talks about genre movies and tv for O.B.O.D. podcast
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What We Left Behind: Looking Back at Star Trek: Deep Space Nine 2018
Again, this one is for the fans of the show. I really enjoyed it, because it's funny and charming and a bit wacky too. The writer's room creating a comeback episode was a very innovative way to make us nostalgic, but not in a cheap, direct way. I would love to see more about the Ferengi and Quark (Armin Shimerman) and Jeffrey Combs and all his characters, especially Weyoun, but I love that they took time for Jadzia (Terry Farrell), even if they were a bit reluctant to delve into her leaving the show really. The outro song was amazing.
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The Electric State 2025
Netflix did it again. A totally soulless movie that is instantly forgettable. There's not a cliché small enough to be featured, no opportunity to be condescending to the audience missed. Exposition, a bit of action, than exposition, than some sentimental flashback, some action, and to exposition again. It's also stealing all over the place: from E.T. to every Marvel movie ever, including Chris Pratt playing a version of Star-Lord complete with the rock soundtrack. Some of the visuals are great,…
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Family Therapy 2024
This review may contain spoilers. I can handle the truth.
I wanted to like the movie, but I have really little tolerance for pretentiousness. I struggled with myself and barely pushed through to watch this to the end. It's a surrealist satire in the vein of Ruben Östlund, and it's an art house drama like many many art house dramas you've seen. The combination just doesn't work. As simple as that. The story is a washed down Bijitâ Q of Takashi Miike about a stranger (long lost son) coming to…
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Bitch, A Derogatory Term for a Woman 2021
It's a really wonderfully shot realistic romantic comedy, with great music and even greater cast. A bit sped up at the end, and the themes are maybe to jumbled together, but nevertheless a charming film that shows how vital Slovenian cinema of 21st century is.
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