In love with that one shot near the beginning with Patrick Fischler exiting the café and staring out into the sun. The colour grading in this moment is immaculate. David Lynch needs to stop shooting in such moody settings because these shots out in broad daylight were such a pleasure to just take in. Also: when Naomi Watts walks into her aunt’s bathroom for the first time ,… lighting had me on clutch for a moment there.
Can’t help but…