The way that one screenwriter had such a stranglehold over the Academy for two straight years by handing in the most tone-deaf, melodramatic, 'everything you're expecting to happen does' scripts will continue to fascinate me. In between rewarding Peter Jackson for cinematic sorcery and Martin Scorsese and the Coen Brothers for their surest cinematic statements yet, the Academy was all about rewarding an abusive scientologist with unrealistic views of minorities, disabilities, poor people and morals in general.
Anyway this is…