Expected this to be sleek and taut because Soderbergh and all, but goddamn!!
Between this and the killer, love this zone of Fassbender. I would crumble under his polygraph
Imax re-release viewing.
Certainly more aware of some the clunky dialogue/editing 10 years on compared to my 19 year old Nolan-head self’s viewing. But dammit this still remains one of my all time favorite in theatre watches. Also a lot more moved at the (younger) father/daughter scenes than I remember ever being?