An incisive exploration of how men often sexualise even the most ordinary moments, while excusing or rationalising other men’s inappropriate sexual behaviour with undue leniency. Told through the lens of a female director and brought to life by a female lead actor, these moments resonate with a truthfulness that makes them all the more unsettling.
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Rear Window 1954
Hitchcock’s genius lies in his ability to turn silence into a symphony of tension, allowing us to peer into the lives of strangers and draw our own conclusions. As we watch James Stewart’s L.B. Jefferies observe his neighbours from his wheelchair-bound perch, we, in turn, become voyeurs, complicit in his assumptions and just as captivated by the glimpses of mundanity and intrigue.
The film’s power lies in what remains unseen and unsaid. Without a score dictating our emotions, the suspense…
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