Drag Me
One ticket to be Dragged Across Concrete, please—no, thank you.
Deep frustration consumed me for half of the film, but I warmed up to it slightly in the latter half—only soon being left severely disappointed by its long-awaited conclusion.
S. Craig Zahler, the director, used unconventional techniques to build tension, placing a strange focus on scenes that dragged on for too long, not necessarily driving the plot forward in a meaningful way. On the other hand, the hyper-real-breakneck…
