عبد الأفلام
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The Insider 1999
"The Insider", a film made by washed-up 60s/70s radicals, about post-Watergate wannabe muckrakers, celebrates the (TV) journalist as hero, out for a final hurrah before the inevitable ‘pink slip’ by restructuring legacy corpo-news outlets. Perhaps the quintessential 90s film, forged from Clintonian neoliberalism, that chimerical alliance of old 60s/70s Marcuse radicals turned corporate types (Lowell Bergman) & Southern Democrats, ashamed of domestic apartheid, now turned into 'nullification crisis state righters' ("This is not North Carolina, not South Carolina, nor Kentucky, *this…
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Kanehsatake, 270 Years of Resistance 1993
"On veut l'armée!", chant the suburban motorists, as they burn a 'Mohawk' in effigy. Exactly twenty years after the Canadian army had been sent into Montréal during the "Crise d'Octobre", sparking a conflict between Québécois separatists & the federal government for a generation, Obomsawin's "Kanehsatake" is a searing look into the shared Anglo/Franco-settler inner heart, upon even a slight display of Mohawk community activism.
This worldview was made manifest by the Jacquerie-esque quality of popular settler violence in the documentary, a…
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Pharaoh 1966
They do not make historical films like this anymore - truly epic in scale, as it should be, with enough faithfulness to historical accuracy, without it being simply superficial stuffing (*cough* Scott’s Napoleon *cough*). Where else are you going to find a film shot in the original ancient Egyptian temples and in the beautiful vistas of the Kyzyl Kum with the volunteer army of the Uzbek SSR as extras?
Early Iron Age deep state political drama, what’s not to love?…
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Come and See 1985
Eyes are the windows to the soul, and so much of what makes this film great is Klimov's usage of the human gaze, windows to unending trauma (captured so well through the young Aleksei Kravchenko). Mesmerising cinematography. Without a doubt one of the greatest WW2 films ever made. Klimov doesn't overly valorise the fighters of war, so much as to castigate its wanton destruction and pointlessness, verging on the apolitical.
Creative usage of ambient sound to create suspense without seeing…
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