This was something. Hard not be captivated by the enthralling way the camera moves and the bangin soundtrack. Sorrentino easily displays a masterclass in cinematography.
Jep is sixty five with no partner, no family, or real connection in his life. Yet, there is a reckoning with the fact that his sorrow is not necessarily the result of solitude or bad life decisions, but rather getting to an age where he must come to terms with his mortality. All the things…