ardacB

ardacB

Favorite films

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  • Queer

    ★★★½

  • Frantz

    ★★★½

  • Limonov: The Ballad

    ★★★★

  • Close

    ★★★★

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  • Queer

    Queer

    ★★★½

    Weiirddd hahaha 

    Really didn’t expect him to completely let go of it like this. Really strange, I kinda love it, these movies really exist in the Guadagnino world. Couldn’t recomment it to anyone but I enjoyed it, really strange and completely unexpected. It’s letting go of “meaning” but it holds up in its universe. You could probably write a 5000 word essay about the movie, is much more fun to just let it exist in its own world though. Touch if melancholie like every Luca film. He is one of a generation. Really Insane, made me laugh out loud for no reason.

  • Frantz

    Frantz

    ★★★½

    Hikaye gercekten bastan sona Nocturne No.20 icin yazilmis gibi hissettiriyor. Sanki Francois Ozon ardi ardina Nocturne’u dinleyip senaryoyu yazmis. Parcadaki notalarin inisi ve cikisi, yukselisiyle umut verisi ve dususuyle parcalara ayrilisi hikayeyle butunlesiyor. Kemanin ve piyanonun birlesemeyen hikayesi Adrien ve Anna’yi benimsiyor. Adrien’in keman calarken Anna’nin piyanoya baslamasiyla birlikte Adrienin bayilmasi, keman ve piyano hikayesinin asla birlesememesinin bir yansimasi aslinda. Bu filmin kesidini ilk kez Cannes’da Francois Ozon ve Philippe Rombi ile ayni odada izlemis olmam filme benim icin ayri…

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  • Killers of the Flower Moon

    Killers of the Flower Moon

    ★★★★

    It doesn’t hide the murders but showcases their ordinary nature, it shows evil as banale, as something that is not even smart, but something intrinsic to the way things work. In this case, all moly can do is react to ehat is happening around her. Her acting is powerful, and shows the audience what to feel. But she is also so powerless, that she is in every sense of the word “ a victim”. Scorsese does this courageously, not giving…

  • Limonov: The Ballad

    Limonov: The Ballad

    ★★★★

    One of the most exciting first halves of a feature I’ve seen for some time. Russians know how to make this stuff. Pawlikovski’s screenplay was a beatiful surprise.

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