEKİ 9.-13. YÜZYILLAR ARASINA TARİHLENEN DUVAR RESİMLERİNİN KORUNMASINA YÖNELİK YAKLAŞIM VE UYGULAMALAR, 2021
The conservation-restoration process of the wall
paintings dated between the 9-13th centuries, in... more The conservation-restoration process of the wall
paintings dated between the 9-13th centuries, in the
Cappadocia region started in the 1960s and
continues today. Within the scope of this thesis,
seven of the few wall painting conservationrestoration works carried out in the region were
examined and evaluated. These projects are;
conservation works of the Eskı Gumus/Gümüşler
Monastery wall paintings realized between 1962-
1965, conservation project of the wall paintings of
the Tokalı Church realized between 1972-80 and
2011(ongoing), conservation project of the wall
paintings of the Dark Church realized between 1980-
90, conservation project of the wall paintings of the
Elmalı Church realized between 1997-2003,
conservation project of the wall paintings of the Old
Andaval-Konstantin and Helena Church realized
between 2007- 2011, conservation project of the
wall paintings of the Forty Martyr’s Church realized
between 2007 and 2013, and the conservation
project of the Üzümlü Church wall paintings
realized between 2014-2016.
Different methods have been carried out in the
practices of the projects of the preservation and
restoration of wall paintings in the Cappadocia
region, but no evaluation has been made regarding
to their positive or negative results. For this reason,
with the purpose of the research, through the
examining 7 selected projects, to identify the
differences observed the conservation-restoration
implementation and conservation approaches that
changed over time
LIBRI Epigrafi, Çeviri ve Eleştiri Dergisi Journal of Epigraphy, Reviews and Translations, 2021
Kitap, Myra kentinde Orta Çağ’a tarihlendirilen bir Doğu Roma yapısı olan Alakent Kilisesi’nin,
k... more Kitap, Myra kentinde Orta Çağ’a tarihlendirilen bir Doğu Roma yapısı olan Alakent Kilisesi’nin,
kültür varlığı olarak keşfedilmesinden, itibaren gerçekleştirilen birçok bilimsel çalışma neticesinde
kültürel mirasa yeni bir eser kazandırılmasını hikaye eder. Alakent Kilisesi’nde gerçekleştirilen
arkeolojik çalışmalar başta olmak üzere, sanat tarihi, mimarisi, sanatsal özellikler ve korumaonarım çalışmaları gibi birçok disiplinin çalışma sonuçlarını ve değerlendirmelerini ortaya
koymaktadır.
Arkeolojinin Dijital Geleceği , 2020
Scientific Research for Conservation of Rock hewn church, Üzümlü (Cappadocia) in 2016: Chapel of... more Scientific Research for Conservation of Rock hewn church, Üzümlü (Cappadocia) in 2016: Chapel of Niketas the Stylitis in Red Valley
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Conference Presentations by Ugur YALÇINKAYA
Papers by Ugur YALÇINKAYA
Within the framework of the UNESCO/Republic of Korea Funds-in-Trust Project for the Preservation of the Koguryo Tombs and Mural Paintings in the DPRK, the UNESCO Expert Workshop: Conservation of Mural Paintings – Research, Access, Conservation was organized in Berlin (Germany) at the Museum für Asiatische Kunst, Staatliche Museen zu Berlin, on 2–4 June 2015. This workshop brought together over 34 international mural painting conservators and experts from 13 countries from Europe, Asia and the United States of America, and notably brought together experts from the Republic of Korea (RoK) and the Democratic People’s Republic of Korea (DPRK).
The workshop was not only an opportunity to reinforce the DPRK’s national capacities with regard to conservation, but also to gain insights into the conservation and management of the World Heritage property ‘Complex of Koguryo Tombs’ in the light of international conservation standards. Furthermore, the Workshop provided a platform where experts of the RoK and the DPRK could share experiences and discuss various issues related to the conservation of their shared heritage. The Workshop also contributed to promoting the visibility of the UNESCO/RoK FiT Project on the Koguryo tombs among the international community.
Invaluable exchanges occurred around interesting cases studies concerning mural painting conservation, in particular with regard to World Heritage properties and other important mural paintings. As a result of these discussions, the Workshop released a new set of General Guidelines on the Conservation of Mural Paintings, with a special focus on paintings in damp environments. This marked an important step forward and acted as a welcome, specific complement to the Principles for the Preservation and Conservation-Restoration of Wall Paintings established by ICOMOS in 2003. The new Guidelines will be a useful guidance tool for many experts specialising in the conservation of mural paintings and will be available on the World Heritage Centre’s website.
The Workshop was jointly organized by the World Heritage Centre and the Rathgen Forschungslabor of the Staatliche Museen zu Berlin, in close cooperation with Museum für Asiatische Kunst Berlin and the German Chapter of ICOMOS.
paintings dated between the 9-13th centuries, in the
Cappadocia region started in the 1960s and
continues today. Within the scope of this thesis,
seven of the few wall painting conservationrestoration works carried out in the region were
examined and evaluated. These projects are;
conservation works of the Eskı Gumus/Gümüşler
Monastery wall paintings realized between 1962-
1965, conservation project of the wall paintings of
the Tokalı Church realized between 1972-80 and
2011(ongoing), conservation project of the wall
paintings of the Dark Church realized between 1980-
90, conservation project of the wall paintings of the
Elmalı Church realized between 1997-2003,
conservation project of the wall paintings of the Old
Andaval-Konstantin and Helena Church realized
between 2007- 2011, conservation project of the
wall paintings of the Forty Martyr’s Church realized
between 2007 and 2013, and the conservation
project of the Üzümlü Church wall paintings
realized between 2014-2016.
Different methods have been carried out in the
practices of the projects of the preservation and
restoration of wall paintings in the Cappadocia
region, but no evaluation has been made regarding
to their positive or negative results. For this reason,
with the purpose of the research, through the
examining 7 selected projects, to identify the
differences observed the conservation-restoration
implementation and conservation approaches that
changed over time
kültür varlığı olarak keşfedilmesinden, itibaren gerçekleştirilen birçok bilimsel çalışma neticesinde
kültürel mirasa yeni bir eser kazandırılmasını hikaye eder. Alakent Kilisesi’nde gerçekleştirilen
arkeolojik çalışmalar başta olmak üzere, sanat tarihi, mimarisi, sanatsal özellikler ve korumaonarım çalışmaları gibi birçok disiplinin çalışma sonuçlarını ve değerlendirmelerini ortaya
koymaktadır.
Within the framework of the UNESCO/Republic of Korea Funds-in-Trust Project for the Preservation of the Koguryo Tombs and Mural Paintings in the DPRK, the UNESCO Expert Workshop: Conservation of Mural Paintings – Research, Access, Conservation was organized in Berlin (Germany) at the Museum für Asiatische Kunst, Staatliche Museen zu Berlin, on 2–4 June 2015. This workshop brought together over 34 international mural painting conservators and experts from 13 countries from Europe, Asia and the United States of America, and notably brought together experts from the Republic of Korea (RoK) and the Democratic People’s Republic of Korea (DPRK).
The workshop was not only an opportunity to reinforce the DPRK’s national capacities with regard to conservation, but also to gain insights into the conservation and management of the World Heritage property ‘Complex of Koguryo Tombs’ in the light of international conservation standards. Furthermore, the Workshop provided a platform where experts of the RoK and the DPRK could share experiences and discuss various issues related to the conservation of their shared heritage. The Workshop also contributed to promoting the visibility of the UNESCO/RoK FiT Project on the Koguryo tombs among the international community.
Invaluable exchanges occurred around interesting cases studies concerning mural painting conservation, in particular with regard to World Heritage properties and other important mural paintings. As a result of these discussions, the Workshop released a new set of General Guidelines on the Conservation of Mural Paintings, with a special focus on paintings in damp environments. This marked an important step forward and acted as a welcome, specific complement to the Principles for the Preservation and Conservation-Restoration of Wall Paintings established by ICOMOS in 2003. The new Guidelines will be a useful guidance tool for many experts specialising in the conservation of mural paintings and will be available on the World Heritage Centre’s website.
The Workshop was jointly organized by the World Heritage Centre and the Rathgen Forschungslabor of the Staatliche Museen zu Berlin, in close cooperation with Museum für Asiatische Kunst Berlin and the German Chapter of ICOMOS.
paintings dated between the 9-13th centuries, in the
Cappadocia region started in the 1960s and
continues today. Within the scope of this thesis,
seven of the few wall painting conservationrestoration works carried out in the region were
examined and evaluated. These projects are;
conservation works of the Eskı Gumus/Gümüşler
Monastery wall paintings realized between 1962-
1965, conservation project of the wall paintings of
the Tokalı Church realized between 1972-80 and
2011(ongoing), conservation project of the wall
paintings of the Dark Church realized between 1980-
90, conservation project of the wall paintings of the
Elmalı Church realized between 1997-2003,
conservation project of the wall paintings of the Old
Andaval-Konstantin and Helena Church realized
between 2007- 2011, conservation project of the
wall paintings of the Forty Martyr’s Church realized
between 2007 and 2013, and the conservation
project of the Üzümlü Church wall paintings
realized between 2014-2016.
Different methods have been carried out in the
practices of the projects of the preservation and
restoration of wall paintings in the Cappadocia
region, but no evaluation has been made regarding
to their positive or negative results. For this reason,
with the purpose of the research, through the
examining 7 selected projects, to identify the
differences observed the conservation-restoration
implementation and conservation approaches that
changed over time
kültür varlığı olarak keşfedilmesinden, itibaren gerçekleştirilen birçok bilimsel çalışma neticesinde
kültürel mirasa yeni bir eser kazandırılmasını hikaye eder. Alakent Kilisesi’nde gerçekleştirilen
arkeolojik çalışmalar başta olmak üzere, sanat tarihi, mimarisi, sanatsal özellikler ve korumaonarım çalışmaları gibi birçok disiplinin çalışma sonuçlarını ve değerlendirmelerini ortaya
koymaktadır.