This is a beautiful thing.
Beautiful.
This is a beautiful thing.
Beautiful.
This movie, while realistic, angers me. Greatly.
I about threw my phone across the room at the ending.
To quote a middle-school friend of mine: "THAT WAS THE WORST ENDING EVER."
How can I best describe Millennium Actress?
That's a tough one.
I have to say, though, that it is one of the most unique ways I've seen someone make a film pertaining to the difficulty of reconciling with a nation's past.
However, this planting of Tachibana and his sarcastic cameraman within the events of the film (much to the cameraman's constant confusion and bemusement) provides comic relief that serves as a buffer between confronting painful realities that it makes contending…