While some of its ideas have an interesting tone, this is another failed attempt at a small future franchise—that I really hope it does not see the light of day—that is weighted more on its distributors/producers rather than its director and an original idea from him.
None of its proposals are remarkable at best, and the ending comes astoundingly bad for a Todd Phillips project.
Through the halls of many an example on Hollywood satires and scripted criticisms, Coralie Fargeat's work stands triumphant as a drama with hints of a horror movie, working Demi Moore and Margaret Qualley in this interesting take on the lifestyle of the famous, the artists, the media and some of its darkest themes.
Films from Nobuhiro Yamahita reveal the world in which Japanese people really live, even through fantastical methods.
Linda Linda Linda makes a realistic take on what was once a milestone in Japanese-film storytelling: a group of high schoolers that go through a slice of life story which is adorned by music.
As storytelling goes, the amazing meld of fantastic music compositions and a masterly-done script takes this film to another experience. It is a story that starts and ends in unexpected ways.
