Aljoša Harlamov

Aljoša Harlamov

talks about genre movies and tv for O.B.O.D. podcast

Favorite films

  • All That Jazz
  • The Celebration
  • The Death of Mr. Lazarescu
  • Dune

Recent activity

All
  • What We Left Behind: Looking Back at Star Trek: Deep Space Nine

    ★★★½

  • The Electric State

    ★★

  • Woman in Motion

    ★★★½

  • Star Trek: The Captains' Summit

    ★★★½

Recent reviews

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  • What We Left Behind: Looking Back at Star Trek: Deep Space Nine

    What We Left Behind: Looking Back at Star Trek: Deep Space Nine

    ★★★½

    Again, this one is for the fans of the show. I really enjoyed it, because it's funny and charming and a bit wacky too. The writer's room creating a comeback episode was a very innovative way to make us nostalgic, but not in a cheap, direct way. I would love to see more about the Ferengi and Quark (Armin Shimerman) and Jeffrey Combs and all his characters, especially Weyoun, but I love that they took time for Jadzia (Terry Farrell), even if they were a bit reluctant to delve into her leaving the show really. The outro song was amazing.

  • The Electric State

    The Electric State

    ★★

    Netflix did it again. A totally soulless movie that is instantly forgettable. There's not a cliché small enough to be featured, no opportunity to be condescending to the audience missed. Exposition, a bit of action, than exposition, than some sentimental flashback, some action, and to exposition again. It's also stealing all over the place: from E.T. to every Marvel movie ever, including Chris Pratt playing a version of Star-Lord complete with the rock soundtrack. Some of the visuals are great,…

Popular reviews

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  • Family Therapy

    Family Therapy

    This review may contain spoilers. I can handle the truth.

  • Bitch, A Derogatory Term for a Woman

    Bitch, A Derogatory Term for a Woman

    ★★★★

    It's a really wonderfully shot realistic romantic comedy, with great music and even greater cast. A bit sped up at the end, and the themes are maybe to jumbled together, but nevertheless a charming film that shows how vital Slovenian cinema of 21st century is.