Stupid bitch watching stupid films.
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Mulholland Drive 2001
“This is all a tape recording. No hay banda! And yet we hear a band.”
There is no music and yet we hear it, nothing real is ever shown on screen and yet we believe it, trust it, confuse it for our own lives. Incomprehensible things seep in through the gap left open by this constant mediation. We are only watching shadows on the wall of the cave.
Silencio.
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Blue Velvet 1986
Are Lynch and Soseki the only people to have truly understood the strange recursive logic of dreams? Visiting the same room night after night, non-sequitur conversations that vanish by morning. Hopper is both chilling and laughably deranged, the kind of evil that exists everywhere but only Lynch has the courage to show onscreen.
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Gone with the Wind 1939
I'm not exactly a purveyor of classic films, but I do acknowledge that many of them, despite my personal tastes, have something in them that has warranted their addition to the canon: that is to say, it's no wonder that this is considered to be one of the most important American films of all time.
Gone with the Wind pulls you into a complicated double bind - you feel for Scarlett's plight, for everyone's, the destruction of everything they have…
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Faster, Pussycat! Kill! Kill! 1965
You've got a weird sense of humor.
Try again, I get funnier.
Brutal unrelenting femininity, women commandeering masculine implements of power: fast cars, sharp knives, and big appetites. So crammed full of crass innuendos that it borders tantalizingly close to genius. If there was any justice in this world I would look like Tura Satana and eat men like air.
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