Tombs of the Blind Dead really needs a doom metal soundtrack to go with all the ancient cleric’s robes, slow motion skeleton’s on horseback, Knight’s Templar iconography, and fetid catacombs.
Metal as fuck.
Tombs of the Blind Dead really needs a doom metal soundtrack to go with all the ancient cleric’s robes, slow motion skeleton’s on horseback, Knight’s Templar iconography, and fetid catacombs.
Metal as fuck.
A meta-slapstick comedy made specifically for fans of 80’s slashers, Bloody Axe Wound imagines a world where literal Jason Voorhees, and every other Golden Era slasher villain, becomes your goofy neighborhood dad. A world where being a psycho killer is just an unique career choice.
Fun idea, bleh execution.
Play this on mute in the background at your next Cannibal Corpse album listening party.
Alright, the “framing” of No Reason is kind of boring and kind of sucks. But if you watch this through the lens of being a series of Hell-inspired set pieces of extreme gore, cruelty, mutilation, and perversity, it kind of fucking rocks.
Some truly disgusting shit going on here, this is another one of those “self-righteous art film meets low-brow exploitation film” kind of movies…
It’s time to tackle Melancholia Der Engel. For those who are unaware, Marian Dora’s magnum opus is widely considered amongst extreme cinema fans to be one of the most depraved and perverse pieces of art ever put to film. Its reputation sets it leagues ahead of the like of Salò, Cannibal Holocaust, or August Underground. We’re not fucking around with this one.
Running almost 3 hours long, viewers are bombarded with vile and repugnant imagery that includes near-constant animal cruelty,…