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Hannah Gadsby: Douglas 2020
Without her trademark white bourgeois critique of comedy as a cultural phenomenon, Gadsby is forced to rely on her severely-lacking abilities as a joke writer. Not only is Douglas an incredibly boring attempt at rehashing the tired gimmick of a deconstructed comedy special, it reveals an uncomfortable truth about Gadsby’s previous special, Nanette, and woke comedy as a whole. The white liberal is so addicted to being a voyeur to trauma that they value it over any genuine form of…
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