Seriously, that ballroom scene with Golden Years is an all-timer
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Blow Out 1981
“I don’t like being observed.”
Instinctually I’m more a Pakula than a De Palma kind of guy - I don’t think there’s tons of political heft here despite the heavy-handed signalling. But then again, the conspiracy narrative here is really a framework for exploring the special kind of voyeurism that cinema relies on: the kind that constantly has to balance the tension between wanting to tear away the mask and needing to leave it on. It’s peeking in on something…
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28 Up 1984
I really just want to use this space to note down some of the interview between Apted and Hughes. I think it speaks for itself.
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Neil Hughes: “I always told myself that I would never have children.”
Michael Apted: “Why?”
Neil: “Because … because … well, because children inherit something from their parents, and even if my wife were the most high-spirited, and normal, and ordinary of people, the child would still stand a very fair chance of being not totally full…Translated from by -
London, Cinematography Entry 1896
Remarkably detailed
Watched on YouTube: m.youtube.com/watch?t=1446&v=mu8d-UDVvbw&feature=youtu.be at 24:05
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