Snowpiercer meets Okja
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The Graduate 1967
This film completely won me over. Its technical craftsmanship is outstanding—the cinematography, acting, editing, and overall visual composition are all handled with such taste and precision. It’s rare to see this level of artistry in a comedy, which makes it all the more striking. I was genuinely surprised to learn it was made in 1967; everything about it feels remarkably modern.
The story itself can be frustrating at times, particularly in how painfully awkward Ben is. It’s a slow-burn comedy…
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Bridget Jones: Mad About the Boy 2025
The film’s portrayal of grief is exceptionally well-executed—subtle yet unafraid to fully embrace the weight of the moment. It resists the temptation to dilute the emotional gravity of such an event in favor of the film’s comedic inclinations, which is commendable. However, beyond that, the screenplay feels disjointed and lacks true coherence.
As much as I admire Renée Zellweger, the aesthetic procedures she has undergone significantly hinder the film’s emotional resonance. It seems as though she physically cannot cry, and…
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