Won’t pay the man a dime, but millions in collateral damage.
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The Other Side of the Wind 2018
I'm torn about it: It seemed a bit messy to me and I didn't think the satire worked the whole time because it went on for quite long, but it's also gorgeous, radical, unique and personal. I really wonder how close it is to anything Orson Welles cut or envisioned himself. It's probably for the cinephiles out there, but if you like Welles, give it a chance.
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