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Casablanca 1942
Oh to be a woman (Ingrid Bergman) who’s fate lies in a man’s (Humphrey Bogart) hands
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Anora 2024
In an age of Netflix and half-ass scripts, the movie conveyed a sort of genuineness from the outset thanks not only to the talented actors but also to the universality of its distilled humor, both scripted and unscripted. This quality is what, I believe, has led to its resonance and sweeping victory.
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